Silent Fire

The “wryneck” is quite a strange bird. It has two fingers in front and two fingers in back, according to Aristotle. It makes little high-pitched screams. it is able to stick its tongue out for a long time, like snakes. It gets its name, « wryneck », from its ability to turn its neck without the rest of its body moving. It is also capable of making women and men fall in lovei.

But more importantly, the “wryneck” is a divine « messenger », according to the Chaldaic Oraclesii.

There are, admittedly, many other divine “messengers”, such as the Platonic « intermediaries » (metaxu) and « demons » (daimon). Among them, there is the « Fire », which is a metaphor for the « soul of the world ». All souls are connected to the Fire, because they originated from it: « The human soul, spark of the original Fire, descends by an act of her will the degrees of the scale of beings, and comes down to lock herself in the jail of a body.» iii

How does this descent take place? It is an old “oriental” belief that souls, during their descent from the original Fire, clothe themselves with successive ‘veils’, representing the intermediate planes they have to cross through.

Every incarnating soul is in reality a fallen god. The soul strives to come out of the oblivion into which she has fallen. She must leave the « flock », subjected to an unbearable, heavy, somber fate, in order « to avoid the brazen wing of the fatal destiny »iv. To do this, she must succeed in uttering a certain word, in memory of her origin.

These « chaldaic » ideas have greatly influenced thinkers like Porphyry, Jamblicus, Syrianus and Proclus, inciting them to describe the « rise of the soul », ἀναγωγη, thus replacing the more static concepts of Greek philosophy, still used by Plotinus, and opening the possibility of theurgy, the possibility for the soul to act upon the divine.

Theurgy is « a religious system that brings us into contact with the gods, not only by the pure elevation of our intellect to the divine Noos, but by means of concrete rites and material objects »v.

Chaldaic theurgy is full of signs, expressing the unspeakable, in ineffable symbols. « The sacred names of the gods and other divine symbols raise to the gods.”vi Chaldaic prayer is effective, because « hieratic supplications are the symbols of the gods themselves »vii, wrote Edouard des Places.

“Angels of ascension” make souls rise towards them. They remove the souls from the « bonds that bind them », that is, from the vengeful nature of demons, and from the trials human souls suffer: « Let the immortal depth of the soul be opened, and dilate all your eyes well above! ».viii

Many challenges await those undertaking the spiritual ascension. The Divine is beyond the intelligible, entirely unthinkable and inexpressible, and better honored by silence.

It’s worth noting that, in Vedic ceremonies, silence plays a structurally equivalent role in approaching the mysteries of the Divine. Next to the priests who operate the Vedic sacrifice, there are priests who recite the divine hymns, others who chant them and yet others who sing them. Watching over the whole, there is another priest, the highest in the hierarchy, who stands still and remains silent throughout the ceremony.

Hymns, psalms, songs, must yield to silence itself, in the Chaldaic religion as in the Vedic religion.

The other common point in these two cults is the primary importance of Fire.

The two traditions, which are so far apart, transmit a light from a very old and deep night. They both refer to the power of the original Fire, and contrast it with the weakness of the flame that man has been given to live by:

« [Fire] is the force of a luminous sword that shines with spiritual sharp edges. It is therefore not necessary to conceive this Spirit with vehemence, but by the subtle flame of a subtle intellect, which measures all things, except this Intelligible Itself. » ix

iIn his 4th Pythic, Pindar sang Jason’s exploits in search of the Golden Fleece. Jason faces a thousand difficulties. Fortunately, the goddess Aphrodite decided to help him, by making Medea in love with him, through a bird, the “wryneck”. In Greek, this bird is called ἴϋγξ, transcribed as « iynge ». « Then the goddess with sharp arrows, Cyprine, having attached a wryneck with a thousand colours to the four spokes of an unshakeable wheel, brought from Olympus to mortals this bird of delirium, and taught the wise son of Eson prayers and enchantments, so that Medea might lose all respect for her family, and the love of Greece might stir this heart in fire under the whip of Pitho.» The magic works. The « bird of delirium » fills Medea with love for Jason. “Both agree to unite in the sweet bonds of marriage”.(Pindar, 4rth Pythic)

iiChaldaic Oracles, Fragment 78

iiiF. Cumont. Lux perpetua (1949)

ivChaldaic Oracles, Fragment 109

v A. Festugière. Révélation (1953)

viCf. Édouard des Places, dans son introduction à sa traduction des Oracles chaldaïques (1971). (Synésius de Cyrène (370-413) énonce un certain nombre de ces noms efficaces. Άνθος est la « fleur de l’Esprit », Βένθος est le « profond », Κολπος est le « Sein ineffable » (de Dieu), Σπινθήρ est « l’Étincelle de l’âme, formée de l’Esprit et du Vouloir divins, puis du chaste Amour » : « Je porte en moi un germe venu de Toi, une étincelle de noble intelligence, qui s’est enfoncée dans les profondeurs de la matière. » Ταναός est la « flamme de l’esprit tendué à l’extrême », et Τομή est « la coupure, la division », par laquelle se produit « l’éclat du Premier Esprit qui blesse les yeux ».Proclus s’empara de ces thèmes nouveaux pour éveiller la « fleur », la « fine pointe de l’âme ».)

viiÉdouard des Places, Introduction. Oracles chaldaïques (1971)

viiiChaldaic Oracles, fragment 112

ix Chaldaic Oracles, fragment 1.

Infinite Journeys

The age of the universe

According to the Jewish Bible the world was created about 6000 years ago. According to contemporary cosmologists, the Big Bang dates back 14 billion years. In fact the Universe could actually be older. The Big Bang is not necessarily the only, original event. Many other universes may have existed before, in earlier ages, who knows?

Time could go back a very long way. Time could even go back to infinity according to cyclical universe theories. This is precisely what Vedic cosmology teaches.

In a famous Chinese Buddhist-inspired novel, The Peregrination to the West, there is a story of the creation of the world. It describes the formation of a mountain, and the moment « when the pure separated from the turbid ». The mountain, called the Mount of Flowers and Fruits, dominates a vast ocean. Plants and flowers never fade. « The peach tree of the immortals never ceases to form fruits, the long bamboos hold back the clouds. » This mountain is « the pillar of the sky where a thousand rivers meet ». It is “the unchanging axis of the earth through ten thousand Kalpa.”

An unchanging land for ten thousand Kalpa

What is a Kalpa? It is the Sanskrit word used to define the very long duration entailed to cosmology. To get an idea of the duration of a Kalpa, various metaphors are available. Take a 40 km cube and fill it to the brim with mustard seeds. Remove a seed every century. When the cube is empty, you will not yet be at the end of the Kalpa. Then take a large rock and wipe it once a century with a quick rag. When there is nothing left of the rock, then you will not yet be at the end of the Kalpa.

What is the age of the Universe? 6000 years? 14 billion years? 10,000 Kalpa?

We can assume that these times mean nothing certain. Just as space is curved, time is curved. The general relativity theory establishes that objects in the universe tend to move towards regions where time flows relatively more slowly. A cosmologist, Brian Greene, says: « In a way, all objects want to age as slowly as possible. » This trend, from Einstein’s point of view, is exactly comparable to the fact that objects « fall » when dropped.

For objects in the Universe that are closer to the « singularities » of space-time (such as « black holes »), time is slowing down more and more. In this interpretation, it is not ten thousand Kalpa that should be available, but billions of billions of billions of Kalpa

A human life is only an ultra-fugitive scintillation, a kind of femto-second on the scale of Kalpa, and the life of all humanity is only a heartbeat. That’s good news! The incredible stories hidden in a Kalpa, the narratives that time conceals, will never run out. The infinite of time has its own life.

Mystics, like Plotin or Pascal, reported some of their visions. But these visions were never more than snapshots, infinitesimal moments, compared to the infinite substance from which they emerged.

This substance is comparable to a landscape of infinite narratives, a never-ending number of mobile points of view, each of them opening onto other infinite worlds, some of which deserve a detour, and some may be worth an infinite journey.

The Egyptian Messiah

Human chains transmit knowledge acquired beyond the ages. From one to the other, you always go up higher, as far as possible, like the salmon in the stream.

Thanks to Clement of Alexandria, in the 2nd century, twenty-two fragments of Heraclitus (fragments 14 to 36 according to the numbering of Diels-Kranz) were saved from oblivion, out of a total of one hundred and thirty-eight.

« Rangers in the night, the Magi, the priests of Bakkhos, the priestesses of the presses, the traffickers of mysteries practiced among men.  » (Fragment 14)

A few words, and a world appears.

At night, magic, bacchae, lenes, mysts, and of course the god Bakkhos.

The Fragment 15 describes one of these mysterious and nocturnal ceremonies: « For if it were not in honour of Dionysus that they processioned and sang the shameful phallic anthem, they would act in the most blatant way. But it’s the same one, Hades or Dionysus, for whom we’re crazy or delirious.»

Heraclitus seems reserved about bacchic delusions and orgiastic tributes to the phallus.

He sees a link between madness, delirium, Hades and Dionysus.

Bacchus is associated with drunkenness. We remember the rubicond Bacchus, bombing under the vine.

Bacchus, the Latin name of the Greek god Bakkhos, is also Dionysus, whom Heraclitus likens to Hades, God of the Infernos, God of the Dead.

Dionysus was also closely associated with Osiris, according to Herodotus in the 5th century BC. Plutarch went to study the question on the spot, 600 years later, and reported that the Egyptian priests gave the Nile the name of Osiris, and the sea the name of Typhon. Osiris is the principle of the wet, of generation, which is compatible with the phallic cult. Typhoon is the principle of dry and hot, and by metonymy of the desert and the sea. And Typhon is also the other name of Seth, Osiris’ murdering brother, whom he cut into pieces.

We see here that the names of the gods circulate between distant spheres of meaning.

This implies that they can also be interpreted as the denominations of abstract concepts.

Plutarch, who cites in his book Isis and Osiris references from an even more oriental horizon, such as Zoroaster, Ormuzd, Ariman or Mitra, testifies to this mechanism of anagogical abstraction, which the ancient Avestic and Vedic religions practiced abundantly.

Zoroaster had been the initiator. In Zoroastrianism, the names of the gods embody ideas, abstractions. The Greeks were the students of the Chaldeans and the ancient Persians. Plutarch condenses several centuries of Greek thought, in a way that evokes Zoroastrian pairs of principles: « Anaxagoras calls Intelligence the principle of good, and that of evil, Infinite. Aristotle names the first the form, and the other the deprivationi. Plato, who often expresses himself as if in an enveloped and veiled manner, gives to these two contrary principles, to one the name of « always the same » and to the other, that of « sometimes one, sometimes the other ». »ii

Plutarch is not fooled by Greek, Egyptian or Persian myths. He knows that they cover abstract, and perhaps more universal, truths. But he had to be content with allusions of this kind: « In their sacred hymns in honour of Osiris, the Egyptians mentioned « He who hides in the arms of the Sun ». »

As for Typhon, a deicide and fratricide, Hermes emasculated him, and took his nerves to make them the strings of his lyre. Myth or abstraction?

Plutarch uses the etymology (real or imagined) as an ancient method to convey his ideas: « As for the name Osiris, it comes from the association of two words: ὄσιοϛ, holy and ἱερός, sacred. There is indeed a common relationship between the things in Heaven and those in Hades. The elders called them saints first, and sacred the second. »iii

Osiris, in his very name, osios-hieros, unites Heaven and Hell, he combines the holy and the sacred.

The sacred is what is separated.

The saint is what unites us.

Osiris joint separated him to what is united.

Osiris, victor of death, unites the most separated worlds there are. It represents the figure of the Savior, – in Hebrew the « Messiah ».

Taking into account the anteriority, the Hebrew Messiah and the Christian Christ are late figures of Osiris.

Osiris, a Christic metaphor, by anticipation? Or Christ, a distant Osirian reminiscence?

Or a joint participation in a common fund, an immemorial one?

This is a Mystery.

iAristotle, Metaph. 1,5 ; 1,7-8

iiPlato Timaeus 35a

iiiPlutarch, Isis and Osiris.

Three sorts of God.

In an essay published in 1973, Jacques Lacarrière violently attacked Christianity, that of the first centuries, and that of our time. « Christians, with their compensatory and castrating mythology, have totally evaded the daily problems of their time and perpetuated to this day the acceptance of all social injustices and submission to established powers.»i

This harsh judgment does not accurately reflect the history of Christianity, but the intention is elsewhere. Lacarrière’s real aim is to give strong praise to Gnosticism, in contrast. « The Gnostics, on the other hand, have consistently advocated insubordination towards all powers, Christian or pagan, » he explains.

By taking up the cause of the Gnostics, he poses himself as a « reincarnated Gnostic, two thousand years later », and emphatically adopts their fundamental thesis: « All institutions, all laws, all religions, all churches, all powers are only jokes, traps and the perpetuation of a millennial deception. In short: we are exploited on a cosmic scale, the proletarians of the executioner-demiurgist, slaves exiled in a world viscerally subjected to violence.»ii

For the Gnostics, the world is a « prison », a « cloaca », a « quagmire », a « desert ». In the same vein, the human body is a « tomb », a « vampire ».

The world we live in was not created by the true God. It is the work of the Demiurge, a god who ‘simulates’ the true God. The Gnostics reject both this ‘evil’ world and the ‘false God’ who created it — a God that they call ‘Jehovah’.

Where and when did the Gnosis appear?

According to Lacarrière, it was in Alexandria in the 2nd century. This town was then « a crucible, an hearth, amortar, a blast furnace, where all the skies, all the gods, all the dreams are mixed, distilled, infused and transfused (…) All the races, all the continents (Africa, Asia, Europe), all the centuries (those of ancient Egypt which keeps its sanctuaries there, those of Athens and Rome, those of Judea, Palestine and Babylonia) are discovered there. »iii

In theory, such a place of encounter and memory would have been ideal for generating an inclusive and globalizing civilization. But the Gnostics had no use for these utopias. They deny the very reality of this world, which is from the beginning entirely dedicated to evil.

All signs are reversed. The Serpent, Cain, Set, symbols of evil and misfortune in the Jewish Bible, are for the Gnostics « the first revolts in the history of the world », and they make them « the founders of their sects and the authors of their secret books ».

The Gnostic sects, listed by Epiphanus, are very diverse. There are Nicolaitans, Phibionites, Stratiotics, Euchites, Leviticus, Borborites, Coddians, Zachaeans, Barbelites, etc. These terms had an immediate meaning for Greek-speaking populations. The Stratiotics meant « the Soldiers », the Phibionites are the « Humbles », the Eucharists are the « Prayers », the Zachaeans are the « Initiates ».

Lacarrière is fascinated by the Gnostics, but he also admits having great difficulty in discovering their « secrets », in finding « their veiled paths », in understanding « their hermetic revelations ».

There is in particular the question of ecstatic ceremonies, with their frenetic music, using the Phrygian mode (flutes and tambourines), their orgiastic dances, the consumption of drinks causing phenomena of transes and collective possession, and « horrible bacchanals where men and women mixed », as reported by Theodoret de Cyr.

The Gnostics, according to Lacarrière, had understood that the world was « a world of injustice, violence, massacres, slavery, misery, famine, horrors ». This world had to be rejected, contrary to what Christianity advocates. « It takes all the impudent hypocrisy of Christian morality to make the dispossessed, exploited, hungry masses believe that their trials were enriching and opened the doors of another world to them. »

Lacarrière concludes by claiming the need for a « new Gnosticism ». The Gnostic of today must be a « man turned towards the present and the future, with the intuitive certainty that he possesses above all in himself the keys to this future, a certainty that he must oppose all reassuring mythologies. »

These martial and hammered sentences are half a century old, but they certainly appear outdated. Today, the thousand-year-old debate between Christianity and Gnosticism seems to have lost its meaning. Current events seem to be more interested in the relationship between religion and fundamentalism, and in the issue of terrorism.

In the Bardo Museum of Tunis, where the memory of ancient Carthage still lives, in ancient Palmyra, on the shores of the Bosporus and the Gulf of Sirte, and in so many other places, blood has abundantly been shed.

Fanatics willing to give their lives to destroy a world order they consider vitiated to the very roots now occupy the headlines.

Can democratic states defend themselves against determined men or women who despise life, the lives of others like themselves?

The radicality of the Gnostics of the past, the war they had waged against the pagans, Jews and Christians at the beginning of our era, has found a successor. The jihadists embody it today vis-à-vis the Western world, the world of democracies and their allies.

History is on the lookout, and no one knows how things will turn out. The fact that the extreme right is now growing so much in countries that were vomiting it just yesterday is perhaps a sign of future disasters in preparation.

And what about God in all this? Is He even aware of all the misery, proliferating down this world?

Marguerite Yourcenar wrote in her Œuvre au noir: « Suffering and consequently joy and consequently good and what we call evil, justice and what is for us injustice and finally, in one form or another, the understanding that serves to distinguish these opposites, exist only in the world of blood and perhaps sap… Everything else, I mean the mineral kingdom and that of the spirits if it exists, is perhaps insensitive and quiet, beyond our joys and sorrows or below them. Our tribulations are possibly only a tiny exception in the universal factory and this could explain the indifference of this immutable substance that we devoutly call God. »

Blood flows, seemingly in God’s indifference.

But which God? The God of the Book? The One God? The God of Jihad? The « universal », « Catholic » God, or the God of the « Chosen Few », whether they are Calvinists, Gnostics or fundamentalists?

The heart beats, the sap and blood flows. God stays silent. Why?

It may be that this indifference comes from what God does not exist.

It may also be that God being immutable, his indifference follows from it, as Yourcenar suggests.

There is a third possibility. God’s mutity may only be apparent. It is possible that He speaks with a very low voice, that he whispers, like an uncertain zephyr. To perceive and hear, one must be a poet or a seer, an initiate or a mystagogue, a shaman or an ishrâqiyun.

So we are left today with tree options to choose from:

A non-existent God, an indifferent (or absent) God, or a very discreet God, speaking with an extremely weak voice?

What’s your bet?

iJacques Lacarrière, Les gnostiques. 1973



Bound to Build the Collective Unconscious of Humanity

Several centuries before Abraham left Ur in Chaldea, the Zend-Avesta religion revered in ancient Iran a ‘Lord of Lords’, a ‘supreme God’, named Ahura Mazda,which translates, in Pehlevi, or Middle Persian, as Ormuzd. Ahura Mazda has also other names, such as Spenta Mainyu, literally: « the Holy Spirit ».

Ahura Mazda reigns unique over all other, lower ranking, divinities, called ‘Gâthâs’.

Ahura Mazda being a supreme God, far beyond human reach or understanding, the prayers of the Zend-Avesta are addressed to the Gâthâs, rather than to Ahura Mazda, though they are only ‘intermediate divinities’, or more exactly ’emanations’ of Ahura Mazda. The Yasna says about the Gâthâs: « All the worlds, the bodies, the bones, the vital forces, the forms, the consciousness, the soul, the Phravaṣi, we offer them all and present them to the Gâthâs, Saints, Lords of time, pure; to the Gâthâs who are for us supporters, protectors, a food of the spirit.»i

In Avestic, which is the ancient Iranian language, Ahura means « lord ». Mazda means « highly learned », according to the eminent Burnouf, who breaks down the word mazda into maz – dâ. Maz is a superlative, and means « to know ». In modern Persian, dânâ means « learned ». There is also an equivalent in Sanskrit: « mêdhas« .

When asked by Zoroaster about the meaning of his Name, Ahura Mazda declared, as reported in the first Yast:

« My name is the Sovereign, my name is the One who knows ».

Zoroaster did not stick to this answer and continued to question Ahura Mazda. He urged him to reveal what is most powerful, most effective against the Spirit of Evil, Aṅra Mainyu (in Pehlevi: Ahriman), and against all the demons.

Ahura Mazda replied that what is most powerful is the names he bears.

And he added:

« My name is the One to be questioned; my second name is the Head of the flock; the Propagator of the law; the excellent Purity; the Good of pure origin; the Intelligence; the One who understands; the Wise; the Growth; the One who increases; the Lord; the One who is most useful; the One who is without suffering; the One who is solid; the One who counts the merits; the One who observes everything; the Helper; the Creator; the All-Knowing (the Mazda) (…). Remember and pronounce these names day and night. I am the Protector, the Creator, the Suspender, the Savior, the Most Holy Celestial Being. My name is the Auxiliary, the Priest, the Lord; I am called the One who sees much, the One who sees far away. My name is the Supervisor, the Creator, the Protector, the Connoisseur. I am called the One who augments; I am called the Dominator, the One who should not be deceived, the One who is not deceived; I am called the Strong, the Pure, the Great; I am called the One who has good science.

Whoever remembers and pronounces these names will escape the attacks of demons. »ii

In passing, we note the obvious analogy of these lines with comparable, but much later, texts of Judaism, and even later texts of Islam.

Avesta has all the characteristics of a revealed religion.

First of all, it was God (Ahura Mazda) who initially revealed himself to the Mazdaites.

Then, the Avesta refers to a great prophet, Zoroaster, who boasts of having served as an intermediary between God and man, and who was the great reformer of Mazdeism. The most recent scientific work shows that Zoroaster lived before Abraham, between 1400 and 1100 BC. He was the prophet who transformed the initial dualism of Mazdaism and the multiplicity of the various Gâthâs into an absolutely transcendental monism, after having discussed it directly with Ahura Mazda.

The interaction between Ahura Mazda and Zoroaster is not without analogy with the encounter between God and Moses, several centuries later.

From this strident comparison we may derive the following rough alternative.

The Materialistic Hypothesis :

The « world from above », the world of the divine, whose variations, analogies and anagogies, similarities and echoes one tries to identify in the long history of religious ideas, simply does not exist. The ‘spiritual’ world is really empty, there is no God, and it is the materialists who are 100% right. So the wars of religion, the sacrifices, the martyrs, the passions of belief, and all the blood shed today, yesterday and tomorrow, are all facets of a sinister farce played by scoundrels or Machiavellian policies at the expense of the unfathomable naivety of peoples, victims of their credulity and superstition.

This farce is continually developed and rewritten over the millennia by the so-called ‘enlightened’, the mad, the deranged, the cynical and the war criminals, all contributing to making this Earth a place without meaning, without past and without future. In this hypothesis, the world would be condemned to self-destruction, moral suicide and absolute violence, as soon as the trickery is finally blown up.

The Spiritual Hypothesis:

The « world from above » does indeed exist, in one way or another, but it escapes our perception, our understanding and intellection. It’s a Mystery, or the Mystery. In this case, there is a good chance that religions that have appeared since the dawn of time, such as Shamanism, the ancient Egyptian religion, Veda, Avesta, Mazdeism, Zoroastrianism, Chaldaic magic, Orphism, Judaism, Christianity and Islam, far from being able to claim an elective singularity, are as many instances of various perceptions and intuitions of the divine by man, as many testimonies of the plurality of possible approaches to the Mystery.

Each one of these religions represents a unique and special way of understanding the divine emanation, more or less adapted to the time and the peoples who receive it.

It would then be futile to rank or classify religions among themselves. It would be more productive, particularly from a forward-looking perspective, to examine the systemic relationships between a given era and the way in which religious fact is inscribed, at that moment in history, in the social, cultural, political and economic fabric.

Let us add that the general state of the world today, unfortunately suggests hat none of the religions mentioned above is now in a position to claim a monopoly on the ultimate truth or the final revelation on the fundamental questions that humanity keeps asking itself since millennia.

If such a « world from above », inaccessible to human reason, does in fact exist, it also implies that something extremely important, vital, and also beyond human comprehension, has been at stake for thousands of years at the core of Mankind, with the active but hidden and (most of the time) silent complicity of the Divine.

It should be assumed that since the dawn of humanity there has been a kind of cosmic, sidereal « great game », whose meaning and purpose are clearly beyond our grasp, but in which men are invited to take part, within the limits of their limited means.

Humanity is composed of generations that fleetingly pass through the earth like insects in the light on a summer evening. It is therefore very likely that these successive generations can only apprehend in a deficient way, the unspeakable challenge of this super-natural arrangement.

But it is possible to assume that successive human generations may from time to time generate in their midst enlightened spirits capable of intuitively perceiving, imaginalement (‘imaginally’), as Henry Corbin would say, the grandiose stake of this divine part.

All we can do in an era like ours, where materialism seems to pervade everything, is to refuse to let ourselves be caught up in the trap of preconceived ideas, to refuse sectarianism, dogmatism, the prisons of thought and imagination. We can actively contribute, soul by soul, to the slow, fragile and ungraspable building of the immanent Noosphere, the collective Unconscious of all humanity.

iYasna, ch. 54

iiQuoted by Abel Hovelacque, Avesta, Zoroastre et le mazdéisme. Paris, 1880.

The Sad Fate of Oriental Theosophy

In Aleppo, Syria, on July 29, 1191, Saladin had a philosopher, Sohravardî, killed.

Why? He was too subversive. Rulers do not like ideas that do not comfort them.

Sohravardî had been searching all his life for what he called the « True Reality ». He recorded the results of his investigations in his book: Oriental Theosophy. Henry Corbin wrote that he had « resurrected the ancient wisdom that the Imams of India, Persia, Chaldea, Egypt and the Ancient Greeks up to Plato never ceased to take as their pivot, from which they drew their own theosophy; this wisdom is eternal leaven. »i

This short sentence, full of names, has immense implications. It summarizes the dream, the common aspiration of many minds, that fly from century to century, leaping through space and time, or creeping in discreetly, invisibly, in a few chosen minds.

It evokes the idea of a shared intuition, a unique wisdom, a common thread linking the Indus to the Aegean Sea through the Oxus, the Tigris, the Euphrates, the Jordan and the Nile.

These rivers have been irrigating the nations that crowd their shores for thousands of years. The roads that cross them from East to West never ceased to transport words, cultures and ideas.

But today, the dream of a common wisdom shared by all humanity seems more chimeric than ever.

Nothing has been learned.

Dead is the idea of a common wisdom, spread among countless peoples.

Diverse religions, during millennia, Vedism, Avestism, Mazdeism, Zoroastrianism, Chaldean Magism, Hermetism, Orphism, Judaism, Christianity, and Islam (be it Sufi, Shi’ite or Sunni), all bear witness in their own specific and unique way to the fundamental unity of the human spirit. They are as many yeast in the same dough.

But they all failed, in their own way, since none of them succeeded in bringing real peace and lasting wisdom in the minds of men.

A universal cradle of ancient visions, the Middle East is still or again devastated by war.

Universal hatred, encouraged by specific interests, seems unabated.

We need to reassert what Sohravardî pointed out in Aleppo, eight centuries ago.

But the Powers, the Rulers, and their diplomats, the Sykes, the Picots, or the men of the day, have been playing their own Great Game in this vast region all over again. They laid the groundwork for today’s suffering. New corrupt leaders, men of little meaning and wisdom, have brought more harm on this part of the world, but they will not be judged by some International Court for all the suffering they have inflicted, after deliberately provoking endless disruptions, wars and mass migration.

i Henry Corbin, En Islam iranien. Aspects spirituels et philosophiques, t.2, p.35

The God of Israel had a Wife

« It is difficult to admit, but it is clear to researchers today that the people of Israel did not stay in Egypt, that they did not wander in the desert, that they did not conquer the Promised Land in a military campaign, that they did not share it among the twelve tribes of Israel. More difficult to digest is the now clear fact that the unified kingdom of David and Solomon, described by the Bible as a regional power, was at most a small tribal kingdom. Moreover, it is with a certain unease that we will have to live, when one knows that the Lord, the God of Israel, had a wife, and that the ancient Israelite religion did not adopt monotheism until the end of the monarchical period, and not on Mount Sinai. »

These provocative lines, not devoid of a kind of transgressive jubilation, were published in the Haaretz newspaper, on 29 October 1999 by Israeli archaeologist Zeev Herzog, professor at Tel Aviv University.

Archaeology is a discipline that requires a lot of rigor, both in the treatment of discoveries in the field and in the interpretation that makes them.

It is interesting to analyze the way in which this archaeologist prioritizes his conclusions. What seems to him « the most difficult to digest », among the revelations he is entitled to make, is that the kingdom of David and Solomon was not a « regional power » at that time, but only « a small tribal kingdom ».

Why is this more difficult to « digest » than, for example, the revelation that the account of the Exodus has no historical or archaeological basis? Would the political power of the moment be more important than the symbolic power of the myth and epic guided by Moses?

Or does this imply that the « Great Story » that Israel gives to itself may vary according to time and circumstances?

Now that Israel has at least two hundred nuclear warheads, a huge qualitative and quantitative leap has been made in terms of ‘regional power’ since the days of David and Solomon. On the other hand, with regard to the « Great Story », it remains to be seen whether the progress made since that distant time has been comparable.

As for the very late adoption of monotheism by the people of Israel, around the 8th century BC, the period corresponding to the end of the Kingdom of Israel, it is worth noting that, more than a millennium before, the Aryas of the Indus basin already worshipped a single God, a supreme Creator, Master and Lord of all universes.

In ancient Iran, the Zend Avesta, a religion that derives in part from the Veda, professed the same belief in a good, unique God in the second half of the 2nd millennium BC.

With regard to the alleged « wife of God », it should be pointed out that in the ancient religion of Israel, this « wife » could be just be interpreted as a metaphor, and assimilated to Wisdom (Hokhmah). In another interpretative configuration, this « wife » was Israel itself.

It should also be noted that in the Veda and Zend Avesta, metaphors such as « the spouse of the Divinity » were widely used since very ancient times.

Conceptually, then, it is legitimate to argue that a form of Vedic or Zoroastrian monotheism existed long before Abraham left Ur in the Chaldea.

But it must also be noted that Israel’s faith in one God is still alive today, after three millennia.

The Veda or Zend Avesta have apparently had less success in the long term.

But these religions have left a huge memory, which still irrigates the minds of entire continents today, with Buddhism and Hinduism.

Life is proven by life, like the cake by the eating. This is true of life as of ideas. And the memory of what was « life » also has its own « life », from which we can expect anything to be born, some day.

The ‘God of the Gods’ and the’ Idolaters’

Secrets are to be kept untold, and to remain so. But what about their very existence? The owners of essential (or even divine) secrets, though not allowed to reveal any of their content, sometimes give in to the temptation to allude to the fact that they are the custodians of them.

They cannot and will not reveal anything, of course, but they maybe inclined to leak that they know ‘something’, that could be revealed some day, though it has to remain secret, for the time being.

Of course, this attitude is childish, and dangerous.

Exciting the curiosity of outsiders brings problems, and can turn sour.

If a secret is a secret, then it has to be absolutely kept secret, and its very existence has also to be kept hidden.

Voltaire points out the problem that those claiming big, ‘magical’ secrets may encounter: « Let us see some secret of your art, or agree to be burned with good grace, » he writes in the article « Magic » of his Philosophical Dictionary.

Secrecy, magic and religion have had, over the centuries, chaotic, contradictory and confrontational relationships. Those who openly claimed knowledge of higher levels of understanding, but who refused to share them, were exposed to jealousy, anger, hatred and ultimately violence. They could be accused of fraud or heresy, so much the vaunted knowledge of ultimate secrets could be a source of cleavage, of suspicion.

The famous Magi kings came from Mesopotamia, or present-day Iran, to pay tribute to a newborn child, in Bethlehem, bringing gold, incense and myrrh in their luggage. Undoubtedly, they were also carriers of deep secrets. As Magi, they must have known the mysteries of Mithra, the achievements of the Zoroastrian tradition and maybe some other teachings from further East.

In those days, ideas, mystical traditions and mysteries were traveling fast.

There is no doubt for instance that the Latin word ‘deus’ (god) came all the way from the vedic ‘deva’, which is a Sanskrit word.

According to Franz Cumont, a ‘deva’, in the Veda, is first and foremost, a « being of light », and by a metaphorical extension a « god ». One also finds, in Avestic texts of Zend-Avesta, attributed to Zoroaster, the very similar term of ‘daêva’, but with a very different meaning.

« Daêvas » are not « gods », they are « devils », evil spirits, hostile to the beneficial power of Ahura Mazda, the Good and Almighty God of Zoroastrianism. This inversion of meaning, « gods » (deva) being turned into « devils » (daêva), is striking.

The peoples of ancient Iran borrowed their gods and much of their religion from the neighboring people in the Indus basin, but reversed the meaning of some key words, probably to better distinguish themselves from their original tribes.

Why this need to stand out, to differentiate oneself?

Jan Assman in his book, Moses the Egyptian, points to the fact that the Hebrews reportedly borrowed a number of major ideas from the ancient Egyptian religion, such as monotheism, as well as the practice of sacrifice, but then « inverted » the meaning of some of these fundamental ideas.

Assmann calls this borrowing followed by an inversion, the « Mosaic distinction ».

For example, the ‘Bull’ stands for a sacred representation of the God Apis among Egyptians, and the bull is thus a ‘sacred’ animal, just as in India cows are.

But, following the « Mosaic distinction’, the Hebrews sacrificed without restraint cattle and sheep, which were considered sacred in Egypt.

The Veda and the Zend Avesta keep track of the genesis and decadence of almost forgotten beliefs. These texts form an essential milestone for the understanding of religions that were later developed further west, in the Chaldea, Babylon, Judea-Samaria. The clues are fragile, but there are many avenues for reflection.

For example, the Avestic god Mithra is a « God of the Hosts », which reminds us of the Elohim Tsabaoth of the Hebrews. He is the Husband and Son of a Virgin and Immaculate Mother. Mithra is a Mediator, close to the Logos, the word by which Philo of Alexandria, Jewish and Hellenophone, translates Wisdom (Hokhmah), celebrated by the Hebrew religion, and also close to the Evangelical Logos.

As such, Mithra is the Intermediary between the Almighty Divine Power and the created world. This idea has been taken up by Christianity and Jewish Kabbalah. In the cult of Mithra, sacraments are used, where wine, water and bread are the occasion for a mystical banquet. This is close to the rites of the Jewish Sabbath or Christian Communion.

These few observations indicate that there is no lack of continuity in the wide geographical area from Indus to Oxus, Tigris, Euphrates, Jordan and Nile to Greece and Rome. On this immense arc, fundamental beliefs, first intuitions, sowing seeds among peoples, intersect and meet.

The Vedic Mitra, the Avestic Mithra are figures that announce Orpheus and Dionysus. According to an etymology that borrows its sources from the language of Avesta, Dionysus must be understood as an Avestic name : div-an-aosha, that is: « the God of the drink of immortality ».

The Jews themselves, guardians of the tradition of the one God, bear witness to the antiquity of the belief, common to all the peoples of this vast region, in the God of the Gods. « As our masters note, the Name of the God of the Gods has always been a common tradition among idolaters.»i

The prophet Malachi also said: « For from sunrise to sunset, my Name is great among the nations. »ii

One can assume that ‘monotheism’, whatever the exact meaning given to this relatively recent concept, therefore has a very long history, and extremely old roots.

The intuition of a God of the gods has undoubtedly occupied the minds of men for thousands of years, long before it took on the monotheistic form that we know today.

iRabbi Hayyim de Volozhin. L’âme de la vie

iiMalachie 1, 11

Music and Religion

Music plays a special role in all religions. Part of the Vedic ceremonies consisted of songs from the Sâma-Veda. David’s psalms sang the praise of the Lord and the signs of cantilation guided how they should be sung during prayer. The deliberately dissonant music of flutes and tambourines accompanied the Dionysian thiases.

Plato presented a theory of music in its relationship with philosophy and religion, based on Egyptian ideas, introduced in Greece by Orpheus and developed by Pythagoras.

This musical science was subject to secrecy. Pythagoras openly explains the theoretical part of the system to be used, but he remains silent about the fundamental meaning of sacred music, reserving that knowledge for the initiated.

The initiates had access to these mysteries only after painful trials, and after swearing silence about them. Aeschylus was suspected of having publicly unveiled a subject supposed to be covered by the Mysteries in one of his plays. He only narrowly escaped the fury of the people who wanted him dead for committing this blasphemy. Antoine Fabre d’Oliveti writes that, according to Aristotle, Aeschylus denied having revealed the Mysteries by saying that he did not know that these things should not be said. He could only be absolved of this crime by proving that he had not been initiated himself.

But according to Clement of Alexandria, Aeschylus in fact admitted to having been initiated, but this gave him, unlike his accusers, the ability to disentangle precisely what could be said about the Mysteries and what should be kept quiet.

Fabre d’Olivet also reports that Diagoras’ head was put at a price for the same reason as those of Andocides and Alcibiade. Diagoras de Melos, nicknamed « the atheist », discredited the Mysteries by disclosing them, explaining them, and went so far as to mimic them to make fun of them. He recited in public the Orphic Logos, and told the Mysteries of Eleusis and the Cabires.

Times were not conducive to freedom of criticism and analysis of religion. Aristotle escaped the prosecution of the hierophant Eurymedon with great difficulty. Long before Galileo, Philolaos of Crotone and Aristarchus of Samos were publicly accused and dragged before the court, one for saying and the other for writing that the Earth was not at the centre of the universe.

Philolaos was himself an initiate.

It was through him that Plato was able to read the books of Pythagoras, and to acquire the foundations of his own initiation to the « Pythagorean Gospel ». If this initiation included teachings denying geocentrism, as early as the 5th century BC, their relevance can only be underlined, confirmed by the patronage of such eminent minds as Pythagoras and Plato.

The initiation was supposed to provide a deep understanding of the mechanisms governing the universe. Music was one of the elements of this initiation. It was exoteric (by its public manifestation) but esoteric (by its true meaning, which had to remain hidden).

There are still some traces of this cult of mystery in the solfeggio today.

The musical notes (Do, Re, Mi, Fa, Sol, La, Si, i.e. C, D, E, F, G, A, B) were named after Guy d’Arezzo, who used the first syllables of a sacred hymn to Saint John to name them:

Ut queant laxis

Resonare fibris

Mira gestorum

Famuli tuorum

Polluted Solve

Labli reatum

Iohannes Sancte

It should be noted that the B (SI) is made up of the initials of Sancte and Iohannes (S.I.).

This hymn is translated as follows:

« So that your servants

can sing with their throats extended

the wonderful deeds,

dissolves the stain

of their sinful lips,

Saint John! »

The fact that the initial Ut replaced Do does not change much in terms of substance. Do is the first syllable of Dominus, the « Lord ».

Whatever the sound of music, it sounds the praise of Lord…

iAntoine Fabre d’Olivet (1767-1825) in La musique expliquée comme science et comme art et considérée dans ses rapports analogiques avec les mystères religieux, la mythologie ancienne et l’histoire de la terre.

Le Sacrifice et l’Amour

Si l’on observe qu’il y a des êtres de par le monde, des univers multiples, des arrière-mondes, et de l’Être même, on peut en inférer que l’on peut construire dès lors une idée comme celle du « Tout », un « Tout » qui comprendrait (par le miracle de la pensée) tous les êtres, tous les mondes et tout l’Être.

Mais cela n’épuise pas le mystère.

Avoir l’intuition de quelque chose comme le « Tout » est un bon début. Mais il faut aller plus loin: qu’est-ce que le « Tout », qu’est-il essentiellement?

Et, question liée, qu’est-ce que quelque microscopique partie de ce Tout (ou quelque « étant » relevant de l’infiniment presque rien face au Cosmos total) pourrait être en mesure de « penser » ou de « dire » à propos du Tout?

C’est là le paradoxe de l’être humain, et le défi de l’être pensant. Il est sans doute ‘presque rien’ vis-à-vis du Tout, mais il n’est pas rien quand même. Il est presque complètement incapable de concevoir ce qu’est effectivement le Tout, mais pas totalement. Tension stimulante.

Ce sont les philosophes Grecs qui ont été les premiers en Occident à réfléchir sur la nature ultime du Tout, au moins un millénaire après leurs prédécesseurs védiques, mais non sans une précision spécifique et une profondeur réflexive propre.

C’est d’ailleurs là un des avantages intrinsèques de la langue grecque, qui permet par sa structure même de forger et de manipuler les abstractions, par l’effet quasi-miraculeux de l’article défini (τό, le) transformant aisément un adjectif, un verbe ou un adverbe en substantifs, et partant, en ‘substances’, au moins putatives, mais invitant par là-même à la réflexion.

Ainsi l’adjectif πᾶς (au féminin πᾶσα, au neutre πᾶν) signifie ‘tout, toute’. Mais lorsqu’on le fait précéder de l’article défini, il peut prendre divers sens, nettement ‘philosophiques’. Ainsi τό πᾶν (to pan) peut signifier « le Tout, le tout ensemble, l’univers » ou « la chose principale, l’important », et dans un sens temporel: « toujours » (l’éternité?). Au neutre pluriel (πάντα), il signifie « tout le possible », ou encore « toutes sortes de choses, toutes les formes ».

Au neutre singulier, et avec une majuscule, Πᾶν, il est le nom du dieu Pan.

On conçoit que ce mot puisse induire philosophiquement une conception panthéiste ou moniste du monde.

Mais il faut compter avec les capacités retorses des penseurs grecs, en particulier les philosophes néo-platoniciens, qui se sont efforcés de donner à ce mot le sens de « l’Être universel ».

Ainsi Plotin, tel que traduit par Émile Bréhier, dit:

« Si vous êtes capable d’atteindre l’être universel, ou plutôt si vous êtes ‘en lui’ [ἐν τᾦ παντὶ], vous ne chercherez plus rien; si vous y renoncez, vous inclinerez ailleurs, vous tomberez, et vous ne verrez plus sa présence parce que vous regardez ailleurs. Mais, si vous ne cherchez plus rien, comment éprouverez-vous sa présence? C’est que vous êtes près de lui et que vous ne vous êtes pas arrêté à un être particulier; vous ne dites plus de vous-même: ‘Voilà quel je suis’; vous laissez toute limite pour devenir l’être universel.

Et pourtant vous l’étiez dès l’abord; mais comme vous étiez quelque chose en outre, ce surplus vous amoindrissait; car ce surplus ne venait pas de l’être, puisqu’on n’ajoute rien à l’être, mais du non-être.

Par ce non-être, vous êtes devenus quelqu’un, et vous n’êtes l’être universel que si vous abandonnez ce non-être. Vous vous agrandissez donc vous-même en abandonnant le reste, et, grâce à cet abandon l’être universel est présent.

Tant que vous êtes avec le reste, il ne se manifeste pas. Il n’est pas besoin qu’il vienne pour être présent; c’est vous qui êtes parti.

Partir ce n’est pas le quitter pour aller ailleurs, car il est là; mais, tout en restant près de lui, vous vous en étiez détourné. C’est ainsi souvent que les autres dieux n’apparaissent qu’à un seul homme bien que plusieurs hommes soient présents, – c’est que cet cet homme seul est capable de les voir. Ces dieux, ‘sous mille aspects divers parcourent les cités’. Mais c’est vers le dieu suprême que se tournent les cités, ainsi que le ciel et la terre entière; c’est près de lui et en lui qu’ils subsistent tout entiers; les êtres véritables, jusqu’à l’âme et la vie, tiennent de lui leur être, et ils aboutissent à son unité parce qu’elle est infinie et inétendue. »i

Qu’on l’appelle le « Tout », ou l’ « être universel », ou de quelque autre nom transmis au long des millénaires, l’important c’est de chercher à l’atteindre, ce « Tout », cet « Être », et de désirer entrer « en » lui, d’aller au-delà de toute limite, et devenir à la fin le Tout, cet être-là.

Tant qu’on n’a pas réussi à aller au-delà de soi-même, au-delà de ce ‘soi’ qui n’est pas grand chose, tant qu’on n’a pas réussi à devenir un « être véritable », on reste toujours au fond dans le non-être.

Mais comment devenir un « être véritable », et atteindre le « Dieu suprême », celui que d’innombrables cités jadis révéraient, celui que le ciel et la terre entière louent?

Tous ont leur chance. Mais il faut commencer par se mettre en marche. C’est un long voyage.

Tant que l’on n’est pas « en » lui, (et le sera-t-on jamais? – nul ne le sait), il faut sans cesse s’efforcer de s’en approcher, pour en être toujours plus « près », car c’est seulement quand on est plus « près » que l’on commence d’être « véritablement », « entièrement », « absolument » (πανταχοὖ).

Et comment s’en approcher?

Plotin dit que quand on s’ajoute quelque chose (en plus du Tout), quand on devient « quelqu’un » (par opposition au Tout), alors on devient ‘moindre’ que le Tout par cette addition même. Il faut donc retrancher tout ajout, écarter toute négation, enlever de soi tout ce qui n’est pas seulement le Tout, tout ce qui n’est que partie du Tout.

Pour prendre une autre métaphore, il faut « sacrifier » le soi et ses « parties », si l’on veut approcher de l’idée du « Tout ».

Serait-ce que le soi encombre, voile, aveugle? Oui, sans doute. A quoi sert donc le soi ? Pourquoi a-t-on un ‘soi’ s’il s’agit ensuite de s’en débarrasser?

Le soi est un vêtement, ou une ‘cosse’, sans doute nécessaire pour grandir. Mais un jour il faut changer de vêtement quand on a grandi au-delà du premier âge.

On ne peut rester petit. C’est Platon qui le dit:

« La petitesse d’esprit est incompatible avec une âme qui doit tendre sans cesse à embrasser l’ensemble et l’universalité du divin et de l’humain (…) Mais l’âme à laquelle appartiennent la grandeur de la pensée et la contemplation de la totalité du temps et de l’être, crois-tu qu’elle fasse grand cas de la vie humaine? Un tel homme ne regardera donc pas la mort comme une chose à craindre. »ii

Mais si l’âme individuelle doit grandir, ne pas rester petite, qu’en est-il du Tout lui-même? Doit-il grandir aussi? Ou sa taille de « Tout » est-elle optimale? Pérenne? Ou encore: s’il s’ajoute de l’être se diminue-t-il par cette addition même?

Cette question n’est pas rhétorique. Le Véda l’a posée formellement, en évoquant l’auto-sacrifice du Dieu suprême.

Que se passe-t-il lorsque le Tout, que le Véda appelle le Dieu suprême, le Seigneur des créatures, décide de se « sacrifier » Lui-même, avant même (et peut-être afin) que quelque création n’advienne ?

Le Ṛg Veda décrit en effet le Sacrifice du Dieu (devayajña), ou l’auto-immolation du Créateur (dont le nom est Prajapāti) comme étant la condition de la Création même.

C’est seulement parce que Prajāpati se sacrifie Lui-même en oblation qu’il peut donner à la Création son propre Soi.

Par cet acte unique, le Sacrifice divin devient le « nombril » de l’univers :

« Cette enceinte sacrée est le commencement de la terre ; ce sacrifice est le centre du monde. Ce soma est la semence du coursier fécond. Ce prêtre est le premier père de la parole. »iii

D’où le célèbre commentaire :

« Tout ce qui existe, quel qu’il soit, est fait pour participer au sacrifice. »iv

Pour nous qui réfléchissons sur cette tradition plurimillénaire, si longtemps après, les questions abondent. Tout ce qui existe est-il donc fait pour participer au Sacrifice, y compris le Tout lui-même?

Mais si c’est le Tout lui-même qui se « sacrifie », qu’est-ce qu’il « reste » après que le Tout se soit sacrifié?

Quant le Tout se sacrifie, il ajoute à son être du non-être, c’est à dire qu’il ajoute des étants au monde. Il se diminue, mais en se diminuant il s’augmente. Il s’éloigne de Lui-même, il se vide de lui-même, il s’absente de lui-même, il n’est plus « présent » à lui-même, mais il est « présent » (dans les deux sens du mot) à ses créatures, et à sa Création.

L’on voit là que l’être du Tout n’est pas de même nature que l’être de l’étant qui participe au Tout.

Quand l’étant participe au Tout, tout ajout, tout surplus, l’amoindrit.

Quand le Tout « ajoute » des étants à l’être, en les créant, il sacrifie une part de son propre être. On peut le reformuler ainsi: en ajoutant de l’être créé, il s’ajoute à lui-même du « non-être ».

Le Sacrifice crée de l’être en renonçant à l’être.

Un autre mot pour le dire: le Sacrifice c’est l’amour.

i Plotin. Ennéades VI, 5, 12, 13-36. Traduction Émile Bréhier. Ed. Les Belles Lettres, Paris, 1983, p. 212

iiPlaton. La République. 486 a, cité par Marc Aurèle, Pensées VII, 35. Cf. Pierre Hadot. Exercices spirituels et philosophie antique. 1987.

iii RV I,164,35

ivSB III,6,2,26

The Ink in the Sand

Iamblichus thought that humanity is composed mainly of fallen souls, but that the gods have sent some wise men like Orpheus, Pythagoras, Plato, or Hermes here to help them. Iamblichus also boasted being knowledgeable about theurgy.

What is theurgy? It is the idea that the human can unite with the divine through special practices. The soul is called, by means of intense religious gestures, initiation rites, sacrifices, invocations aimed at ecstasy, to unite degree by degree with beings of a higher nature, heroes, « demons », angels and archangels, and ultimately with the One, the ineffable God.

In the Mysteries of Egypt, a book devoted to Chaldeo-Egyptian wisdom, Iamblichus evokes the idea of a progressive « degradation » of man, of his fall from the divine plan. The hierarchy of this fall includes divine beings, archangels, angels, demons, heroes, archons. Human souls are at the end.

Iamblichus also describes two kinds of ecstasy, analyses the causes of evil, the theurgic power of sacrifice and presents the symbolic mystagogy of the Egyptians as well as hermetic theology and astrology. Every soul is guarded by a « demon » who helps it to reach its goal, happiness, union with the divine.

Unity is possible, but not through knowledge. « Actually, it is not even a knowledge that contact with the divinity is. Because knowledge is separated by a kind of otherness. »i

The contact with the divine is difficult to explain. « We are rather wrapped in the divine presence; it is it that makes our fullness, and we take our very being from the science of the gods. « ii

Iamblichus uses well-documented Egyptian metaphors and symbols, such as silt, lotus, solar boat. These are effective images to explain the background of the case. « Conceive as silt all the body, the material, the nourishing and generating element or all the material species of nature carried by the agitated waves of matter, all that receives the river of becoming and falls with it (…) Sitting on a lotus means a superiority over the silt that excludes any contact with it and indicates an intellectual kingdom in the heavens (…) As for the one who sails on a boat, he suggests the sovereignty that rules the world. » iii

Through the magic of images, the silt, the lotus, the boat, the whole order of the universe is revealed. Why go looking elsewhere for distant and confused explanations? Just look at the Nile.

Where does the anaphoric, anagogic power of these images come from? They are the equivalent of divine names. « We keep in our souls a mystical and unspeakable copy of the gods, and it is by the names that we lift our souls to the gods. »iv

Names have this magical, mystical and theurgic power because they have the ability to touch the gods, even if only in a tiny way, in a language that is their own, and that cannot leave them indifferent. « As the entire language of sacred peoples, such as the Assyrians and Egyptians, is suitable for sacred rites, we believe we must address to the gods in the language known to them, the formulas left to our choice. »v

All the religions of the region, from the Nile to the Indus, the religion of ancient Egypt, the Chaldean religions, Judaism, Zoroastrianism, Vedism, have multiplied the names of God.

Each of these names represents a unique, irreplaceable way of knowing an aspect of the divine.

Men use multiple invocations, prayers, formulas. Religions give free rein to their imagination. What really matters is not the letter of prayer. The important thing is to place yourself on the field of language, the language « connatural to the gods ». We don’t know this language, of course. We only have a few traces of it, such as names, attributes, images, symbols.

Of these minute traces, we must be satisfied. In the early 1970s, an archaeologist, Paul Bernard, headed the French Archaeological Delegation in Afghanistan, and conducted research in Ai Khanoun, at the eastern end of the Bactria River, near the border between Afghanistan and Tajikistan.

This city, located at the confluence of the Amu Darya River (the former Oxus) and the Kokcha River, had been nicknamed « Alexandria of the Oxus » by Ptolemy. The archaeological team uncovered the ancient Greek city, its theatre and gymnasium.

In a room of the great Greco-Indian palace of Ai Khanoun, invaded by the sands, Paul Bernard found « the traces of a papyrus that had rotten, leaving on the sand, without any other material support, the traces of ink of the letters. Wonderful surprise! The traces of papyrus fragments were barely visible in the corners, but the text in Greek could still be read: it was the unpublished text of a Greek philosopher, Aristotle’s disciple, who had accompanied Alexander on his expedition! »vi

The communist coup d’état, supported by the Soviet army, ended the archaeological work in 1978. The result of the excavations, deposited in the Kabul Museum, was heavily damaged by successive bombings, and a little later was vandalized by the Taliban.

Have the tiny traces of ink finally disappeared?

iMysteries of Egypt, I,3.

ii Ibid. I,3

iii Ibid. VII, 2

iv Ibid. VII, 4

vIbid. VII, 4

viCf. P. Bernard, Fouilles d’Ai Khanoun I, Paris, 1973. Qoted by Jacqueline de Romilly. Petites leçons sur le grec ancien.

The sacrifice of Puruṣa, the dismemberment of Osiris and the crucifixion of Christ

The Rig Veda is without doubt the most sacred text of ancient India.

It has been translated into several Western languages, but with significant differences of interpretation, that may reveal different worldviews, within the West itself.

Focusing here on one of the most fascinating hymns of the Rig Veda (RV, X, 90), dedicated to Puruṣa (i.e. the Man or the Supreme Being, depending on the interpretations), it is interesting, I think, to try to retrieve these points of view, as they are revealed by how they understand the role of the Supreme God’s ‘Sacrifice’.

A. Langlois, the author of the first French translation of Rig Veda in the beginning of 19th century, translates the first two verses of this Hymn, in this manner:

« 1. Pourousha has a thousand heads, a thousand eyes, a thousand feet. He kneaded the earth with his ten fingers, and formed a ball of it, above which he dominates.

2. Pourousha, master of immortality, strong of the food he takes, has formed what is, what was, what will be. »i

H. H. Wilson, a professor of Sanskrit at the University of Oxford (1888) translates:

« 1. Purusha, who has a thousand headsii, a thousand eyes, a thousand feet, investing the earth in all directions, exceeds (it by a space) measuring ten fingers.iii

2. Purusha is verily all this (visible world), all that is, and all that is to be; he is also the lord of immortality; for he mounts beyond (his own condition) for the food (of living beings)iv. »

A famous German scholar, active in the first half of 20th century, Karl Friedrich Geldner, proposes:

« 1. Tausendköffig, tausendaügig, tausendfüssig ist Puruṣa; er bedeckte vollständig die Erde und erhob sich noch zehn Finger hoch darüber. »

2. Puruṣa allein ist diese ganze Welt, die vergangene und die zukünftige, und er ist der Herr Unsterblichkeit (und auch über das), was durch Speise noch weiter wächst. »

Finally, here is another translation of the same verses by the famous French Indianist, Louis Renou:

« 1. The Man has a thousand heads. He has a thousand eyes, a thousand feet. Covering the earth from side to side, he still exceeds it with ten fingers.

2. The Man is none other than this universe, what has passed, what is to come. And he is the master of the immortal domain because he grows beyond food.»v

We see that Renou translates the word पुरुष Puruṣa, as « The Man ».

Langlois, Wilson, Geldner, prefer not to translate the word Puruṣa (or Pourousha in the 19th century spelling), but to keep it as a proper name. Why?

Maybe they thought that this word was too ambivalent or too complex to be rendered by an apparently too simple equivalent like « the Man »?

Huet’s dictionary defines Puruṣa as « Man, male, person; hero ». In a philosophical sense, this word means « humanity ». According to Huet, Puruṣa can also be understood like a proper name, and it then translates into: « the Being; the divine spirit; the macrocosm ».

In effect, the spectrum of Puruṣa’s meanings is quite wide.

In Monier-Williams’ Sanskrit dictionary, which may be the most complete one that we have in the West, we find the following explanation for Puruṣa: « The primaeval man as the soul and original source of the universe; the personal and animating principle in men and other beings, the soul or spirit; the Supreme Being or Soul of the universe. »

Let us now look at verses 6 and 7, which are rather singular.

Renou translatess:

« 6. When the Gods offered the sacrifice with Man as an oblation, spring served as butter, summer as kindling wood, and autumn as an offering.

7. On the litter, they sprinkled the Man – the Sacrifice – who was born at the beginning. Through him the Gods made the sacrifice, as well as the Saints and the Seers. »

Langlois gives:

« 6. When the Devas with Pourousha sacrificed by offering the offering, the butter formed the spring, the wood the summer, the holocaust the autumn.

7. Pourousha thus born became the Sacrifice, accomplished on the (holy) lawn by the Devas, the Sadhyas and the Richis. »

Wilson has:

« 6. When the gods performed the sacrificevi with Purusha as the offering, then Spring was its ghí, Summer the fuel, and Autumn the oblation.

7. They immolated as the victim upon the sacred grass Purusha, born before (creation); with him the deities were Sadhyasvii and those who were Ṛishis sacrificed. »

Geldner gives:

« 6. Als die Götter mit Puruṣa als Opfergabe das Opfergabe vollzogen, da war der Frühling dessen Schmelzbutter, der Sommer das Brennholz, der Herbst die Opfergabe.

7. Ihn besprenten (weihten) sie als das Opfer auf dem Barhis, den am Anfang geborenen Puruṣa. Diesen brachten die Götter, die Sādhya’s und die Ŗși’s sich zum Opfer. »

One can see here a serious divergence of interpretation of verse 6:

Langlois is the only one to place (ambiguously) Pourousha alongside the Devas, the all of them apparently sacrificing together: « the Devas with Pourousha sacrificed by offering the offering ».

On the contrary, Wilson, Renou, Geldner, present Puruṣa as the very object of sacrifice, the unique (and divine) victim of oblation: « the gods performed the sacrifice with Purusha as the offering » or « the Gods offered the sacrifice with Man as an oblation ».

The verse 7 offers another significant difference of interpretation.

For Langlois, « Pourousha thus born became the Sacrifice », as if his birth happened at this moment, and this « (re-)birth » allowed him to « become the Sacrifice ».

For Wilson, Geldner, Renou, Puruṣa is treated like the very material, the essence of the Sacrifice: « They immolated Purusha as the victim upon the sacred grass ». « On the litter, they sprinkled the Man – the Sacrifice – who was born at the beginning. »

In a recent article discussing the « self sacrifice in Vedic ritual » and commenting the same hymn, one can read these lines about Puruṣa’s sacrifice :

« By immolating the Puruṣa, the primordial being, the gods break up the unchecked expansiveness of his vitality and turn it into the articulated order of life and universe ».viii

By immolating Puruṣa, the primordial Being, the gods break the uncontrolled expansion of its vitality, and transform it into the articulated order of life and the universe.

The same article cites verse 6 as particularly significant: « With sacrifice the gods sacrificed sacrifice, these were the first ordinances « ix

What a strange formula! « With the sacrifice, the gods sacrificed the sacrifice. »

This verse presents itself as an enigma, it is an incentive to research.

Man is the sacrifice. The gods sacrifice Man, and in doing so they « sacrifice the sacrifice. »

What is the meaning of this?

This formulation is irresistibly reminiscent of another divine sacrifice, which happened more than two thousand years after the Rig Veda was composed, — the sacrifice of Jesus Christ, « the Son of Man », in order to save Man.

The similarity of the sacrificial structures suggests the hypothesis of a trans-historical permanence of a trans-cultural « myth » or « paradigm », establishing a sacrificial link between God and Man.

However, it is also interesting to underline that this sacrificial structure (in the Veda and in Christian sacrifice), is the exact opposite to the one represented by the sacrifice that the Biblical God asked Abraham to perform with his son Isaac.

Let’s continue with verses 11, 12, 13, 14

Renou translates:

« When they had dismembered the Man, how did they distribute the shares? What happened to his mouth, what happened to his arms? His thighs, his feet, what name do they get?

His mouth became Brāhman, the Warrior was the product of his arms, his thighs were the Artisan, his feet were born the Servant.

The moon was born from his consciousness, from his gaze the sun was born, from his mouth Indra at Agni, from his breath the wind was born.

The air came out of his belly button, from his head the sky moved, from his feet the earth, from his ear the orients. Thus were the worlds settled. »

Through the magic of metaphors, we seem to move from the Indus Valley to the Nile Valley. These verses of the Rig Veda evoke formulas from the Book of the Dead. The dismemberment of Man is reminiscent of the dismemberment of Osiris.

Plutarch reports that after Osiris’ murder by his brother Seth, the latter tore Osiris’ body into fourteen pieces and dispersed them. « His heart was in Athribis, his neck in Letopolis, his spine in Busiris, his head in Memphis and Abydos. And Plutarch concluded: « Osiris rose again as king and judge of the dead. He bears the title of Lord of the Underworld, Lord of Eternity, Sovereign of the Dead. »

The sacrifice of Puruṣa, the killing and dismemberment of Osiris, the crucifixion of Christ and the communion of his Body and Blood, share a deep structural analogy.

It is the idea of a God, primordial, supreme, sacrificed and then dismembered. In India, Egypt and Israel, God is sacrificed on the altar or on the cross, and its « dismemberment » allows universal communion.

iA. Langlois. RV Lecture IV, Section VIII, Hymn V: « 1. Pourousha a mille têtes, mille yeux, mille pieds. Il a pétri la terre de ses dix doigts, et en a formé une boule, au-dessus de laquelle il domine. 2. Pourousha, maître de l’immortalité, fort de la nourriture qu’il prend, a formé ce qui est, ce qui fut, ce qui sera. »

iiWilson comments: « As one with all creatures, Purusha or Viraj may be said to have a thousand, or thousands of heads, eyes, etc., a thousand being put for an infinite number. »

iiiWilson explains in a footnote: « Mahídhara gives the same explanation as Sáyaņa, but adds that it may also mean that the human soul, extending from the navel, takes up its abode in the heart — a doctrine to be found in the Upanishad. Hence Colebrooke renders it ‘stands in the human breast’; compare Burnouf’s version, ‘il occupe dans le corps de l’homme une cavité haute de dix doigts qu’il dépasse encore.’ All, however, that seems intended is that the supreme soul, having animated the universe, is moreover present in man, either in a minute form or of definite dimensions, a doctrine taught in the Upanishads and by the Vedántists. »

ivWilson adds here in a note: « Literally, ‘since he rises beyond by food.’ This may well admit of different explanations. Colebrook has ‘he is that which grows by nourishment’. Muir, ‘that which expands by nourishment.’ Burnouf has, ‘Car c’est lui qui par la nourriture (que prennent les créatures) sort (de l’état de cause) pour se développer (dans le monde)’; which follows Sáyaņa rather closely. Sáyaņa explains annena as práņinám bhogyenánnena nimittabhútena, and lower down adds, ‘Inasmuch as he assumes the condition of the world in order that sentient beings may enjoy the fruit of their acts (práņinám karmaphalabhogáya), that is not his true nature.’ The notion is that the supreme spirit, which in its own state is inert and undiscernible, becomes the visible world, that living beings may reap the fruit of their acts; and inasmuch as they may thereby acquire moksha, or final liberation, the supreme spirit is the lord or distributer of immortality. The word anna, ‘food’, which constitutes the chief difficulty here, is used in the Upanishads in a very vague and mystical sense; see, for example, the Muņḍaka, I. 8 [where it is translated ‘matter’ by Max Müller, Sacred Books of the East, vol. XV, p.28]. »

v In French : « 1. L’Homme a mille têtes. Il a mille yeux, mille pieds. Couvrant la terre de part en part, il la dépasse encore de dix doigts. 2. L’Homme n’est autre que cet univers, ce qui est passé, ce qui est à venir. Et il est le maître du domaine immortel parce qu’il croît au-delà de la nourriture. « 

viAccording to Sáyaņa, the sacrifice here was imaginary, or mental (mánasam).

viiWilson notes: « Sadhya, meaning ‘competent to create’, i.e. Prajápati and the rest ».

viii Cf. Essays on Transformation, Revolution and Permanence in the History of Religions (S. Shaked, D. Shulman, G.G. Stroumsa)

ix Cf. Essays on Transformation, Revolution and Permanence in the History of Religions (S. Shaked, D. Shulman, G.G. Stroumsa)

Leaving aside Joy and Sorrow

All religions, all beliefs, play their part in this world.

They are all quite different in a sense, But they all play a role in the current global, political and moral crisis.

Whether Vedic, Egyptian, Zend, Chaldean, Jewish, Buddhist, Hinduist, Christian, Islamic, all religions have something essential in common: they all have some kind of responsibility for the misfortune of the world.

Whether they say they are « outside » the world, or « inside » the world, they are responsible for what they say or let say, for what they do or let do on their behalf.

They are part of the world, taking on the most eminent place, that of judge, master and sage.

How could they not be linked to the actions and speeches of their followers?

How can we not judge them as much on what they say as on what they don’t say?

How can we not bring their great witnesses to the public arena and ask their opinion on the state of the world, as we would on election night or on a day of disaster?

We don’t really know where the chain of prophets began or when it will end.

Is the seal of the word sealed for eternity? Who will tell?

Will the Messiah return? Who will see that day?

Will eschatology come to an end? Who will hear the final Word?

If ten thousand years is not enough to lower the pride of the presumptuous, let us give ourselves a hundred centuries or a million millennia, just to see what will remain of the dust of words once tables, once stones, once laws.

Lists of names can be listed, to stimulate memories. How far back do we go?

Agni, Osiris, Melchizedek, Zoroaster, Moses, Hermes, Buddha, Pythagoras, Isaiah, Jesus, Muhammad…

In a few million years, we will see that they all shared their differences, their aspirations, their visions, their breaths, their ends.

What does the « religion » of these prophets have to do with « entities » now called Palestine, Israel, Saudi Arabia, Kuwait, the United States, Afghanistan, Iraq, Iran, Syria, Egypt, India, Greece, China, France, Germany?

Will History teach us some day the essence of the difference between the « religion » of the Khârijites, the Zaydites, the Imâmites, the Ismaili Shi’ites and the Sunni ‘majority’ of Islam?

What was really the origin of the « religion » of the Nizarrians, and that of Hassan ibn al-Sabbah’s Assassiyoun?

What is the « religion » of the Taliban?

These questions are pointless, useless, apparently. There are better things to do, as it seems, such as fighting, killing people, bombing cities, beheading bodies, murdering children.

The religions of the past illuminate the wanderings of the present and those of the future with a special light, a premonitory aura.

Their slow epigenesis must be observed.

Their (implicit, slow) convergence must not be excluded, in the long run, beyond their differences.

Memory is necessary for understanding the present, as time takes its time.

But who still has time to remember?

Religions highlight, with words, curses and targeted blessings, much of the world’s misfortune.

They reveal the fragility, weakness, instability, irreducible fracture of Man.

They encourage us to take a long and global perspective, to observe the events of the day, to understand them, to anticipate their consequences, and to overcome pain, anxiety, fatigue and the desire for revenge, the drive for hatred.

For more than fifty-five centuries, several religions have been born and deployed in a limited geographical area, it is worth noting.

This privileged area, this node of beliefs and passions, extends from the Nile Valley to the Ganges basin, via the Tigris and Euphrates, the Oxus, and the Indus.

Geography changes more slowly than the hearts of mortals….

Between the Indus and the Oxus, which country best reflects today the past millennia, the erased glories?

Pakistan? Afghanistan?

How can we forget that Iran and Iraq (like Ireland) take their names from the ancient Aryas, attesting to the ancient Indo-European ties of Persia, Elam and Europe?

The Aryas, long before they even received their « Aryan » name, founded two major religions, the Veda in India, and the Zend Avesta in Iran.

Colossal forces! Immaculate memories!

Antoine Fabre d’Olivet reports that Diagoras de Melos (5th century BC), nicknamed « the atheist », a mocking and irreverent character, discredited the Mysteries by disclosing and ‘explaining’ them. He even went so far as to imitate them in public. He recited the Orphic Logos, he shamelessly revealed the Mysteries of Eleusis and those of the Cabires.

Who will dare to unveil today, like Diagoras, the actual mysteries of the world to the amazed crowds?

« Religion » is a prism, a magnifying glass, a telescope and a microscope at the same time.

« Religion » is above all an anthropological phenomenon.

Dogma bring nothing to this debate, or rather ignite it without benefit to the heart or the mind.

A global anthropology of « religion » could possibly reveal some constants of the human mind.

These constants do exist. Thus, the latent, impalpable or fleeting feeling of « mystery ».

This « mystery » is not defined. It escapes any categorization. But implicitly, indirectly, by multiplying approaches, by varying angles, by accumulating references, by evoking the memory of peoples, their sacredness, perhaps we sometimes manage to see the shadow of its trace, its attenuated effluvium.

There is also the idea of a unique, principal, creative divinity. It is found in various forms, in ancient times, long before Abraham’s time, before the Zend, even before the Veda.

Constant again is the question of origin and death, the question of knowledge of what we cannot know.

What breath then goes through the pages of the Book of the Dead, the manuscripts of Nag Hammadi, the hymns of Ṛg Véda or the Gāthās of Zend Avesta? What breath, even today, runs through the world, in a time so different from the origins?

This breath, it is still possible to perceive it, to breathe its smell.

A world of ideas and beliefs, distant, astonishing, serves as a foundation for today’s world, filled with violence and lies, populated by « saints » and murderers, wise men and prophets, fools and crooks, death cries and « divine winds » (kami-kaze).

Who, today, thinks the world’s destiny?

When reading the Upaniṣad, let us also think of the « masters of the world », the « gnomes » enslaved to the banks, the political « dwarves » governing the peoples, perched on the shoulders of centuries?

« Those who are agitated in ignorance consider themselves wise. They run wildly around like blind people, led by a blind man. »i

It is a fact that we often observe, at the highest level, hypocrisy, lies, baseness, cowardice, and much more rarely wisdom, courage, truth.

But it is also a fact that anything can happen, always., at any time.

Anything is possible, on principle. The worst. The best. The mediocre. The unspeakable. The unheard of.

The world is saturated with ideas from all ages. Sometimes, from nowhere, new forms are born, shimmering above the rubble and catacombs, relics and hypogoria, crypts and hidden treasures.

Who will see these incredible visions, yet to appear?

Those who will be able to « meditate on what is difficult to perceive, penetrate the secret that is deposited in the hidden place, that resides in the ancient abyss ».

Those who « leave aside the joy and sorrow. »ii

i KU. 2.5

iiKU. 2.12

Three Fires and the One

Unlike the religion of the Old Egyptian Empire with its monuments and tombs, the religion of the Veda left no material trace. It just left the sound of words.

Only its liturgy keeps its memory, preserved orally for thousands of years.

The Vedic ceremony is a liturgy of songs, hymns and cries.

Song, hymns and cries are voices, and voices are ways, as the French language allows to say (‘les voix sont des voies’).

The Ṛg Veda talks about it that way:

« Through the Song, He creates the Cry, at his side;

by the Cry, the Hymn;

and by the three invocations, the Word. »i

Who is this « He »? Who « creates the Cry »?

One of His names is Agni. Agni is the Fire, which ignites, enlightens, inflames, consumes the Sôma. The Fire burns, crackles, rumbles, and « shouts » in its own way, in the middle of the circle of priests, who sing, shout and chant.

The Fire « sings » as it burns, « shouts » as it crackles, « speaks » as it rumbles, – with the Sôma. Fire feeds on it, it draws power, light and strength from it.

The Sôma accomplishes its nature through Fire.

What is this Sôma? It is composed of water, a kind of oil (from clarified butter) and a fermented juice, intoxicating – and with psychotropic properties.

Scientists say it could have been produced from Cannabis sativa, or Sarcostema viminalis, or Asclepias acida or Ephedra.

This union of substances (water, milk, plants) is highly symbolic.

Water comes from the sky; oil comes from the milk of cows, which are fed with herbs grown by water and sun; Cannabis sativa also comes from the earth and sun, and contains an active ingredient that creates « suns » and « fire » in the minds.

The Sôma, liquid, can flow on the altar. By its fat and oil, it can catch fire. Through its active ingredients, it can then reach the minds of men.

The ceremony is a microcosm. It is not confined to the scene of sacrifice. The necessary elements come from the far reaches of the universe. And its possible extensions, after the consumption of the sacrifice, go beyond the worlds.

Three cycles of transformation are at work, three times are at stake.

A long, cosmic cycle, starting from the sun and the sky, results in water, oil and liquor, forming the Sôma.

The short cycle begins with the new fire, the first spark of which is produced by the « igniter priest » using two rods (one made of acacia wood, the other of fig tree wood). One rod (called arsani) is arrow-shaped, and the other offers a slot to receive it, the yoni.

The short cycle also involves the production of the « fresh » Sôma. The oil is made from milk and clarified butter. Cannabis leaves are crushed in the mortar with the stone pestle. And it takes time to mature, to ferment.

An even shorter third cycle includes singing, shouting and prayer, as well as the consumption of the Sôma by the priests, with its psychic effects.

Three cycles of metamorphosis, intertwined.

Three fires « cry out »: the fire of the sun at its origin, the fire of sacrifice here and now, and the fire of the spirit, with its future projections.

Everything, in sacrifice, is symbol and metaphor?

Everything aims at unity.

Nature, words and spirit unite, while contemplating the One.

i« Gayatrena prati mimîte arkan ; arkeṇa sâma ; traiṡṭubhena vakam! » Ṛg Veda I, 164, 24

How to Start Fighting the Looming Global Civil War

There are words that are almost completely untranslatable from one language to another.

To give an idea of their meaning, they may require the mediation of several metaphors, and an accumulation of approximations. These words cannot travel easily.

Is it then wiser to let them marinate in their own juice?

Take as an example the Sanskrit word tajjalān in this text of Chāndogya-upaniṣad:

« In reality Brahman is all this. Whoever is appeased must worship it as tajjalān. »i

Sanskrit scholars suggest that the word tajjalān can be broken down into four syllables: tad + ja + la + an ii.

Each syllable embodies a symbolic meaning, related to a Brahman attribute.

Thus the world is tajja: « That – begotten ». Tajja is formed by the assimilation of tad « that » and ja which is related to the root JAN « to be born, to produce ».

But the world is also talla: « That – attached and dissolved » [tad + la = talla], where the root of la is LĪ, as used in words like liyate, « attach » and layate, « dissolve ».

Talla and tajja are then two opposing processes, of « birth » and « dissolution ».

Finally the world is tadana: « That which breathes and lives in it »[tad + an + a], where an has as its root AN « to breathe, to live ».

The word tajjalān thus describes in a dense, concentrated way, the world as having three states (engendering, dissolution, life/breathing), identified with the essence of Brahman.

Through the ambivalence of the root LĪ, the word also evokes the world’s attachment to Brahman, excluding any idea of separation.

One word, four ideas.

If we tried to give a kind of equivalent of tajjalān in English, we could perhaps propose a concatenated series of words like « That-born-dissolved-linked-alive »…

Let’s generalize.

If certain essential words of a particular civilization have no plausible equivalents in another culture, one could conclude that the world of ideas, religions and cultures is fundamentally fragmented, divided into more or less autistic provinces, keeping before them their idiosyncrasies, secret gardens, intimate grammars, gods and codes.

And this would be an argument to highlight the difficulty of a unified conception of humanity.

However, the hypothesis of the looming Balkanization of ideas and cultures does not necessarily exclude other possibilities, such as the idea that man can be defined by a unique ‘essence’.

For example, the Aristotelian idea that « man is a rational animal » could be entirely compatible with the reality of a Balkanized world.

Idea and reality would only be juxtaposed, circulating in two orbits of meaning not intended to meet, and able to ignore each other royally, for a long time to come.

Nor does the idea of an « essence » of man mean that humanity does not conceal, in its thicknesses, in its depths, in its past or in its future, immense and impenetrable areas of darkness, which no « essence » can define.

It is quite possible that Plato’s Ideas, or Aristotle’s reason, may coexist with a world deprived of meaning and internal cohesion, even if in theory this seems to be incompatible, or contradictory.

It is possible that, if translated otherwise, into a language that perhaps does not yet exist, or will never exist, these ideas would then no longer be contradictory, but would appear obviously compatible, and even necessary.

At this stage, it can already be argued that the hypothesis of a humanity less one than divided, less transparent than obscure, less communicative than hostile is completely compatible with the exactly opposite hypothesis, because it is obvious that so much everything is already mobile, diverse, evolving in a world that is both one and multiple.

Anthropology lets us know of the existence of tribal or religious groups, which are defined by exclusion. These tribes or groups decree the principle of their metaphysical separation from the rest of humanity.

They may draw a feeling of absolute singularity from a « principle », revealed only to them, in their own language, or following a « decision », communicated only to them, from a « God » who would only be « their » God.

However, the very idea of religious or ideological exclusion of entire segments of humanity is neither new nor reserved for specific cultures. Paradoxically, it is in fact quite commonplace.

The ideas of exclusion, separation, ostracism, seem as constitutive of the human essence as the opposite ideas, that of union, unity, community, society.

There are « first » tribes that only call themselves « men » in their language, implying that all those who are not of their tribe, all the rest of men, are not really human.

What the genius of these languages of exclusion has been able to do, symbolically, genetic engineering to modify the human genome can do, really, and on a large scale.

The dream of a « trans-humanity », capable of genetically and neurologically modifying itself, and thus gaining access to a completely unthinkable mutation of the human race, is no longer a distant utopia.

This tangible dream is there to remind us of the burning relevance of a project of an « exodus » reserved for a privileged subset of humanity outside human contingencies.

For the time being, this « exodus » seems to be only of an economic, fiscal or political nature, but it could soon become genetic, neural, anatomical and one day perhaps biological.

The Hollywood myth of a planetary « exodus », of a flight of a few mutants from a polluted Earth, irradiated and deeply scarred by a world civil war, is in everyone’s mind.

The general Balkanization and the bantustans imposed by all kinds of apartheids will be the first step.

In such a case, scholarly debates on words « almost untranslatable » would then be very derisory, very useless.

Those who then correctly pronounce the shibboleth of the day will be able to board the interstellar shuttle or take part in the meta-genetic adventure of trans-humanity.

All the others will be condemned to remain in the earthly hell.

While waiting for this perspective, closer than we may want to believe, we must affirm that words count, that they are semaphores.

It is really worth studying the « untranslatable » words, because they are like symptoms, verbal clues to the global separation, the progressive cultural and religious dislocation, in the making.

And it is worth trying to translate these « untranslatable » words, if we do not want a global civil war to happen some day.

i CU 3.14.1

iiCf. Les Upaniad.Trad. A. Degrâces. 2014, p.128

Breath, Wind, Spirit in the Veda and the Bible

There are fundamental intuitions that penetrate minds, elect in them a permanent residence, magnify their substance, and invigorate their dreams.

Some of them transcend ages, lands, cultures, languages, religions.

So, the breath.

This word brings together the air and wind, the breath of life, but also the soul and the spirit.

These three areas of meaning, meteorological, biological, spiritual, combined in a word, create a space of echoes.

They link nature, mankind and the divine with a tight knot.

The Veda and the Bible, separated by more than a thousand years of age and several thousand kilometers, are tied from this knot, too.

The Veda says:

« Tribute to the Breath! Under its watch is this universe.

It is the master of all things.

Everything has its foundations in it.

Tribute, O Breath, to your clamour,

Tribute to your thunder!

Tribute, O Breath, to your lightning bolt,

Tribute to you, Breathe, when you rain! (…)

Tribute to you, Breathe, when you breathe,

Tribute to you when you inspire,

to you when you walk away,

Tribute to you when you approach!

The Breath covers the beings,

like the father his beloved son.

The Breath is master of all things

of what breathes and what doesn’t….

Man inhales, exhales,

being in the womb.

As soon as you animate it, O Breath,

he is born again. »i

Wind, rain, thunder, lightning are only signs, they denote the Master of the universe.

Signs also — the spirit and soul of man, and the love of the Breath for the creature.

The Book of Genesis says:

« And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God רוּחַ אֱלֹהִים ( Ruah Elohim) moved upon the face of the waters. »ii

« And the Lord God formed man of the dust of the ground, and breathed into his nostrils the breath of life (neshmah); and man became a living soul. (נֶפֶשׁ חַיָּה nephesh hayah)iii

The Hebrew text uses three different words to mean the « wind » (ruah) of God, the « breath » (neshmah) of life, and the living « soul » (nephesh).

If we open dictionaries, we notice that the meanings of these words circulate fluidly between them.

Ruah: « Breath; wind, air; soul, spirit ».

Neshmah: « Breath of life, soul, spirit. »

Nephesh: « Breath, smell, perfume; life, principle of life; soul, heart, desire; person ».

It is important to underline the intimate union of their meanings. These three Hebrew words come together in a symphony.

Philo of Alexandria writes in his commentary on Genesis:

« The expression (« He breathed ») has an even deeper meaning. Indeed, three things are required: what blows, what receives, what is blown. What blows is God; what receives is intelligence; what is blown is the soul. What is being done with these elements? There is a union of all three. » iv

Usually the wind blows and disperses the dust. Here, the wind gathers the dust, gives it breath and makes it live.

The Veda and the Bible breathe the same breath, the same wind blows, the same spirit shapes the same knot of life.

i AV. 40.4.1-2;8;10;14

ii Gen. 1,2

iii Gen. 2,7

iv Legum Allegoriae, 2, 37

The power of whisper

« But among the humble is wisdom. » i.

In Hebrew, the word « humble » derives from the verb צָנַע, to hide, to humiliate oneself. A more literal translation might then be possible: « But among those who hide is wisdom. »

The humble are hiding. So is wisdom, hiding.

The idea of hidden wisdom is old. It is found in many religious, exoteric or esoteric traditions.

« I speak to you, O Nacitekas, heavenly Agni, who knows how to obtain the endless worlds and the sojourn. O thou, know it, [this wisdom] is deposited in a secret place. » ii

The secret is first and foremost a “place”. And wisdom also is a “place”.

Going to this secret “place” is akin to a “revelation”. To penetrate the divine secret is to penetrate this divine place, and to plunge into the abyss. When you enter it, you lose all balance, all connection, you leave everything to go beyond the human.

« When he meditated, applying himself, on the union with the supreme soul, on the God who is difficult to perceive, who has penetrated into the secret, who has settled in the hiding place, who resides in the abyss, – the wise leaves aside joy and sorrow. » iii

Not everyone can imitate the wise man. The Holy of Holies is a very empty, solitary, place.

If the revelation reveals anything, it is that nothing sheds light on the mystery. It only deepens it without measure, always more so.

Abrahamic, Mosaic or Christian “revelations” are in a way an “unveiling”. But this unveiling brings in reality many new veils, many questions, throwing inconceivable, unexpected perspectives.

Among them: any divine revelation threatens the state of things and life itself. How many prophets stoned or crucified for sharing their vision? Death is the companion of their truth.

R. Isaac of Acra comments: « When Moses our master said: « Show me your glory » (Ex. 33:18), it is death that he asked for, so that his soul may break the light of his palace, which separates him from the wonderful divine light, which she was eager to contemplate ».

The union with the Divine presents an extraordinary challenge: death.

Elsewhere, in other traditions, it is called dissolution. It is compared to a drop of water in the sea. « As pure water poured into pure water becomes like it, the soul of the discerning wise man becomes like Brahman.»iv

The same image can be found in the Jewish Kabbalah: « The soul will cling to the divine Intellect and the intellect will cling to the soul (…) And the soul and the Intellect become the same thing, as when a jug of water is poured into a gushing spring. This is therefore the secret of the verse: ‘A fire that devours fire’. » (R. Isaac of Acra).

A drop of water in the spring. A fire that devours the fire. Wisdom is well hidden. Why is she concealing herself, shying away from glory, from revelation?

A passage from Paul can put us on the track. « Should we boast? It’s not worth anything, though. (…) For me, I will only boast of my weaknesses.» v

An « angel of Satan » is in charge of blowing Paul so that he does not take pride. If Paul asks God to remove this satanic angel from him, God answers: « My grace is enough for you; for power unfolds in weakness.» So the blows continue.

And Paul concludes: « That is why I take pleasure in weaknesses, in outrages, in distress, in persecutions and anguish endured for Christ: for when I am weak, it is then that I am strong ».vi

It is strange (and maybe inaudible) in our modern times, to hear that weakness, distress, persecution,, may be a « strength ».

Strength and power in effect veil and muffle everything. In the noisy storm, in the midst of the devastating hurricane, only the humble, the wise, have a little chance of hearing the zephyr, which will follow, in a whisper.


iiKatha Upanisad 1,14

iiiKatha Upanisad 2,12.

ivKatha Upanisad 4,15

v2 Cor. 12,1-10

vi2 Cor. 12,1-10

The Metaphors of Monotheism in India, Israel and the West

The philosopher must travel among the nations, following the example of Pythagoras.

« Pythagoras went to Babylon, Egypt, all over Persia, learning from the Magi and priests; it is reported that he also got along with the Brahmins. »i

No people, no culture, no religion has a monopoly on knowledge. Under the appearance of their multiplicities, we must seek a deeper, original unity.

In the Vedas, Agni is « God of Fire ». Fire is an image. It’s only one of his names. Agni is the Divine in many other aspects, which its names designate: « Agni, you are Indra, the dispenser of good; you are the adorable Viṣṇu, praised by many; you are Brahmānaspati… you are all wisdom. Agni you are the royal Varuṇa, observer of the sacred vows, you are the adorable Mitra, the destroyer. »

Agni embodies the infinite multiplicity and profound unity of the Divine. Agni is in the same time innumerable, and the only God.

The religion of the Vedas has the appearance of a polytheism, through the myriadic accumulation of God’s names. But it is also a monotheism in its essential intuition.

The Vedas sing, chant, invoke and cry out the Divine, – in all its forms. This Divine is always Word, – in all its forms. « By the Song and beside it, he produces the Cry; by the Cry, the Hymn; by means of the triple invocation, the Word. »ii

Agni is the divine Fire, which illuminates, it is also the libation of the Soma, which crackles. He is one, and the other, and their union. Through Sacrifice, Fire and Soma unite. Fire and Soma contribute to their union, this union of which Agni is the divine name.

The same questions are still running through humanity.

« Where is the breath, the blood, the breath of the earth? Who went to ask who knows? « asks Ṛg Veda.iii

Later, and further west, the Lord asked Job: « Where were you when I founded the earth? Speak if your knowledge is enlightened. Who set the measures, would you know, or who stretched the line on her? (…) Tell us, if you know all this. On which side does the light dwell, and where does the darkness dwell? » iv

There is an instinctive familiarity, a brotherhood of tone, an intuitive resemblance, between a thousand years apart.

The ancient Hebrews, dedicated to the intuition of the One, also sought and celebrated His various names. Is this not analogy with the multiple names and Vedic attributes of the Divinity, whose essence is unique?

When God « shouts » three times his name to Moses’ address « YHVH, YHVH, EL » (יְהוָה יְהוָה, אֵל), there is one God who pronounces a triple Name. Three screams for three names. What does the first YHVH say? What does the second YHVH mean? What does the third name, EL, express?

Christianity will respond a thousand years after Moses to these questions with other metaphors (the Father, the Son, the Spirit).

A thousand years before Moses, verses from Ṛg Veda already evoked the three divine names of a single God: « Three Hairy shines in turn: one sows itself in the Saṃvatsara; one considers the Whole by means of the Powers; and another one sees the crossing, but not the color. »v

The three « Hairy » are in fact the only God, Agni, whose hair is of

The first « Hairy » is sown in the Soma, as a primordial, unborn germ. The second « Hairy » considers the Whole thanks to the Soma, which contains the powers and forces. The third « Hairy » is the dark being of Agni (the Agni « aja », – « unborn »), a darkness that God « passes through » when he passes from the dark to the bright, from night to light.

For the poet’s eye and ear, this ‘triplicity’ is not a coincidence. Millennia pass, ideas remain. Agni spreads the fire of his bushy and shiny « hair » three times, to signify his creative power, wisdom and revelation. From the burning bush, Yahweh shouts his three names to Moses to make sure he is heard.

The figure of a God « one » who shows Himself as a « three », seems to be an anthropological constant. The same strange, contradictory and fundamental metaphor links Aryan and Vedic India, Semitic and Jewish Israel, and Greek-Latin and Christian West.

iEusèbe de Césarée. Préparation évangélique, 4,15

iiṚg Veda I, 164,24.

iiiṚg Veda I, 164,4.

ivJob, 38, 4-19

vṚg Veda I, 164,44.

viOne of the attributes of Apollo, Xantokomès (Ξανθόκομης), also makes him a God« with « fire-red hair »

The Kundalini Serpent and the Kabbalah Candlestick

The Gods have received many names in history, in all the languages of the earth. The unique God of monotheisms, himself, is far from having only one name to represent his uniqueness. There are ten, one hundred or even many more, depending on the variations of different monotheisms, on this subject.

In Guillaume Postel’s Interpretation of the Candlestick of Moses (Venice, 1548), based on the famous sephiroth, we find listed the ten names of the One God, as they are transmitted by the Jewish Kabbalah.

The first name is EHIEH: « I am ». He is associated with Cheter, the crown, superiority, multitude and power.

The second is IAH, which is found in compound expressions, for example HALLELU-IAH. His property is Hokhmah, wisdom, sapience, distinction, judgment.

The third is JEHOVIH, associated with Binah, intelligence, science, understanding.

The fourth is EL, associated with Hesed, that is mercy or sovereign kindness, and Gedolah, greatness.

The fifth is ELOHIM, which refers to Pashad as fear, terror and judgment. We associate Geburah with it, strength, punishment, judgment.

The sixth name is JEHOVAH, whose property is Tiphaeret, which means the honour and perfection of the beauty of the world.

The seventh name is JEHOVAH TSABAOTH, associated with Netzah, the perfect and final victory, which means the final achievement of the works.

The eighth name is ELOHIM TSABAOTH, whose property is Hod, praise and direction.

The ninth name is EL SHADDAI, to whom the property of Iesod answers, which means the foundation and base of all the perfections of the world.

The tenth name is ADONAÏ, which is accompanied by Hatarah and Malcut, which means « lower crown ».

This seemingly heteroclite list of ten main names calls for comments, the most salient of which I would like to report.

The order in which these names are placed is important. They are arranged in a figure (the « candelabra ») that has a vague body shape.

The first and tenth names (the beginning and the end) are under the sign of the crown, which is well suited to a reign.

The first three names refer to God in the higher world. The next three to God in the intermediate world. The next three to God in the lower world. Finally, the last name is a generic name, which refers to God in all his states.

EHIEH, אֶהְיֶה « I am » (Ex. 3,14). This is the very essence of God, the essence of Him who was, is and will be. It is the sovereign power.

IAH, יה. This name is composed of a Yod and a Hey, the two letters that symbolize respectively the masculine and the feminine. They are also the two letters placed at the beginning and end of the « very high and inexplicable name »: יהוה, the Tetragrammaton. It is associated with Wisdom.

JEHOVIH is the name of God, as it relates to Intelligence. It represents one of the ways to distribute vowels on the Tetragrammaton (supposed to be unpronounceable).

EL is the name of power, goodness and mercy. It is in the singular, and refers in a way to its plural form: ELOHIM.

ELOHIM, plural of EL, is the name of terror, fear and also of strength and resistance.

JEHOVAH, which presents another reading of the Tetragrammaton (another vocalization), is the virtue of the whole world.

JEHOVAH TSABAOTH is the Lord of armies, multitudes and final victory.

ELOHIM TSABAOTH is a similar name, meaning Gods of the armies.

EL SHADDAI which means « Almighty » is interpreted by Kabbalah as « feeding » and « udders of the world ». But it is also logically enough the « foundation », or « base ». Some add that this name of power, is « at the right of the seminal place in the great divine man ».

ADONAÏ is the common name of God. It summarizes and embodies all its properties.

These ten names are arranged to draw the mosaic  »candelabra ». Upon careful observation, it is not unworthy, I think, to propose the idea of a possible comparison with the « snake » of the Vedic kundalini.

In other words, the comparison of »names » with Vedic and Tantric shakras seems stimulating.

Let’s start with the three lower shakras. They can be associated with the three divine names that Kabbalah associates with what she calls the lower world.

EL SHADDAI, which is the « foundation » of the world according to Kabbalah, can be associated with the first shakra, Muladhara (which literally means « foundation support » in Sanskrit). In Veda culture, this shakra is associated with the anus, the earth, the sense of smell and the inciting awakening. As it is at the place of the « seminal place », the name EL SHADDAI can also be associated with the second shakra, the Svadhisthana (« seat of the self »), which refers in the Vedas to the genitals, water, taste and enjoyment.

The names ELOHIM TSABAOTH and JEHOVAH TSABAOTH can be quite easily associated with the third shakra, the Manipura (« Abundant in jewels »), which refers to the solar plexus, sight, fire and life force, which seems to apply to the qualifier of Lord or God of the « hosts ».

The name JEHOVAH, as it refers to the virtue of the world, can be associated with the fourth shakra, called Anahata (« Ineffable »), which is related to the heart, air, touch and subtle sound.

The names ELOHIM and EL, in so far as they relate to power, kindness and mercy, can be associated with the fifth shakra, Visuddha (« Very Pure »), which is related to the larynx, hearing, ether and sacred Word.

The name JEHOVIH, as it refers to Intelligence, can be associated with the sixth shakra, the ajna (« order »), which refers to the forehead, mind, spirit and truth.

The name IAH, which refers to Wisdom, can be associated with the seventh shakra, Sahasrara (« Circle of a thousand rays »), which is associated with the occiput, « vision » and yoga, with the ultimate union.

The name EHIEH will be left aside, not affected by these metaphorical analogies, since it is used as a tautology.

As for the name ADONAÏ, it is the most general name, we said. Therefore, it is not appropriate to involve it in these kinds of comparisons.

I would like to retain from this correspondence between the « kundalinic serpent » and the « mosaic candelabra » the idea that archetypal, permanent forms are sculpted, in the depth of our bodies as well as in the depths of our minds.

These archetypes, the « snake » or the « candelabra », represent a « tree » or « ladder » of hierarchies, and symbolize an ascent towards divine union, from a « base », the most material of all, the « foundation ».

These metaphors in Kabbalah and the Vedas refer to the same intuition: the ascent of man to the divine.

“I nothing saw” (Dante)

One of the best French Kabbalah specialists is named “Secret”, Mr. François Secret. Proper names sometimes carry in them collective fates. François Secret wrote Le Zohar chez les Kabbalistes chrétiens de la Renaissance (1958), a book in which such romantic names as Bartholomeus Valverdius, Knorr de Rosenroth, Blaise de Vigenère, Alfonso de Zamora, Guy Le Fèvre de la Boderie, or Gilles de Viterbe, the famous Guillaume Postel, and of course Johannis Reuchlin and Pic de la Mirandole appear. These names appear like shooting stars in the night. We would like to follow their trajectories, engraved in the ink of long nights.

But Mr. Secret, so learned, reveals no secrets, one can regret it.

It encourages us to continue searching, at the sources, or among the apparently initiated.

One of the most famous books of Kabbalah is called, without excess of modesty, Siphra di Tsenniutha (The Book of Mystery). It begins as follows:

« The Mystery Book is the Book that describes the balance of the balance. For before there was balance, the Face did not look at the Face. »

Compact style. From the outset, we get into the subject. ‘Balance’. ‘Face’. ‘Look’.

What could be higher than the Face? What could be deeper than his gaze?

Verse 9 of the Siphra di Tsenniutha suggests the existence of a depth scale (the unknown, the occult, the occult in the occult): « The head that is not known (…) is the occult in the occult ».

Verse 12 specifies important, scattered details: « Her hair is like pure wool floating in the balanced balance ». Chapter 2 of the Mystery Book refers to a « beard of truth ». The « head that is not known » wears, we learn, « hair » and « beard ».

According to one commentary, the « truth beard » is « the ornament of everything ». From the ears, where it begins, « it forms a garment around the face ».

Truth clothes the Face.

There is this passage from Revelation: « His head, with its white hair, is like white wool, like snow, his eyes like a burning flame. »i

These materialistic images, beard, hair, wool, flame, are common to the Christian Apocalypse and the Jewish Kabbalah. They have been deemed relevant by our elders for the representation of the « Face » of God. Why?

The millennia have passed. A concrete image, even if unreal or misleading, is better than an empty abstraction. As a trope, it suggests openings, avenues, encourages criticism, stimulates research.

Kabbalah projects the surreptitious idea that all the symbolism with which it is steeped is not only symbolic. The symbol, in this context, is the very thing. Each word, each letter of the Text, is a kind of incarnation, literally literal. Metaphors and images also carry the burden of incarnation.

This is one of the most constant paradoxes of the fickle science of interpretation. The more concrete is the best symbol of the abstract.

The verbal alchemy of Kabbalah transmutes words, transforms them into an acute surface, with a bushy, burning aura, pulverizes them and disperses them in all directions, sparkling with opalescence.

Let us add this. The Law is supposed to be transparent, since it is intended to be understood and fulfilled. But the Law is also full of shadows, darkness. How can this paradox be explained?

Kabbalah explains the Law in its enlightened parts. But what remains obscure is the totality of its meaning, drowned in shadows, and its ultimate purpose is incomprehensible, inscrutable. The darkness of the Law is systemic. Kabbalah, verbose, confused, provides fewer answers than it forges infinite questions. It shows that the Law is irreducible, insubordinate to reason, to sight, to understanding.

The whole of the Law, its meaning, its end, cannot be grasped by biased, narrow minds. Through the centuries, the shadow, the hidden, the occult always appear again.

“O ye who have undistempered intellects,

Observe the doctrine that conceals itself

Beneath the veil of the mysterious verses!”ii

Song IX of Hell describes the 6th circle, where the heresiarchs and followers of sects are confined, who have not known how to understand or see the deployment of the Whole.

The researcher walks in the night. Surprised by a flash, the gaze discovers the magnitude of the landscape, an infinite number of obscure details. Immediately, this grandiose and precise spectacle disappears into the shadows. The lightning that reveals deprives the blind eye of its strength.

“Even as a sudden lightning that disperses

The visual spirits, so that it deprives

The eye of impress from the strongest objects,

Thus round about me flashed a living light,

And left me swathed around with such a veil

Of its effulgence, that I nothing saw”iii.

i Rev. 1,14

iiDante, Hell, IX, 61-63

iiiDante, Paradise, XXX

« You, Israel, are joyful, but my servants are grieving. »

Everything contributes to deceive, delude, mislead, the seeker who ventures into the slippery terrain of mystery, – without guidance, compass or bearings. The shoehorns are multiplying underfoot, in words. There are a thousand opportunities to get lost. The material is too rich, too vast, too flexible, too subtle. It is covered with too many veils, protected by thick walls, buried in the depths of forgotten cenotaphs, vanished into a clear azure, lost in the inaudible murmur of the zephyr.

You need a singularly piercing eye, a fine ear, a gentle touch, to only feel the fleeting shadow of a clue.

The mystery seeker reminds us of this character from Ṛg Veda: « Sullen, without knowledge, I question with my mind what are the hidden traces of the gods. »i

The seeker contemplates with his thoughts Isaiah’s seraphim, with their three pairs of wings, two of which are to cover their face and feet, and the third to fly, and he cannot be satisfied with what he sees, since they hide from him what he cannot see.

He tries to understand the meaning of Greek words that are only outer envelopes, without content: mystery (μυστήριον), symbol (σύμϐολον), enigma (αἲνιγμα), sign (σημεῖον), shadow (σκία), shape (τύπος) or similarity (εἰκών).

Origen has shown as clearly as possible, without being discouraged, how the mystery is constantly being hidden, and how, without interruption, it is being overlooked. He stated with a sense of evidence: « We feel that everything is full of mysteries”ii and also: « Everything that happens, happens in mysteries.»iii

In terms of mysteries, a higher irony haunts some Kabbalah texts, such as this one: « You, Israel, are joyful, but my servants are grieving. For it is a mystery from the mysteries that leaves my treasure. All your schools prosper like fattened calves (Jeremiah 46:21), not by sorrow, not by labor, but by the name of this seal and by the mention of the terrifying crown. »iv

How would one interpret that sentence, nowadays?

Without waiting too long for an answer that will not easily be spit out, the researcher picks up other grains of knowledge that were collected thousands of years ago: « What is manifested and secret, what moves here in the secret heart of our being is the powerful foundation in which is established all that moves and breathes and sees. »v

He meditated on the details of Ezekiel’s experience, wondering about the differences between brightness, fire, and amber: « And I looked, and, behold, a whirlwind came out of the north, a great cloud, and a fire infolding itself, and a brightness was about it, and out of the midst thereof as the colour of amber, out of the midst of the fire.» vi

The researcher measures the inanity of his efforts, the derisory nature of his strengths. He is aware that the idea of mystery could be nothing more than an illusion, a chimera, a pretext to collect in sheer waste scattered symbols, a propensity to tear diaphanous veils, to plunge into a verbal abyss, to overestimate the signs, to desire to see, instead of live.

Origen had warned: true knowledge is love. Plunged in sweet madness, the seeker seeks love in the true mystery.

iŖg Veda I,164,1

iiOrigen, Lev. Hom. 3,8

iiiOrigen, Gen. Hom. 9,1

iv Cf. Section Sar Ha-Torah (« Prince of Torah ») from Hekhalot Rabbati (« Great Palaces »)

vMundaka 2,2,1

viEz 1, 4

YHVH told Adonai: « Sit on my right »

Man does not speak. It is the word that « speaks ». Man is not the master, he is only the instrument.

« By whom is spoken the word that is said? The eye and the ear, what God splints them? For he is the ear of the ear, the mind of the mind, the word of the word and also the breath of the breath, the eye of the eye.  » – (Kena-Upanişad, 1, 1-2)

During the Vedic sacrifice, it is not the priest who speaks, despite the appearance, it is the God.

God is the spirit in the spirit, the breath in the breath.

God alone is truly « speaking word ». Brahman alone inhabits the words. Only he remains in all the cries, songs, psalmodies, throughout the sacrifice.

The idea of the God « Word » is not specific to the Vedas. It is found in other traditions.

The Bible, which appeared long after the Vedas, also presents a God who creates and makes people exist through his Word alone.

The Vedas and the Bible have a common vision. God is Word, and from this Word emanates a creative Word. From this creative Word is born (among others) Man, – speaking creature.

The Hebrew tradition proclaims the absolute oneness of God. But it also recognizes a second cause: a Word that is detached from God, that comes from his Mouth, and that acts in the world by its own power.

In support, the prophet Moses and the psalmist David.

Moses speaks explicitly of a Lord who splits himself, – or of two « Lords » who are both « YHVH », the first sending the second punishing men:  » Then the Lord rained upon Sodom and upon Gomorrah brimstone and fire from the Lord out of heaven;  » (Gen. 19:24)

The Hebrew text is as follows:

וַיהוָה, הִמְטִיר עַל-סְדֹם וְעַל-עֲמֹרָה–גָּפְרִית וָאֵשׁ:  מֵאֵת יְהוָה, מִן-הַשָּׁמָיִם

We note the repetition of the YHVH tetragram as an initial agent of the action ( וַיהוָה), and as an active partner (מֵאֵת יְהוָה). We also notice the use of the expression מֵאֵת יְהוָה, « from YHVH » which indicates a kind of detachment, of movement.

Literally: YHVH rains fire and brimstone, and YHVH himself comes « from » YHVH, who is in the « highest heaven ».

We find this divine duplication elsewhere. King David chanted:

« The Lord (YHVH) said to my Lord (Adonai): Seat on my right ».i

How can we understand that the Lord (Adonai) sits at the right hand of the Lord (YHVH)?

Isn’t YHVH also Adonai? What does the figure of the Lord (Adonai) « sitting at the right hand » of the Lord (YHVH) represent? Who is this Lord (Adonai), who also slaughters kings, does justice to the nations, and is « a priest forever according to the order of Melchizedek »?

David says again:

« By the word of YHVH the heavens were made, by the breath of his mouth, all their army. »ii

What does David mean by evoking the mouth of God, His breath and His word? Are God’s Mouth, Word and Breath « united » in divine oneness, or are they « distinct »? Or are they both united and distinct?

What specific action do Word and Breath have respectively on the world, what singular meanings do they have for man?

David offers a first answer. He presents the Word as an « envoy », healing those who need YHVH:

« He sent his Word, and he healed them. « iii

The divine Word, as presented in the Vedas, has an astonishing structural analogy, it seems, with the divine Word in the Bible.

Two great spiritual traditions, different in many other respects, very distant geographically and in time, come together to affirm that God speaks, that His Word is divine, and that It heals and saves men.

Yet, there is another unanswered question ;

The Word heals. But what does the Breath do?

iPs. 110 (109) -1

iiPs 33(32) -6

iiiPs 106(107)-20