N. , Death and the West

N. is no one in particular. N. is everyone. He/she is the peasant of the Nile, the builder of pyramids, the daughter of Pharaoh, the soldier of his army. Or Pharaoh himself.

Everyone must go through this: the door of death.

N. just died. He/she is placed in the presence of God. He/she speaks and addresses Him.

« Tribute to you who has come, God Atum, creator of the gods. Tribute to you, King of the Gods, who makes your ‘tuau’ shine with your beauty.

Tribute to you who come in your splendors, around your disc. »

At the same time, the prayer of the officiants accompanying the ceremony rises:

« O Sun, Lord of light, emerged from the East, shines on the face of the deceased N.!

May the soul of the deceased N. be at your side in your boat as you cross Heaven (…)

Your perfume is not known. And incomparable is your splendor. »i

The « Great Egyptian Papyrus » of the Vatican Library gives an idea of how the dead are introduced before God, to plead their cause and be admitted to divine transformation.

The funeral ritual of the ancient Egyptians was highly sophisticated. Traces of the prayers accompanying each phase of the « manifestation to day », and of the « luminous transformation of the soul » have been kept.

Emmanuel de Rougé translated in 1864 an Egyptian Funeral Ritual that includes more than a hundred chapters. Each one corresponds to a prayer adapted to a particular action in favour of the soul of the deceased. Together they form a subtle gradation, reflecting the stages of the soul’s journey into death:

« Take the form of the divine sparrowhawk » (Ch. 78), « Take the form of God » (Ch. 80), « Open the place where Thoth is and become a luminous spirit in Ker-Neter » (Ch. 96), « Sit among the great gods » (Ch. 104), « Receiving happiness in the dwelling of Ptah » (Ch. 106), « Advancing into the manifestation of the gate of the gods of the West, among the servants of Ra, knowing the spirits of the West » (Ch. 107), « Knowing the spirits of the East » (Ch. 109).

Ker-Neter is the Sheol, Atum or Tem is the Sun of the Night, Ra is the Sun of the Day.

Egyptology, an evolutionary science, has proposed guiding ideas for finding one’s way in this ancient world:

1) Every soul is admitted before the supreme God, and can plead his/her cause.

2) The deceased N. is called to be admitted to « cross Heaven » in the company of the God Atum himself.

3) The deceased N. can undertake a long spiritual journey involving more than a hundred distinct and successive stages.

4) Achieving the « happiness of Ptah’s dwelling place » is only one of these many steps, and it is not the highest. The final stages include the knowledge of the spirits of the West, then the knowledge of the spirits of the East.

In essence, the religion of ancient Egypt is generous, open to all. It promises after death a great journey of the soul, described with great detail in advance, for the benefit of the living.

In contrast, subsequent religions, which appeared more than two or three thousand years later, such as Judaism, Christianity and Islam, have really little to say about what awaits the soul after death.

In contrast, and in the face of this void, poets from different periods, such as Homer, Virgil or Dante, wanted to fill the latent demand.

Today, « modernity » has no use for these old aspirations, these pictorial descriptions. Death is no longer a dream.

But fifty-five centuries ago, the future dead dreamed of « knowing the spirits of the West and the East ».

i Il grande papiro egizio della Biblioteca Vaticana, édité par Orazio Marucchi, Rome 1888

The Unique Liqueur

It is often said that the civilization of ancient Egypt was centred on death. Less well known is its deep fondness for love. This is reflected in the Papyrus of Turin, which contains a collection of original love poems.

Three trees successively take the floor to sing of the love of lovers.

It’s the old sycamore tree starting. « My seeds are the image of her teeth, my wearing is like her breasts. I remain at all times, when the sister was wrestling [under my branches] with her brother, drunk with wine and liqueurs, dripping with fine, perfumed oil. Everyone passes – except me, in the orchard (…) »

Then the fig tree opens its mouth and its foliage says: « I come to a mistress – who is certainly a royal like me – and not a slave. I am therefore the servant, prisoner of the beloved; she has made me put in her garden; she has not given me water, but on the day I drink, my stomach is not filled with a common water ».

Finally,  » the young sycamore tree, which she planted with her hand, opens its mouth to speak. Its accents are as sweet as a honeyed liqueur – of excellent honey; its tufts are graceful, flowery, full of berries and seeds – redder than carnelian; its leaves are variegated like agate. Its wood has the colour of green jasper. Its seeds are like tamarisk. His shadow is fresh and windy (…). Let us spend each day in happiness, morning after morning, sitting in my shade (…) If she lifts her veil under me – the sister during her walk, I have my breast closed and do not say what I see – either what they say. « (G. Maspéro, Egyptian Studies, Volume I, 1886).

The Papyrus Harris No. 500 also has preserved a poetic, passionate, powerful, and precise love song:

« Your love penetrates into my womb as the wine spreads in the water, as the perfume amalgamates with the gum, as the milk mixes with the honey; you hurry to run to see your sister as the runner who sees the stallion, as the hawk (…). My sister’s belly is a field of lotus buds, her udder is a ball of perfumes, her forehead is a plate of cypress wood (…) I have no mercy for your love. My wolf’s berry, which generates your intoxication, I will not throw it away so that it may be crushed at the Vigil of the Flood, in Syria with cypress sticks, in Ethiopia with palm branches, in the heights with tamarisk branches, in the plains with forks. I will not listen to the advice of those who want me to reject what I desire (…) »

« Let my sister be during the night as the living spring whose myrtles are similar to Phtah, the water lilies similar to Sokhit, the blue lotuses similar to Aditi, the[pink lotus] similar to Nofritoum (…) My sister’s villa has its basin right in front of the house: the door opens, and my sister leaves angry. Let me become a doorman so that she may give me orders and I may hear her voice (…). »

I find a strikingly similar tone in the verses of the Song of Songs. This famous text was composed around the 5th or 4th century BC, seven or eight centuries after the Egyptian love poems that have just been quoted.

It is difficult not to feel some subliminal correspondences between the Song of songs and the Egyptian poems. Lo!

« Because of the savour of thy good ointments thy name is as ointment poured forth, therefore do the virgins love thee. « Ct 1,3

« A bundle of myrrh is my well beloved unto me; he shall lie all night betwixt my breasts. « Ct 1,13

« Behold, thou art fair, my beloved, yea, pleasant: also our bed is green. The beams of our house are cedar, and our rafters of fir. « Ct 1:16-17

« Who is this that cometh out of the wilderness like pillars of smoke, perfumed with myrrh and frankincense, with all powders of the merchant? « Ct 3, 6

« Thy teeth are like a flock of sheep that are even shorn, which came up from the washing; whereof every one bear twins, and none is barren among them. »Ct 4.2

« Thy lips, O my spouse, drop as the honeycomb: honey and milk are under thy tongue; and the smell of thy garments is like the smell of Lebanon. A garden inclosed is my sister, my spouse; a spring shut up, a fountain sealed. » Ct 4,11-12

« I am come into my garden, my sister, my spouse: I have gathered my myrrh with my spice; I have eaten my honeycomb with my honey; I have drunk my wine with my milk: eat, O friends; drink, yea, drink abundantly, O beloved. « Ct 5,1

« I said, I will go up to the palm tree, I will take hold of the boughs thereof: now also thy breasts shall be as clusters of the vine, and the smell of thy nose like apples; dnd the roof of thy mouth like the best wine for my beloved, that goeth down sweetly, causing the lips of those that are asleep to speak. « Ct 7,8-9

One is struck by the frequency of similar words in the Egyptian and Hebrew texts: Sister, breast, spring, garden, perfume, myrrh, cypress, palm tree, teeth, wine, milk, honey, oil, breeze.

These words belong to a cultural and geographical area that extends from the Nile to the Tigris, including Israel… They were part of an age, several thousand years old, when love was perfume, sweetness, taste.

It is an irresistible lesson!

The power of softness! The only liqueur!

The Hidden God

In Judaism, the idea that God is ‘hidden’ is deeply embedded. God transcends all conception. The Holy of Holies is empty.

The prophets repeat:

« Truly You are a God who hides Himself, O God of Israel, the Savior. » (Is. 45,15)

« Why do You hide Your Face?  » (Ps. 44,24)

But in reality, this notion of a ‘hidden God’ was not specific to Judaism. The ancient Egyptian civilization had had, long before Judaism, a similar conception of a ‘hidden’ Supreme God.

Ra hides Himself in His own appearance. The solar disk is not the God Ra, and it does not even represent the God. The solar disk is only the mysterious veil that hides the God.

This is also true of the other Gods of the Egyptian pantheon, who are in reality only multiple appearances of the one God. « The outer forms which the Egyptians gave to the divinity were only conventional veils, behind which were hidden the splendors of the one God. « , analyses F. Chabas, in his presentation of the Harris Magical Papyrus (1860).

In the language of hieroglyphics, the word « hidden » (occultatus) is rendered by the term ammon . This word derives from amen, « to hide ». In the Harris Papyrus an address to the God Ammon-Râ sums up the mystery: « You are hidden in the great Ammon ».

Ra is ‘hidden’ in Ammon (the ‘hidden’), he is ‘hidden’ in the mystery of his (shining) appearance.

Ra is not the sun, nor is he the Sun-God, as it has been often misinterpreted. The solar disk is only a symbol, a sign. The God hides behind it, behind this abstraction, this pure « disc ».

By reading the prayer of adoration of Ammon-fa-Harmachis (Harris Papyrus IV 1-5), one grows convinced of the abstract, grandiose and transcendent conception that Egyptians had of the God Ammon-Râ.

This elevated conception is very far from the supposed ‘idolatry’ that was later attached to their ancient faith. The Papyrus Harris gives a vivid description of the essence of the Ancient Egyptian faith, flourishing in Upper Egypt, more than two millennia before Abraham’s departure from the city of Ur in Chaldea.

Here are the invocations of a prayer of adoration:

« Hail to you, the One who has been formed.

Vast is His width, it has no limits.

Divine leader with the ability to give birth to Himself.

Uraeus! Great flaming ones!

Supreme virtuous, mysterious of forms.

Mysterious soul, which has made His terrible power.

King of Upper and Lower Egypt, Ammon Ra, Healthy and strong life, created by Himself.

Double horizon, Oriental Hawk, brilliant, illuminating, radiant.

Spirit, more spirit than the gods.

You are hidden in the great Ammon.

You roll around in your transformations into a solar disk.

God Tot-nen, larger than the gods, rejuvenated old man, traveler of the centuries.

Ammon – permanent in all things.

This God began the worlds with His plans. »

The name Uraeus, which is found in this text as an epithet of the God Ra, is a Latinized transposition of the Egyptian original Aarar, which designates the sacred aspic, the royal serpent Uraeus, and whose second meaning is « flames ».

These invocations testify to a very high conception of the divine mystery, more than two thousand years before Abraham. It is important to stress this point, because it leads us to the conclusion that the mysterious, hidden, secret, God is a kind of ‘universal’ paradigm.

Since the depths of time, men of all origins have spent millennia meditating on the mystery, confronting the hidden permanence of the secret divinity, inventing metaphors to evoke an unspeakable, ineffable God.

These initial intuitions, these primeval faiths, may have prepared the later efflorescence of the so-called « monotheism », in its strict sense.

But it is worth trying to go back, ever further, to the origins. The prayers of ancient times, where did they come from? Who designed them? Who was the first to cry:

« Ammon hiding in His place!

Soul that shines in His eye, His holy transformations are not known.

Brilliant are His shapes. His radiance is a veil of light.

Mystery of mysteries! His mystery is not known.

Hail to You, in Goddess Nout!

You really gave birth to the gods.

The breaths of truth are in Your mysterious sanctuary.»

What strikes in these short prayers is their « biblical » simplicity. Humble, simple words to confront with high and deep mysteries…

Premonitions, images, burst forth. The « brightness » of God is only « a veil of light ». This image, of course, leads us to evoke other mystic visions, that of the burning bush by Moses, for example, or that of the shamans, all over the world, since Paleolithic…

Moses, raised at the court of the Pharaohs, may well have borrowed one metaphor or two from the Egyptian culture. No one can claim having a monopoly of access to the mystery. Many years before the time of Moses, and according to the Book of Genesis, Agar, an Egyptian woman, met four times with either God or His Angels, – said Rachi, the great Jewish commentator. Sara, Abraham’s wife and Isaac’s mother, was not endowed with such a feat…

What really matters is that from age to age, exceptional men and women have seen ‘visions’, and that these ‘visions’ have transformed in a deep way their lives and the lives of those who followed them.

For thousands of years, humanity has accumulated a rich intuition of what is hidden beyond all appearances, it has perceived the probable existence of incredible depths beyond the shallowness of reality. Some men and women have at times been able to lift a corner of the veil, and to see, as if through a dream, the unbearable brilliance of an ineffable light.

It is necessary to consider the essence of what was ‘seen’ by these chosen pioneers, the depths of their experience, in the interest of Humankind as a whole. Their collective knowledge constitutes a general, universal, massive, plurimillennial, anthropological fact, anchored (then and now) in a number of living human souls, at the very bottom of the cortex.

But these fundamental experiences have not really succeeded in connecting all men of faith around the Earth. Why? Why, today, such a spectacle of religious hatred, the continuing desolation of endless violence, the proliferation of despair?

How long still will the God stay ‘hidden’?

A Jewish Osiris

The God Osiris was murdered by his brother Seth, who then cut him into pieces, which he distributed throughout Egypt. The papyrus Jumilhac says that the head was in Abydos, the jaws in Upper Egypt, the intestines in Pithom, the lungs in Behemet Delta, the phallus in Mendes, both legs in Iakémet, the fingers in the 13th and 14th nomes, an arm in the 20th nome and the heart in Athribis Delta.

Plutarch, who later told the story of Osiris, gave a different distribution. The important thing is that Osiris, a God who died and rose again, embodies the heart of the ancient Egyptians’ belief in the resurrection of the dead and in eternal life.

The idea of a dead and risen God is a paradigm, whose analogy with the figure of Jesus Christ, crucified and risen, cannot be overlooked.

Several precious papyrus tell the story of the God Osiris, his many adventures. Murders, tricks, betrayals, magical transformations abound. To read them today, in an era both disenchanted and eager for misguided religious passions, can be conceived as a dive back several millennia, a dive into the dawn of an emerging, deeply religious feeling, in all the meanings of this ambiguous term.

The papyrus Jumilhac, kept in Paris, tells the story of the revenge of Osiris’ son, Anubis, who went after Seth, his father’s killer. Knowing that he was threatened, Seth took the form of Anubis himself, to try to cover his tracks, before taking many other forms.

« Then Imakhumankh walked at the head of the gods who watch over Osiris; he found Demib and cut off his head, so that he was anointed with his [blood]. [Seth] came looking for him, after he had turned into an Anubis (…) Then Isis dismembered Seth with her own teeth, biting him in his back, and Thoth pronounced his spells against him. Re then said: ‘Let this seat be attributed to the « Tired »; look as he regenerated himself! How beautiful it is! And that let Seth be placed under him as a seat. That’s right, because of the harm he did to all the members of Osiris.’ (…)

But Seth fled into the wilderness and made his transformation into the panther of this nome. Anubis, however, seized him, and Thoth said his magic spells against him again. So he fell to the ground in front of him. Anubis bound him by his arms and legs and Seth was consumed in the flame, from head to toe, throughout his body, east of the august room. The smell of his fat having reached the heaven, it spread in this magnificent place, and Re and the gods held it for pleasant. Then Anubis split Seth’s skin, and tore it off, and put his fur on him. (…)

And Seth made his transformation into Anubis, so that the gate-keepers should not be able to recognize him (…) Anubis pursued him with the gods of his retinue, and joined him. But Set, taking on the appearance of a bull, made his form unrecognizable. But Anubis bound him by his arms and legs, and cut off his phallus and testicles. (…)

After that Anubis entered the Ouâbet to check the condition of his father, Osiris, and he found him safe and sound, with firm and fresh flesh. He turned into a falcon, opened his wings behind his father Osiris, and behind the vase that contained the aqueous humors of this God (…) he spread the wings as a falcon to fly, in search of his own eye, and brought it back intact to his master. »

As we see, Seth is constantly transforming himself into anubis, then into a panther, finally into a bull. But Anubis always follows him, with Thot’s help. Then Seth is transformed into Osiris’ « seat » or Anubis’ « fur ». But it is the final transformation that is most pleasing to the supreme God, Re. Seth is consumed in flames and in the smell of fat, and he spreads himself into the magnificent Heaven.

It is interesting to compare the final transformation of Seth into flames and odours with that of Anubis, who takes the form of the falcon. This falcon, Horus, is one of the oldest, most archaic deities in the Egyptian pantheon. In the Osirian context, Horus represents the posthumous son of Osiris and Isis, who flies over his dead father in search of his eye and helps to restore his life.

The papyrus Jumilhac evokes the legend of Horus in chapter XXI, and compares it to a vine.

« As for the vineyard, it is the frame that surrounds the two eyes to protect them; as for the grape, it is the pupil of Horus’ eye; as for the wine that is made, it is Horus’ tears. »i

Wine stands for the tears of the son of the God Osiris, himself likened to a « vine ». How can we not think of this other ‘wine’, the blood of Christ, the sacrificed son of the living God?

iPapyrus Jumilhac. XIV,14,15, Paris. Copy consulted in Bibliothèque Ste Geneviève. Paris. Translation Jacques Vandier.

A Jewish, Greek, Indo-European and Exotic Rabbi

Jews pythagorized a lot in Alexandria, several centuries before the Christian era. Philo and Josephus are excellent examples of Hellenizing Jews, belonging to the high class of this city, and sensitive to ideas flowing from elsewhere. Pharisaism and Essenism, which flourished at the time, can be interpreted as effective outcomes of Pythagorean and Alexandrian Judaism.

The Pharisees, the « Separated », indeed constituted a « separate band », they wanted to distinguish themselves from traditional Jews, and even to innovate with regard to the Law. Josephus says that the Pharisees imposed rules on the people that were not enshrined in the Law of Moses.

Death and resurrection occupied the minds a lot, then.

The Pharisees believed in the resurrection of the dead. So did share this belief Rabbi Joshua ben Youssef, better known as Jesus, while still finding Pharisees « hypocrites », and « bleached graves ».

By contrast, the Sadducees, faithful to the letter of the Law, were « Old Believers » and they denied the resurrection.

The core idea of the resurrection was indeed not Jewish. It was widespread in Hellenism, pythagorism, with palingenesis and metempsychosis. All this originated in a more distant East. Iran. India. The vast world had many different views on these difficult subjects.

But the Pharisaic belief in the resurrection was undoubtedly « a decisive innovation, which made Pharisaic and Talmudic Judaism a religion quite different from that of the Law and the Prophets, » wrote Isidore Lévyi.

Pharisaic Judaism has adapted and modified the concepts of resurrection and palingenesis: the resurrection is not as a recurring opportunity offered to migrant souls, but a singular, unique event, which occurs once and for all on the day of Revelation.

As for the Essenes, another sect of Judaism, they are called Hassa’im, the « silent » ones. Josephus describes them as follows: « No scream, no tumult ever defiles the house; everyone in turn is given the floor. To people outside, the silence inside gives the impression of a frightening mystery.»ii

They are also fanatics, » adds Josephus. « They swear not to reveal anything about the members of the cult to strangers, even if they were to be tortured to death.»iii

It was already, let us remember, Pythagoras’ oath: « Rather die than speak », as reported by Diogenes Laertius (VIII, 39). And it also reminds us of Jesus’ obstinate silence before Pilate.

Flavius Josephus summarizes the belief of the Essene sect: « The soul is eternal. Freed from its carnal chain, the soul, as if liberated from a long servitude, joyfully takes off towards the heights.» iv

Other sects still competed with them in this troubled period: the Zadoqites, the Nazarenes, the Dositheans, the disciples of Johanan Ben Zakkai, those of Hillel…

In this world open to the influences of many heterodox cultures, the parallel between the birth of Jesus and that of Pythagoras is worth to be underlined.

There is more. Pythagoras in Crotone refused to be called a son of Apollo, just as Jesus in Capernaum does not want to be known as the son of God. Another similarity: Pythagoras and Jesus knew how to talk to women. Jesus had several of them as unconditional followers, three of whom are named: Mary Magdalene, Mary Mother of James, and Salome. This sole fact is in itself extremely remarkable, if we take into account the context and the time. Only Pythagoras has had a similar behaviour in the past.

Pharisaism, born in Alexandria in the midst of a maelstrom of cultures, religions, political, economic and migratory movements, tried to reconcile the ideas of Moses and Pythagoras. The time aspired to forms of syncretism, to conjunctions of points of view.

If Judaism was then influenced by Pythagorism, how can we not see that Christianity too was influenced by its aura? Long before Jesus, Pythagoras had been known as the God-Man of Samos, while being the son of Mesarch and Parthenis. He embodied on earth the manifestation of Apollo. Through him, shone in Crotone, the torch that saved happiness and wisdom.

I. Levy interprets what he calls « the enigmatic fact of the triumph of Christianity » in this way: « Of the religion which under the Caesars left Palestine, the essential had only been introduced to Jerusalem a century earlier. The Gospel conceals under an oriental garment the belief system which, as we know from the writings of Virgil, Plutarch and many others, from the careers of Apollonius of Tyana and Alexander of Abonutikhos, captured the most diverse spirits on the Greek and Latin shores of the Mediterranean. It seduced the ancient world because it brought it, imbued with the most penetrating exotic charm, a product of Greek thought, heir to an Indo-European past. »v

All this sounds curious in the 21st century, used to the strangest extrapolations, and sensitive to the most improbable reinterpretations, never without putative provocations.

Jesus, a slandered rabbi, condemned as « king of the Jews », now may reappear in the collective consciousness as an « oriental », « exotic » product, an heir to « Greek thought » and to an « Indo-European past ».

In the Jewish world, trying to survive after the destruction of the Temple by the Romans in 70 AD, it was probably not desirable to allow the seeds of heresy to develop. It was necessary to gather minds, after the political, symbolic and moral disaster. Yet Jesus was Jewish, as were the Pharisees, Sadducees or Essenes who occupied the field of Jewish thought at that time. More Jewish than Indo-European, we might say.

It is certainly not indifferent, today, to want to see in Christianity only an « oriental », « exotic », « Greek » and « Indo-European » non-Jewish heresy, rather than the sucker of the Jesse trunk, – that Judaeo-Christians celebrated then.

It might be more significant, from a very long-term perpective, to consider Christianity being, at the same time, and without contradiction, an interesting innovation: a Jewish-Greek-Indo-European and exotic religion, – transcending in its unique way cultures, borders, classes, sects, centuries.

i in La Légende de Pythagore de Grèce en Palestine, 1927

ii Bellum II, VIII, 5, §132

iii Bellum II, VIII, 5, §132

iv Bell. II, VIII, §155-157

vIn Op.cit.

How to Found Romes of One’s Liking

Pythagoras, Enoch, Moses, Orpheus, Siosiri, Mithrobarzan, Aeneas, Jesus do have something in common: they all went down to the Underworld, and then came back from it.

Admittedly, they were not very talkative about what they saw there. They were probably required to keep a certain discretion about what they had discovered in the Other World.

But by collating their testimonies, we can draw some general lessons.

All those who have visited the depths of Time share common features. Their birth was miraculous, their intelligence lively and early. One day, they go down to the underworld, make discoveries, return to the world, in an apotheosis, realize very significant achievements, and then they disappear again.

It is tempting to assume that they are conforming, in doing so, to a type, a paradigm. In their apparent diversity, their infernal journeys are essentially similar. All you have to do is mention one, to find them all.

However, perhaps the most poetic of these descents into Hell was that of Aeneas, narrated by Virgil.

It all begins with a visit from Aeneas to Cumae, in the cave of the Sibyl. This high priestess of Phoebes and Hecate exclaimed: « It is time to question the destinies. The God, this is the God!”. Aeneas begins a prayer, while the prophetess still resists the embrace of God: “She struggles in her den like a wild bacchanal, and seeks to shake the Almighty God out of her chest. »

Aeneas insists. He wants to go down to the underworld. He wants to see his father there again. It is indeed an exorbitant privilege, but he has the ability to do so. « I too am of the race of the sovereign Jupiter », he says.

The Sibyl replies that it is in fact easy to descend to the Avern. It is to retrace one’s steps, to go back up to the light from above which is difficult, which is the hard test. There are the mud of the Acheron, the black waters of the Cocyte, the waves of the Styx, the dark Tartarus, the silent night of the Phlegeton with its torrents of flame. These obstacles must be overcome twice, on the way to and on the way back.

Aeneas and Sibyl then sink into the depths of the earth. « They went like shadows by the deserted night, through the darkness and the vast dwellings of Pluto and his kingdom of simulacra. »

After many adventures, Aeneas meets his father Anchises. Contact is not easy. « Three times he tried to surround his neck with his arms; three times, in vain, the shadow ran down his hands like a light breath, like a dream that flies away. »

Aeneas asks him a question. He wants to know why there are so many souls « who yearn again to enter into the thick bonds of the body ». Anchises then starts to explain « all these beautiful secrets » to him.

« And first of all, the sky, the earth, the liquid plains, the luminous globe of the moon, the Titanic star of the sun, are penetrated and enlivened by a spiritual principle: spread in all parts of the world, the spirit makes the whole mass move, and transforms it by mixing with this vast body.”

It is from this principle that men, animals, birds, and monsters of the Ocean are born. All the germs of life owe their vigour to their celestial origin. Despite this, souls know fears, desires, pains, joys, and they remain trapped in their darkness and blind jails, when life leaves them.

It takes thousands of years of suffering and punishment for the soul to, one day, recover its purity, the initial spark of the fire that has been granted to it.

Anchises accurately describes the fate that awaits the descendants of Aeneas and what Rome will become. That’s all said and done.

Without transition, the return to light is almost instantaneous. Anchises led Aeneas and Sibyl back to the « bright ivory » gate, which Manes only use to send « illusory ghosts » to the World from above.

It is through this door that Aeneas passes, « cutting as short as possible ».

Aeneas had just succeeded to come back to the World. Then he founded Rome.

Who can claim to have had a similar experience? As I said earlier: Pythagoras, Enoch, Moses, Orpheus, Siosiri, Mithrobarzan, Jesus, all did go to the Underworld, they came back, and then they founded “Romes” of their liking, kingdoms of their kind.

Why is that so?

Bloody human body parts scattered

Drunk, the Bacchae rushed to the victims, skinning them with their bare hands, ripping their limbs off, and searching their internal organs. Their hands sticky with blood, they behead the unfortunate one who fell under the blows of sacred madness.

The Bacchanalians indeed represent, in the ancient Dionysian religion, a wild, extreme phenomenon. It is about getting drunk, taking part in nature’s orgy, and fully engaging in delirium and all its consequences.

It is in delirium that the metamorphosis can take place. There are several kinds of them.

The one of Harmony and Cadmos is spectacular. Snake scales gradually cover the body. First the feet, then the legs, then the hips, then the sex metamorphoses into sizzling, hideous snakes. Finally, the whole rest of the body is affected by this monstrous mutation.

The Dionysian religion is not a quiet one. Its followers are not immune to some degree of terror, of psychological or physical shock. But it is this metamorphosis that is the essential moment, after the wine of intoxication and the sharing of the members of the sacrificed victim.

Philostratus the Elder describes it this way: « Here are the choirs of the Bacchae, the stones dripping with wine, the grapes distilling the nectar, the clods of earth all shining with the brilliance of milk, here is the ivy with its creeping stem, the snakes raising their heads, the thyrsuses and the trees from which honey escapes drop by drop.

Behold this fir tree lying on the ground, its fall is the work of women violently agitated by Dionysus; by shaking it, the Bacchae made it fall with Pentheus whom they take for a lion; behold, they tear their prey, the aunts detach their hands, the mother drags her son by the hair (…)

Harmony and Cadmos are present. Already the lower extremities, from the thighs, are transformed into snakes, everything disappears under the scales from the feet to the hips; the metamorphosis spreads to the upper parts. Harmony and Cadmos are struck with horror; they kiss each other, as if, by this embrace, they had to stop their bodies in its flight and save at least what they still have left of the human form. »

From the point of view of comparative anthropology, it is tempting to consider possible analogies with other religions.

There are undoubtedly in the depths of human memory some ancient and indelible memories of ancient sacrifices, that will not be easily wiped away.

We could see for instance in the Bacchanals a distant analogy or an obscure link with the sacrifice of Christ, and the consumption of his blood and flesh shared among the faithful.

Of course, the sacrifice of Christ as celebrated by the Church is not an evolved, intellectualized version of an eminently wilder, more barbaric sacrificial paradigm, once celebrated in the name of the God Dionysus, in memory of his bloody and burning birth.

But it is nevertheless possible to see in it elements of analogy, and anthropological similarities, if only in the consumption of Christ’s « flesh » and « blood » by his disciples, at the height of communion.

The human mind, from age to age, has shown itself capable of designing paradigms that open universes, that play on all values, not to abolish them, but to guarantee the possibility of their continuing metamorphosis.

The Dionysian religion once incarnated one of these paradigms, and secretly continues to do so, metaphorically speaking, in the unconscious depths of humankind.

It is tempting to reflect on how Dionysian ideas may be embodied today in the excesses of contemporary humanity, and how they continue their secret life in our blind and thoughtless »modernity ».

Bloody human body parts scattered all over political crime scenes (resulting from targeted assassinations or downed civilian airplanes) continue to be regularly presented – in prime time – to worldwide audiences…

Brain Neurochemistry and Mystic Visions

The birth of Dionysus is worth telling. There is a precise description of it in the Imagines of Philostratus the Elder.

“A cloud of fire, after enveloping the city of Thebes, tears on the palace of Cadmos where Zeus leads a happy life with Semele. Semele dies, and Dionysus is really born under the action of the flame.

We can see the erased image of Semele rising towards the sky, where the Muses will celebrate his arrival with songs. As for Dionysus, he starts from the mother’s womb, thus torn, and shining like a star, he makes the brilliance of the fire pale with his own. The flame opens, sketching around Dionysus the shape of a cave[which is covered with consecrated plants].

The propellers, the berries of ivy, the vines already strong, the stems of which we make the thyrsus cover their contours, and all this vegetation comes out of the ground so willingly, that it grows partly in the middle of the fire. And let us not be surprised that the earth lays on the flames like a crown of plants.”

Philostratus ignores the fact that Semele had wanted to see the face of Zeus, her lover, and that this was the cause of her death. Zeus, kept by a promise he had made to her to fulfill all her desires, was forced to show his face of light and fire when she made the request, knowing that by doing so he would kill her, in spite of himself.

But he didn’t want to let the child she was carrying die, which was also his. Zeus took Dionysus out of his mother’s womb and put him in the great light, in a cloud of fire. However, Dionysus himself was already a being of fire and light. Philostratus describes how Dionysus’ own fire « makes Zeus’ own fire pale ».

It should be noted above all that the divine fire of Dionysus does not consume the sacred bushes that envelop his body at the time of his birth.

In a different context, Moses sees a burning bush, which is not consumed either. The Bible gives little detail on how the bush behaves in flames.

Philostratus, on the other hand, is a little more precise: a « crown of plants » floats above the fire. The metaphor of the crown is reminiscent of an aura, a halo, or the laurels surrounding the hero’s head. Except Dionysus is not a hero, but a God.

The idea of plants burning without burning in a « fire » of divine origin is counter-intuitive.

It is possible that this idea is a hidden metaphor. The inner fire of some plants, such as Cannabis, or other psychotropic plants, is a kind of fire that affects the mind, burns it indeed, but does not (usually) consume it. This inner fire, caused by plants capable of inducing shamanic visions and even divine ecstasies, is one of the oldest ways to contemplate mysteries.

This is one of the most valuable lessons from the experiences reported by shamans in Asia, Africa, or America.

What explains the powerful affinity between psychotropic plants, human brain neurochemistry and these ecstatic, divine visions?

Why is brain chemistry capable of generating a ‘vision’ of God from psychotropic stimuli?

Why is the active ingredient of cannabis, THC (Δ9 – tetrahydrocannabinol), capable, by binding to the CB1 and CB2 receptors, of delivering man to ecstasy, and to the vision of the divine, under certain conditions?

New ways of investigating the brain should be able to be used to detect the brain regions activated during these visions.

There are two main categories of assumptions.

Either the psychotropic mechanism is entirely internal to the brain, depending only on neurobiological processes, which can get out of hand when they are somehow looped around themselves.

Either these neurobiological processes are in reality only a façade, more or less shaped throughout the evolution of the human brain. They hide or reveal, depending on the case, our direct perception of a world that is still mysterious, a parallel world, generally inaccessible to sensitivity and consciousness.

The neurochemical processes disinhibited by THC release the brain, and during ecstasy give it the opportunity to access a meta-world, usually veiled, but very real, existing independently of human consciousness.

In that assumption, the neurochemistry of cannabis does not then generate « visions » by itself; it is only a key that opens the consciousness to a world that is inaccessible, most of the time, to weak human capacities.

The Land of Death and Resurrection

In ancient Egypt, Death was the key moment, – the moment when took place the transformation of the soul of the dead into the “Ba”, the divine principle of Re.

Neferubenef’s Papyrus identifies the « Ba » with the « divine ram of Mendes, the city where the mystical union of the two souls of Re and Osiris is made, »i according to Si Ratié, who translated it.

The religion of ancient Egypt used to bring hope to everyone. The hope for eternal salvation. Every human soul was given the possibility of carrying out an ultimate, divine and royal ‘mutation’ at the moment of death, – under certain conditions. The soul had the power to transform herself into a « Horus of gold », whose flesh is of gold, and the bones of silver, to speak metaphorically.

The origin of this belief goes back to the dawn of time. Archaeological evidence of a funeral cult in Upper Egypt dating back to before the first dynasty, around 3500 BC, has been found.

Today, Neferoubenef’s Papyrus makes us hear the voice of the faithful as they prepared for this decisive test.

« Hail to you who is in the holy necropolis of Rosetau; I know you, I know your name. Deliver me from these snakes that are in Rosetau, that live from the flesh of humans, that swallow their blood, for I know them, I know their names. May the first order of Osiris, Lord of the Universe, mysterious in what he does, be to give me the breath in this fear that is in the midst of the West; may he never cease to order the directives according to what has existed, he who is mysterious within the darkness. May glory be given to him in Rosetau! Master of the darkness, who descends and orders food in the West! We hear his voice, we don’t see him, the great God who is in Busiris! (…)

I come as a messenger from the Lord of the Universe. Horus, his throne has been given to him. His father gives him all the praise, as well as those in the boat. Lord of fear in Nut and in the Douat! I am Horus. I have come to be in charge of the sentence. Let me come in, let me say what I saw. »ii

These ancient words strike us by their mysterious echoes, later reverberating in other, subsequent, religions, such as Judaism or Christianity.

Several millennia before Abraham left Ur and gave tribute to Melchisedech, some high priests in Egypt used to sing psalms such as :

« We hear His voice, we don’t see him, the great God. »

« I come as a messenger from the Lord of the Universe. Horus, His throne has been given to Him. His father gives Him all the praise, as well as those in the boat. »

And there is this even stranger, prophetic, formula:

« The fear that is in the middle of the West ».

The West has always been for the Semites, as evidenced today by the Arabic language, which calls it « Maghreb », literally the “place of exile”, a “place of danger”.

For the ancient Egyptians, the West was indeed the place associated with “death”. But it was also the place of “resurrection”.

The deep, collective, memory, embodied in minds and in the unconscious for thousands of years, has undoubtedly cultivated this fear. Maybe it still exists in a latent form. That could explain a hidden connection between the ancient myth of the Golden Horus, the revelation of the great God who is in Busiris, and the fear many people of the ‘Esat’ resent about the ‘West’ today?

« The fear that is in the middle of the West » is several thousand years old.

It is a strange paradox, completely devoid of any “modern” rationality, but still worth considering, with all its overtones: for the oldest religion ever appeared in the “East”, the “West” is the « Land of Death », but also as the unique place for “Resurrection”.

If there are still ears to hear, there is an interesting lesson to be learned here.

i Si Ratié, Le Papyrus de Naferoubenef, 1968


Cultural blindness

Athanasius Kircher, Jesuit, encyclopedic scholar, one of the most brilliant minds of the 17th century in Europe, became interested in China, then newly fashionable. The Jesuits had been engaged since 1582 in the intellectual exploration of this civilization, with the initial mission of Matteo Ricci.

Kircher published his « Illustrated China » in Amsterdam in 1670. Among other things, he deals with ideographic writing, the principle of which is still obscure to him, according to all appearances, since he mistook the ideograms for hieroglyphics, observing « the similarity of the ancient Chinese characters with the hieroglyphics »and that « the first Chinese people who were descended from the Egyptians followed their ways of doing things for their writing. »

He proposed an astonishing classification of Chinese ideograms according to sixteen « forms », drawn from his rich imagination, and based on the supposed similarities of Chinese characters with natural forms.

Here are some excerpts describing these « forms ».

Form I: « You see here snakes wonderfully intertwined with each other, and which have various figures according to the diversity of the classes they mean. »

Form II: « The first form of the old letters is taken from the things of agriculture. »

Form III: « The 3rd form of the letters is composed of quantities of birds, called ‘Fum Hoam’, and is said to be the most beautiful of all those that the eyes can see: because it is made of several feathers, & several wings.

Form IV: « The form IVof the ancient characters (…) is taken from oysters and worms. »

Form V: « The form VII is composed of the roots of the herbs. »

Form VI: « The form VI is composed of the remains of birds. »

Form VII: « The form VII is made of turtles. »

Form VIII: « The form VIII – made of birds & peacocks. »

Form IX: « Made of grass & wings. »

Form X: « Their meaning is ‘quai ço xi ho ki ven’ or, said otherwise, Ço, author of some writings, composed these letters, not to forget what he knew. »

Form XI: « Take the figure of stars and plants. »

Form XII: « Letters of the edicts formerly used. »

Form XIII: « Yeu çau chi ey en tao. »

Form XIV: « Letters of rest, joy, science, talks, darkness and clarity. »

Form XV: « Composed of fish. »

Form XVI: « Does not have to be read: that is why we did not understand what it meant. »

Beyond the undeniable poetry of this disconnected, repetitive and fanciful catalog, one can only note the apparent, staggering, ignorance of one of the most agile European minds of these times with regard to a culture, that seemed then indeed difficult to access.

Such phenomena of blindness and intercultural misunderstanding, far from being outdated in our newly globalized world, can indeed be observed today.

At least, Athanasius Kircher then had a try, in good faith.

Orpheus and Pythagoras

Orpheus descended to the Underworld and was initiated into the Mysteries of Isis and Osiris (those Gods called Demeter and Dionysus among the Greeks, Ceres and Bacchus, among the Romans). He established in Greece the cult of Hecate in Aegina, and that of Isis-Demeter in Sparta. His disciples, the Orphics, were at once marginal, individualistic, mystical, and loving life.

In contrast, the Pythagoreans, though also influenced by orphism, were « communist and austere », to use H. Lizeray’s formula. Socrates had said: « Everything is common, – between friends. »

If Pythagoras had a tendency towards « communism », and Orpheus towards « individualism”, what does it teach us, today, in terms of the fundamental aspirations of mankind?

An “Exit” Prophecy

The Chaldaic Oracles date from the 2nd century AD. Attributed to Julian, it is a short, dense, deep, open-ended, eyes-opening text, made of oracular sentences, old, worn out, precious nuggets, whose ancient shards shine with an uncertain fire.

Here are a few of them:

« a Spirit born of the Spirit » (νοῦ γάρ νόος).

« The silence of the Fathers, of which God feeds Himself » (16).

« You know the paternal abyss by thinking of it, beyond the Cosmos » (18)

« All Spirits think this God. » (19)

« The Spirit does not subsist apart from the Intelligible, and the Intelligible does not subsist apart from the Spirit» (20)

« The fire of the Sun, He placed it in the core of the heart. » (58)

« Everything yields to the intellectual fulgurations of the intellectual Fire. » (81)

« Do not put off your Spirit » (105)

«The mortal who will aprroach the Fire will be given light by God. » (121)

« All is lit by lightning. » (147)

« When you will have seen the holy, holy Fire, burning without form, jumping around the abysses of the world, listen to the voice of Fire. » (148)

« Do not ever change the barbaric names » (150)

« Do not lean towards the low. » (164)

« The inaccessible abyss of thought. » (178)

« The ire of matter. » (180)

« Truth is in the deep » (183)

« The time of time (χρόνου χρόνος). » (185)

A thousand years after their writing, Michel Psellus (1018-1098) wrote a Commentaries of the Chaldaic Oracles, and highlighted their Assyrian and Chaldean influences.

And a thousand years later, Hans Lewy wrote his great work, Chaldean Oracles and Theurgy. Mysticism magic and platonism in the later Roman Empire (Cairo, 1956).

Many other modern scholars, such as W. Kroll, E. Bréhier, F. Cumont, E. R. Dodds, H. Jonas, also studied these texts between the end of the 19th century and the beginning of the last century.

Long before them, an ancient chain of thinkers, Eusebius, Origen, Proclus, Porphyry, Jamblicus, had traced their own paths around it.

In fact, it appears that it is necessary to go all the way back to Babylon, and even more so to Zoroastrianism, to try to understand the meaning of these magical-mystical poems, which obtained the status of sacred revelation among the neo-Platonists.

What’s left of it, nowadays?

Maybe, some ideas like that of the soul’s journey through the worlds, and words like « anagogy » or « Aion », which is another name for eternity. There also remains the hypothesis of « the noetic hypostasis of the Divinity », as Hans Lewy puts it.

G. Durand had this famous formula: « The symbol is the epiphany of a mystery. « i

Generally, today, these poems, these oracles, still mystify the world, but their sparks light up the night.

We could say the same about an ancient Proverb such as: « I, Wisdom, dwell with prudence, and find out knowledge of witty inventions.»ii

What does our “Modern times” have to say about Mystery, the “prudence of Wisdom”, or the « fulguration of the Spirit »?

It’s « the time of time », it’s time to change times! Blind and deaf modernity, Exit! Exit!

i G. Durand L’imagination poétique

ii Prov. 8,12

Going Beyond Migration.

Angels, powers, virtues, dominions, seraphim, cherubim, and many other supernatural envoys and agents of the Jewish or Christian traditions, do not always confine themselves to their supposed rankings, to their orders of precedence, because of their subtle and incessant ascents, their internal movements and connections, and their continuous descents.

Hans Urs Von Balthasar, for instance, sees their endless interpenetration as a metaphor and a possible illustration of the process at work within the Trinity, a process which he names the “conversation”. Each divine Person sees the Face of God in the Other Person, a Face of a God greater than any total understanding, eternally worthy of worship, even for a divine Person. The « Trinitarian conversation » is like an image of the « original prayer ».

This « Trinitarian conversation » could be imagined as a supreme metaphor, far above the entanglement of sephirotic whispers, the murmurs of the zephyrs, the atonal choirs of angels, their distant echoes, their evanescent evocations, their systemic symphonies.

In these elevated and delicate realities, the metaphors we are bound to use are only an invitation to journey. We have to move, always again, always further, we must always “go beyond”.

“To go beyond”in Hebrew: Habar, עָבַר. The English word ‘Hebrew’ was coined precisely from the Hebrew word – habar. Does it still convey its original meaning?

We may generalize this semantic intuition. The destiny of man is that of a never ending migration, possibly continuing, after death, in a future life. Men have been created as eternal migrants, en route for an infinite discovery.

Where does the soul go when she migrates?

We don’t know. But between “being here” and “being gone”, we may think of a continuity. We may dream that there is a way, a path. We may cherish the eventuality of a path leading to some place of unexpected interest, where to look after hidden gates, opening on new horizons.

Of course, this is a « fantastic » idea, in the sense that Plato gave to the word « phantasmos » in the Sophist.

Why consider it? As migrants, on our faces, we bear metaphysical scars. Under the scars, a rift. Under the rift, another face, yet hidden. We migrate within our scars.

Lightning, thunder, zephyrs, whispers. Metaphors invite us to navigate even further, to leave behind the grammatical ports, the security of our roots.

The next mutation will be yet another migration. Man is changing. The self-transformation of the human species is underway. A new language, visionary, is needed, beyond grammar, beyond roots, beyond migration.

Silent Fire

The “wryneck” is quite a strange bird. It has two fingers in front and two fingers in back, according to Aristotle. It makes little high-pitched screams. it is able to stick its tongue out for a long time, like snakes. It gets its name, « wryneck », from its ability to turn its neck without the rest of its body moving. It is also capable of making women and men fall in lovei.

But more importantly, the “wryneck” is a divine « messenger », according to the Chaldaic Oraclesii.

There are, admittedly, many other divine “messengers”, such as the Platonic « intermediaries » (metaxu) and « demons » (daimon). Among them, there is the « Fire », which is a metaphor for the « soul of the world ». All souls are connected to the Fire, because they originated from it: « The human soul, spark of the original Fire, descends by an act of her will the degrees of the scale of beings, and comes down to lock herself in the jail of a body.» iii

How does this descent take place? It is an old “oriental” belief that souls, during their descent from the original Fire, clothe themselves with successive ‘veils’, representing the intermediate planes they have to cross through.

Every incarnating soul is in reality a fallen god. The soul strives to come out of the oblivion into which she has fallen. She must leave the « flock », subjected to an unbearable, heavy, somber fate, in order « to avoid the brazen wing of the fatal destiny »iv. To do this, she must succeed in uttering a certain word, in memory of her origin.

These « chaldaic » ideas have greatly influenced thinkers like Porphyry, Jamblicus, Syrianus and Proclus, inciting them to describe the « rise of the soul », ἀναγωγη, thus replacing the more static concepts of Greek philosophy, still used by Plotinus, and opening the possibility of theurgy, the possibility for the soul to act upon the divine.

Theurgy is « a religious system that brings us into contact with the gods, not only by the pure elevation of our intellect to the divine Noos, but by means of concrete rites and material objects »v.

Chaldaic theurgy is full of signs, expressing the unspeakable, in ineffable symbols. « The sacred names of the gods and other divine symbols raise to the gods.”vi Chaldaic prayer is effective, because « hieratic supplications are the symbols of the gods themselves »vii, wrote Edouard des Places.

“Angels of ascension” make souls rise towards them. They remove the souls from the « bonds that bind them », that is, from the vengeful nature of demons, and from the trials human souls suffer: « Let the immortal depth of the soul be opened, and dilate all your eyes well above! ».viii

Many challenges await those undertaking the spiritual ascension. The Divine is beyond the intelligible, entirely unthinkable and inexpressible, and better honored by silence.

It’s worth noting that, in Vedic ceremonies, silence plays a structurally equivalent role in approaching the mysteries of the Divine. Next to the priests who operate the Vedic sacrifice, there are priests who recite the divine hymns, others who chant them and yet others who sing them. Watching over the whole, there is another priest, the highest in the hierarchy, who stands still and remains silent throughout the ceremony.

Hymns, psalms, songs, must yield to silence itself, in the Chaldaic religion as in the Vedic religion.

The other common point in these two cults is the primary importance of Fire.

The two traditions, which are so far apart, transmit a light from a very old and deep night. They both refer to the power of the original Fire, and contrast it with the weakness of the flame that man has been given to live by:

« [Fire] is the force of a luminous sword that shines with spiritual sharp edges. It is therefore not necessary to conceive this Spirit with vehemence, but by the subtle flame of a subtle intellect, which measures all things, except this Intelligible Itself. » ix

iIn his 4th Pythic, Pindar sang Jason’s exploits in search of the Golden Fleece. Jason faces a thousand difficulties. Fortunately, the goddess Aphrodite decided to help him, by making Medea in love with him, through a bird, the “wryneck”. In Greek, this bird is called ἴϋγξ, transcribed as « iynge ». « Then the goddess with sharp arrows, Cyprine, having attached a wryneck with a thousand colours to the four spokes of an unshakeable wheel, brought from Olympus to mortals this bird of delirium, and taught the wise son of Eson prayers and enchantments, so that Medea might lose all respect for her family, and the love of Greece might stir this heart in fire under the whip of Pitho.» The magic works. The « bird of delirium » fills Medea with love for Jason. “Both agree to unite in the sweet bonds of marriage”.(Pindar, 4rth Pythic)

iiChaldaic Oracles, Fragment 78

iiiF. Cumont. Lux perpetua (1949)

ivChaldaic Oracles, Fragment 109

v A. Festugière. Révélation (1953)

viCf. Édouard des Places, dans son introduction à sa traduction des Oracles chaldaïques (1971). (Synésius de Cyrène (370-413) énonce un certain nombre de ces noms efficaces. Άνθος est la « fleur de l’Esprit », Βένθος est le « profond », Κολπος est le « Sein ineffable » (de Dieu), Σπινθήρ est « l’Étincelle de l’âme, formée de l’Esprit et du Vouloir divins, puis du chaste Amour » : « Je porte en moi un germe venu de Toi, une étincelle de noble intelligence, qui s’est enfoncée dans les profondeurs de la matière. » Ταναός est la « flamme de l’esprit tendué à l’extrême », et Τομή est « la coupure, la division », par laquelle se produit « l’éclat du Premier Esprit qui blesse les yeux ».Proclus s’empara de ces thèmes nouveaux pour éveiller la « fleur », la « fine pointe de l’âme ».)

viiÉdouard des Places, Introduction. Oracles chaldaïques (1971)

viiiChaldaic Oracles, fragment 112

ix Chaldaic Oracles, fragment 1.

A Very Long Journey

A Jewish historian, Artapanus, living in Alexandria under the Ptolemy, more than 2300 years ago, affirmed that Moses and Hermes Trismegistus were one and the same person. This provocative thesis is obviously controversial. But from the point of view of cultures quietly assuming their « symbiosis » (such as the one prevailing in the vibrant Alexandria of this time), this idea has the merit of being a pungent symptom.

Whether or not he was in fact Moses, the man named Hermes Trismegistus was a remarkable character. Almost two thousand years before Blaise Pascal, Hermes struck a famous formula, quoted in the Asclepius: « God, – a spiritual circle whose center is everywhere, and the circumference nowhere. »

His Poimandrès is also moving by his scope of vision, and the prophetic power of his intuitions. Here are the first lines.

« I was thinking about beings one day; my thoughts hovered in the heights, and all my body sensations were numb as in the heavy sleep that follows satiety, excess or fatigue. It seemed to me that an immense being, without defined limits, called me by name and said to me: What do you want to hear and see, what do you want to learn and know?

– Who are you, I answered?

– I am, he said, Poimandrès, the sovereign intelligence. I know what you want, and everywhere I am with you.

– I want, I replied, to be educated about beings, to understand their nature and to know God.

– Receive in your mind everything you want to know, » he said to me, « I will instruct you.

At these words, he changed his appearance, and immediately everything was discovered to me in a moment, and I saw an indefinable spectacle. »

There is something divine in Hermes, just like in Moses. Why hide it? Today, there are few men of this calibre. Does this make the world more difficult to live in? Less open to wisdom? This can be believed if we stick to Plato’s description of the philosopher.

« This is why the philosopher’s thought is the only winged one; for those higher realities to which he is constantly applied by memory to the extent of his forces, it is to these very realities that God owes his divinity. However, it is by straightforwardly using such means of remembrance that a man who is always perfectly initiated to perfect initiations, becomes, alone, really perfect. But as he departs from what is the object of human concern and applies to what is divine, the crowd shows him that he is disturbed in spirit; but he is possessed of a God, and the crowd does not suspect it! »i

Today, as in the past, the opinion of the crowd often prevails over that of the wise man. But the latter does not care. He is « possessed ».

There is nothing better, in order to understand an era, than to look at the forms of “possession”, of « disturbance », the ways of « delirium », which it condemns or recognizes.

In Poimandrès Hermes gives crucial indications in this regard on the concerns of his time. He describes his own transport in an immortal body, and the ecstasy of his soul.

In the Symposium, Plato recounts the dive of purified souls into the ocean of divine beauty. In the Epinomis, he explains how the soul can be united with God, then living through Him, rather than by herself.

It is difficult not to be struck by the incredible distance between the experience of these ancient thinkers and that of most intellectuals and other publicists at the beginning of the 21st century.

Few, it seems, can still get the faintest idea of what the experience of ecstasy was really like for Moses, for Hermes, or for Socrates.

« Modern thinkers » have almost completely severed the links with these multi-millennial experiments. We see in the media professionals of the sacredness, spokesmen for faith X, religion Y or spirituality Z, parading on stages, pulpits, platforms, or screens, proclaiming themselves guardians of divine laws, imposing sermons and homilies, launching anathema or fatwas.

The modern domain of the « sacred » forms a noisy, blurred, confused scene.This confusion hides a more substantial opacity. The untouched, unsuspected mystery still lies in the depths, much deeper than the spiritual night that surrounds us on all sides. Marsilio Ficino, one of the Renaissance thinkers who best resisted modern desiccation, then in genesis, described an interesting phenomenon, the path of the mind captured by the object of his research:

« By ardently loving this light, even if it is obscurely perceived, these intelligences are completely engulfed in its heat, and once they are engulfed, which is the hallmark of love, they are transformed into light. Strengthened by this light, they very easily become by love the very light they previously tried to follow with their eyes.»ii

Ficino, who seems to have experienced the thing for himself, believes that there are nine possible degrees of contemplation of God. Three are related to his goodness, three are related to his wisdom, and three are related to his power. But these approaches are not equivalent.

“We fear the power of God, we seek his wisdom, we love his goodness. Only the love of his goodness transforms the soul into God.”iii

Why all these ways, then, if there is only one effective? The symbolism of the number 9 is to be taken into account. Virgil used it, too. « The Styx, interposing itself nine times, locks them in. »iv

Ficino quotes Hesiod, Virgil, Ovid, Hermes Trismegistus, Plato. In the middle of the Renaissance, he dreams of the golden age, during which the mysteries had been contemplated.

The intelligence of men is bound and weak. To dream today of a new golden age is to believe once again in a possible leap, a huge leap, from this weakness, towards the vision of the high mysteries, or even their understanding.

The testimony of the great elders on this subject is invaluable. They say the leap is possible. They suggest that this experience is always open to anyone who undertakes this journey with determination. We must rely on the general strengths of universal symbiosis to help us through the difficult stages that await the Argonauts of life. Orpheus warns: « It is impossible to force the gates of the kingdom of Pluto; inside lives the people of dreams.»v

But these doors can be opened, as if by magic. How? Orpheus entrusts his method: « Daughters of Mnemosyne and Jupiter, O famous and illustrious Muses, goddesses who will generate all the arts, nourish the spirit, inspire right thoughts, wisely rule the souls of men and have taught them divine sacrifices; Clio, Euterpe, Thalie, Melpomene, Terpsichore, Erato, Polymnia, Urania and Calliope, come with your august mother; come to us and be favourable to us, bring us the Almighty Glory and Wisdom.»vi

For those who would have a sensitivity to immanence, Orpheus proposes to invoke the « universal substance »:

« I invoke Pan, the universal substance of the world, of the sky, of the deep sea, of the earth of various forms and of the imperishable flame. These are just scattered members of Pan. Pan at the feet of goats, wandering god, master of storms, who drives the stars and whose voice represents the eternal concerts of the world, god loved by herdsmen and pastors who love the clear fountains, fast god who inhabits the hills, friend of sound, dear god of nymphs, god who generates all things, procreative power of the universe.»vii

For those who prefer to put themselves under the shadow of the Law, Orpheus also has a sign:

« I invoke the divine Law, the genius of men and immortals; the heavenly goddess, governing the stars, the common sign of all things, the foundation of nature, the sea and the earth. A constant Goddess, keeping the eternal laws of heaven and faithfully carrying out her immense revolutions; you who grant mortals the benefits of a prudent life and govern all that breathes; you whose wise counsel directs all things according to equity, goddess always favourable to the just, but overwhelming the wicked with severe punishments, sweet goddess who distributes goods with delicious largess, remember us and speak our name with friendship.»viii

The journey has only just begun. It has no end. Any vessel will do, to the one who knows the bearings, even fuzzily. Only imagination and hope are likely to be in short supply. And courage.

i Phaedrus, 249, c-d

iiMarsilio Ficino, Th. Plat. 18,8


iv Georg. IV, 480

v Argonaut., 1142

vi Argonaut., 1142

vii Orpheus, Hymns, X

viii Hymns, LXI

Symbiosis : an Universal Paradigm

Symbiosis is a fascinating subject, with indescribable extensions, not devoid of universal implications, and metaphysical considerations.

Almost all animals and plants use symbiotic bacteria, which allow them to perform certain metabolic functions by proxy. Some plants have bacteria that fix nitrogen. In the stomachs of cows, there are bacteria that digest cellulose.

Mitochondria and chloroplasts, essential components of cells, were once independent creatures, living independently of their current hosts. It is their genomic DNA, very different from that of their current host cells, that bears witness to this distant past.

It is inferred that mitochondria and chloroplasts penetrated primitive cells at a remote time and then adapted to life inside these cells. The symbiosis between mitochondria, chloroplasts and primitive cells is at the origin of giant leaps in the evolution of life. The assembly of simple structures with specific biological properties has made it possible to build increasingly complex cellular structures faster and faster. The mechanism of symbiosis thus avoided the already advanced cells having to reinvent by chance of genetic mutations what the symbiotic creatures brought them directly, on a plateau of sorts.

Physicist Freeman Dyson observes that in the universe, very many cases of symbiosis are also observed. We’re talking about symbiotic stars. Many of the objects observed in the universe are associated in symbiotic systems, either in pairs or within more complex systems. Symbiotic galaxy pairs are widespread. These symbioses frequently prepare fusions, just as ancestral cells ingested mitochondria and chloroplasts. Thus large galaxies « swallow » small galaxies after having been symbiotically associated with them for some time. The nuclei of swallowed galaxies are observed inside those that have swallowed them. This is called « galactic cannibalism ».

At the star scale, there are also many cases of symbiosis. Symbiotic star pairs are composed of a highly condensed element such as a white dwarf, a neutron star or even a black hole, and another normal star, which will also eventually be swallowed.

Symbiosis phenomena have been discovered between two neutron stars, which slow each other down due to the interaction of their gravitational waves. In the end they merge together and create a unique star in a gigantic splash of light and stellar matter, within a few thousandths of a second. This type of phenomenon is observed several times a day, through gamma-ray discharges, which are considered to be the most violent events in the universe, even more so than supernova explosions.

The Sun and Earth also form a symbiotic couple. The Earth brings chemical and environmental diversity. The Sun guarantees a stable supply of energy. Life was born thanks to the combination of the Earth’s potentialities, its variability, with the constancy and stability of the Sun.

The symbiosis paradigm applies to cells and galaxies, and also to man. For example, in the human couple. Or, on a different scale, in cultures and civilizations that are capable of symbiotic union.

We can hypothesize the existence of other forms of symbiosis, more abstract or more philosophical. Thus, the relationship of tension between the manifest and the latent can be described as symbiotic, or the link between the evidence of the phenomenal world and the mystery of the noumenal world, or between the relationship between the human and the divine.

It is possible, in order to continue to spin the metaphor of symbiosis, that we are not alone, isolated in our minds and souls, solitary like navigators lost in the ocean. We may well be, without our own knowledge, associated by several kinds of symbioses with higher forms of life whose form and power we cannot conceive, but which accompany us, throughout our peregrinations, in different planes of reality.

If everything is a system, as the ancient Chinese civilization likes to emphasize, then it is possible that our very being is an integral, systemic part of a multiplicity of symbioses, of varying importance.

Just as mitochondria play a particular role in the metabolism of each cell, just as the entire universe constantly produces countless forms of symbiosis under the influence of gravitational forces, so men, individually and collectively, may play their symbiotic role, blind, unravelable, but not mythical, on scales of time and reality, which we are unable to suspect.

In the Mire, Drowning Angels.

We humans are fundamentally nomads, – with no nomosi. We are forever nomads with no limits, and no ends.

Always dissatisfied, never at peace, never at rest, perpetually on the move, forever in exile.

The Journey has no end. Wandering is meaningless, without clues. The homelands are suffocating. Landscapes are passing by, and we have no roots. No abyss fulfills us. The deepest oceans are empty. The skies, down there, are fading. The suns are pale, the moons dirty. The stars are blinking. We can only breathe for a moment.

Our minds would like to look beyond the diffuse background, behind the veiled Cosmos. But even an infinitely powerful Hubble telescope couldn’t show us anything of what’s behind. Cosmology is a prison, only vaster, but still finite, bounded, and we are already tired of endless, useless, multiverses, and weary of their aborted drafts.

The worried soul « pursues an Italy that is slipping away », but Virgil is not anymore our vigilante, and Aeneas is not our elder. Rome has forgotten itself. Athens has died out. Jerusalem, we already have returned there, – so they say.

Billions of people live, dream and die on the Promised Land.

They try, every night, to drink the water of the Lethe and the Cocyte, without being burnt by the Phlegethon. When they wake up, they are always thirsty for new caresses, they want again to smell myrrh, to taste nectars.

They try to avoid the icy skin of mirrors. They desperately scan the hairy mountains, the undecided rivers, the bitter oranges. They follow the hard curve of the fruits, the orb of the colors.

But at one point the heart hits, the body falls. At any moment, the final night will cover the sun. Forgetting all will come without fail.

Euripides called life: « the dream of a shadow ».ii

This shadow has two wings, – not six, like Ezekiel’s angels.

Intelligence and will are our wings, says Plato.

With one wing, the shadow (or the soul) sucks in, breathes in. The world comes into her.

With the other wing, she goes to all things, she flies freely, anywhere.

When the two wings flap together, then anything is possible. The soul can evade anywhere, even out of herself, and even from God Himself. As Marsilio Ficino says: « Animus noster poterit deus quidam evadere ».

There is a mysterious principle at the heart of the soul: she becomes what she’s looking for. She is transformed into what she loves.

Who said that? A litany of impressive thinkers. Zoroaster, King David. Plato, Porphyry, Augustine. Paul put it that way: « And we all, who with unveiled faces contemplate the Lord’s glory, are being transformed into his image with ever-increasing glory. »iii

It is indeed a mysterious principle.

The word ‘mystery’ comes from the Greek μύω, to close. This verb was originally used for the eyes, or for the lips. Closed eyes. Closed lips. The religious meaning, as a derivative, describes an ancient problem: how could what is always closed be ever opened?

Zoroaster found an answer, kind of: « The human soul encloses God in herself, so to speak, when, keeping nothing mortal, she gets drunk entirely on the divinity”.iv

Who still reads or pays attention to Zoroaster today?

Nietzsche? But Nietzsche, the gay barbarian, joyfully ripped away his nose, teeth and tongue. After that, he pretended he could speak on his behalf. Also Sprach Zarathustra. Ach so? Wirklich?

There are two kinds of thinkers.

There are the atrabilaries, who distill their venom, their suspicions, their despair, or their limitations, like Aristotle, Chrysippus, Zeno, Averroes, Schopenhauer or Nietzsche.

And there are the optimists, Heraclitus, Pythagoras, Socrates, Plato, or Apollonius of Thyana. They believe in life and in everything that may flourish.

We’ll rely on Heraclitus for a concluding line: “If you do not expect the unexpected you will not find it, for it is not to be reached by search or trail”. (Fragm. 18)

What can we learn from that fragment?

Without hope, everything is and will stay forever mud, mire, or muck. We have to search for the unexpected, the impossible, the inaccessible… What on earth could it be? – Gold in the mud, – or in the mire, drowning angels?

iNomos (Greek) = Law

ii Medea, 1224

iii2 Co 3,18

iv ChaldaicOracles V. 14.21

Mixed Souls

The soul is a kind of « heteroclite beast », like the Chimera or Cerberus, says Plato. He represents her as an assemblage of several monsters, whose heads form a « crown ». Some of these heads are peaceful, the others are fierce and ferocious. This beastly crown thrones over the body of a lion, coupled with that of a man. All this is wrapped in human skin, which gives the observer the impression that this composite creature has the appearance of a man.i

The idea of mixing the bestial and the human in several degrees of composition is taken up in another text, Timaeus, where Plato defines the soul of the world.

The soul of the world is described as an « indivisible reality that always remains identical », a « reality that is divisible and subject to becoming « , and finally a « third form of reality », called « intermediate », which is obtained by mixing the first two kinds of realities.

The soul of the world is thus a mixture of three elements: an indivisible one, a divisible one and a third one which is itself a mixture of the first two.

It may seem a little redundant, like a mixture of a mixture with itself… Or, logically, this could also imply that the third form of reality does not mix with the first two realities, indivisible and divisible, in the same way and with the same effects, as we observe when we mix the first two kinds of realities. In short, mixing is not a linear operation, but rather an « epigenetic » one, we would say today.

God, Plato continues, took these three kinds of reality and mixed them together to melt them into a single substance.

But, how to mix the divisible with the indivisible, the « Same » with the « Other »? « The nature of the Other was rebellious to the mixture; to unite it harmoniously to the Same,[God] used constraint; then in the mixture he introduced Reality; of the three terms, he made a unity. »ii

The soul of the world is therefore a mixture of three terms: the Same, the Other and « Intermediate Reality ».

If we compare this mixture with the mixture of the human soul, what do we see? The human soul is composed, as we remember, of a crown of animal heads, a leonine form and a human form.

Can the terms of these two mixtures be reconciled?

The « crown of animal heads » could be analogous to the Intermediate Reality. The « lion » could be assimilated to the Same, and « man » to the Other.

We can imagine other correspondences between the structure of the soul of the world and the structure of the human soul. But the important point is elsewhere.

The fundamental idea is that the human soul is, by the very principle of its composition, the image of all things. It contains in power the possible developments of all living beings.

Plato reinforces this idea with another image. The soul comes, he says, from a « cup » where God has cast all the seeds of the universe, and « mixed them ». It follows that every soul contains in power all these seeds, all these germs, all these possibilities.

iPlato The RepublicIX, 558e

iiPlato. Timaeus, 35a,b

Flying Without Wings

Minding one’s own mind is a difficult art. One must juggle with the uncontrolled power of ideas, the tyranny of imagination, the empire of reason, the excesses of imitation, and the probable (in-)adequacy of the mind to reality.

One must also consider the conformation of the soul’s desire to her true end. The soul is basically a mystery to herself. How could she unravel mysteries far from her attainment, when she is evidently unable to understand herself, or to escape the grip of her drifting imagination?

The myth, it seems, may be for the soul an alternative path of research. It is one way to escape the tyranny of the déjà vu and its consequences. A way to set her free, while giving in to her vertigo.

Here is an example.

In the Timaeus, Plato describes the power that the soul exerts over the body, and in the Phaedrus, he deals with the soul liberated from the body.

On the one hand, the soul is in charge of the body into which it has descended. On the other hand, the soul freed from the body travels through the heavens and governs the world. So doing, she binds herself to celestial souls.

Her liberation is accompanied by frankly enigmatic phenomena:

« Where does it come from that the names of mortal and also immortal are given to the living, that is what we must try to say. Every soul takes care of everything that is devoid of a soul and, on the other hand, circulates throughout the whole universe, presenting herself there sometimes in one form and sometimes in another. However, when she is perfect and has her wings, it is in the heights that she walks, it is the whole world that she administers. »i

The soul « has her wings » and is called to administer the « whole world ». What does that mean?

By commenting on this passage, Marsilio Ficino brings it closer to another text by Plato which states in a rather obscure way:

« The need for intelligence and the soul united to intelligence exceeds all necessity. »ii

This comment requires an explanation.

When the soul is liberated, that is, when she leaves the body, she takes advantage of this freedom to unite herself « necessarily » to the intelligence. Why « necessarily »? Because in the spiritual world there is a law of attraction that is analogous to the law of universal attraction in the physical universe. This law is the law of the love that the free soul « necessarily » feels for the (divine) intelligence.

When she unites with the ‘intelligence’, the soul becomes « winged ». She can do anything, including « administering the whole world ».

This explanation doesn’t explain much, actually.

Why is the « perfect » soul, « winged », called to « administer the whole world »?

In reality, the mystery is thickening. The Platonic myth only opens doors to other, more obscure questions.

Two thousand years after Plato, Marsilio Ficino proposed an interpretation of these difficult questions:

“All reasonable souls possess an upper part, spiritual, an intermediate part, rational, a lower part, vital. Intermediate power is a property of the soul. Spiritual power is a ray of higher intelligence projected on the soul, and in turn reflected on the higher intelligence. The vital power is also an act of the soul reflecting on the body and then repercussions on the soul, just as sunlight in the cloud is, according to its own quality, a light, but as it emanates from the sun, is ray, and as it fills the cloud, is whiteness.”iii

The thicker the mystery gets, the more images multiply!

Ray, light and whiteness represent different states of intelligence mixing with the mind (the ray becomes light), and of spirit mixing with the world and matter (light becomes whiteness).

We may also understand that the « ray » is a metaphor of the (divine) intelligence, that the « light » is a metaphor of the power of the (human) spirit, and that whiteness is a metaphor of the vital power of the soul. These images (ray, light, whiteness) have a general scope, – which applies to the world as well as to the mind.

So is the myth.

The myth is like a « light », generated by a « ray » striking the mind, and generating « whiteness » in it (i.e. revelation).

The « ray », the “light”, the “whiteness” are images, metaphors, for the Word (Logos), the Myth (Mythos), and Reason (Logos, again), as various degrees of illumination.

Is this explanation enlightening enough?

If not, you will have to learn to fly, without wings, radar and GPS, in the nights and fogs of the world.

i Phaedrus 246 b,c

iiPlato. Epinomis 982 b

iiiMarsilio Ficino Platonic Theology, 13,4

The Angel of the Bizarre

Plato says that, just before incarnating in her body, the soul must choose her destiny, her future way of life. At this crucial moment the soul is completely free. It is her sole responsibility to decide which kind of daimon she will use as her guardian during her brief earthly stay.

This idea goes totally against the « modern way ». For the most part, “modern thinkers”, for example Calvin, Hobbes, Voltaire, Marx, Einstein, Freud, have been advocating determinism or materialism for many centuries.

« Modern thinkers » are far removed from the Platonic world. And much more so from the intellectual and spiritual world in which the Egyptians of the pre-dynastic period, the Chaldean Magi or the Zoroaster supporters lived.

On these disappeared worlds, there are written sources, archaeological traces. It is not impossible to try to understand them better. Scrupulous scientists use their lives for this.

But how can « modernity » receive what Egyptologists or Assyriologists can extract from this long memory?

The noisy « modernity » remains silent, mute, speechless, on the oldest issues, the life and death of the spirit, the growth and degeneration of the soul.

How do « modern thinkers », for example, imagine the formation of the mind in the brain of the newborn child?

Epigenesis, they say, gradually shapes the human mind by connecting, strengthening or weakening neurons together during billions of continuous interactions with the world. It is a materialistic, epigenetic process. In this representation, there is no need for a primordial substance, an original soul, hidden under neurons, or descended from « heavens ». There is only a succession of half-programmed, half-contingent connections, a mixture of chance and neurobiological determinism, which end up constituting your mind or mine, the mind of a Mozart or of a Socrates.

In all cases, without exception, there is a totally unique, absolutely singular creation of a « person », a consciousness.

This “modern” view is widespread. But it is only a theory; it lacks clear evidence. There is no neurobiological evidence that the soul exists, and there is no neurobiological evidence that it does not exist.

The « modern » view, whether materialist or animist, determinist or spiritualist, wander and grope, blind-born, in baroque, devastated and irreconcilable intellectual landscapes.

We need to step back, a few centuries earlier, to reconsider the problem.

« What prevents an angelic thought from creeping into the powers of reason, even though we do not see how it creeps into them? »i

This sentence by a famous Renaissance thinker now has a « surrealist » flavor in the modern sense of the word. It effectively anticipates the Angel of the Odd (or the Uncanny) for more than three centuries.

This Angel had no wings, it was not a feathered « chicken ». Edgar Allan Poe explains that the only function of the « te Angel ov te Odd  » was to bring about these bizarre accidents that continually amaze skeptics.

At first, the writer did not believe a word of what the Angel was telling him. Well, he took it the wrong way. Shortly afterwards, he had a real hard encounter with the Angelic power.

“Meeting my betrothed in an avenue thronged with the elite of the city, I was hastening to greet her with one of my best considered bows, when a small particle of some foreign matter lodging in the corner of my eye, rendered me, for the moment, completely blind. Before I could recover my sight, the lady of my love had disappeared—irreparably affronted at what she chose to consider my premeditated rudeness in passing her by ungreeted. While I stood bewildered at the suddenness of this accident (which might have happened, nevertheless, to any one under the sun), and while I still continued incapable of sight, I was accosted by the Angel of the Odd, who proffered me his aid with a civility which I had no reason to expect. He examined my disordered eye with much gentleness and skill, informed me that I had a drop in it, and (whatever a « drop » was) took it out, and afforded me relief.”ii

The Angel had taken revenge.

Skeptics abound. Fewer, those who detect subtle interferences, tiny signals from worlds too parallel.

What are these worlds? To make it in, we could call them « branes ». But it is still a metaphor that is too material, too physical.

There are conditions to perceive these phenomena, these interferences. You have to be free, and your mind must be on « vacation ».

There are many kinds of such ‘mind vacations’: sleep, fainting, melancholy, loneliness.

The modern disease par excellence, unemployment, could be considered as yet another kind of ‘vacation’. Most of us will have to live with it. It will soon be necessary to ensure political and social peace through a guaranteed universal income. We will have to go through this, necessarily, when the rapid progress of artificial intelligence will deprive societies of most of the usual jobs.

Then, in such a world, liberated from stress, « on vacation », interesting encounters with the bizarre will undoubtedly take place. Especially, in spite of themselves, the skeptics will have to learn to live by the new, odd, uncanny, norm.

i Marsilio Ficino Platonic Theology

iiEdgar Allan Poe. The Angel of the Odd

A World Renaissance

Pythagoras and Plato attached their names to the power of numbers. Each number carries a symbolic charge. The simplest are the most meaningful. They can be associated by imagination with the higher functions of the soul.

The 1, or « unity », symbolizes intelligence because it is unified in intuition or in concept. Through intuition or concept intelligence grasps what makes the “unity” of the thing, and thereby reveals itself as « one ».

The 2, or « duality », represents science, because it starts from a principle, to reach a conclusion. It goes from one to the other, and thus generates the idea of duality.

The 3, or « trinity », is the number associated with opinion. The opinion goes from one to two (which makes three): it starts from a single principle but reaches two opposite conclusions. One seems accepted, provisionally « concluded », but the other remains « fear », always possible. The opinion, by its intrinsic doubt, introduces a ternary ambiguity.

The 4, or « quaternity », is associated with the senses. The first of the quaternities is the idea of the body, which consists of “four angles”, according to Plato.

The 1, 2, 3 and 4 altogether symbolize the fact that all things are known either by intelligence, or by science, or by opinion, or by the senses.

Unity, duality, trinity and quaternity are « engrammed » in the soul.

From this, Plato concludes that the soul is « separated ».

It is « separated » from matter and the body because it is composed of four unalterable, eternal numbers that serve as its essential principles.

How could one deny the eternity of the 1, 2, 3, 4 ?

And if the soul is composed of, or ‘engrammed with’, the ideas of the 1, the 2, the 3 and the 4, how could one deny its own eternity?

This Platonic idea is worth what it is worth. At least we cannot deny in it a certain logic, which combines reason, imagination and myth.

And this idea opens the way for Platonic « great stories » about the soul, the world and the Author, which it is difficult, even today, to throw into the dustbins of History.

But above all, it should be stressed that this idea, as well as the whole Pythagorean and Platonic philosophies that result from it, is bathed in a deep shadow, whose sources come from extremely ancient times.

Twenty centuries after Plato, Marsilio Ficino stated that the construction of the Platonic imagination would not have been possible without the immemorial contribution of seers, diviners, prophets, aruspices, auspices, astrologers, Magi, Sibyls and Pythias. He summed it up as such: « When the soul of man is completely separated from the body, it will embrace, the Egyptians believe, every country and every age. »i

In the midst of the European Renaissance, Marsilio Ficino, a humanist thinker, wanted to reconnect with the mysteries of the East and the lightning-fast, millenary intuitions of their greatest geniuses.

Happy times when Orient and Occident thinkers were seen as allies in the search for answers…

At the dawn of a chaotic third millennium, we need to build the conditions for a World Renaissance, we need to create a new civilization on a global scale.

For the world to live, we need to embrace, in the midst of each of our souls, every country and every age.

i Cf. Marsilio Ficino Platonic Theology

A Unique Universe

The most committed followers of super-string theory support the existence of ‘multiverses’. There would be 10500 ‘multiverses’, they say, if we take into account all the universes corresponding to all the possible varieties of Calabi-Yau, each one of them sailing in parallel branches.

In fact there could be even more, – if we take into account the multiverses that are totally disconnected, undetectable, unpredictable, pure creations of the mind, but which are necessary to guarantee the coherence of the supersymmetry defined by the mathematics of the super strings.

On the other hand, more conservative physicists consider that the theory of super-strings is not science but fairy tale. The theory of multiverses would come from the delirium of researchers who are so fond of the abstract power of mathematics that they consider it « real », whereas it is only an intellectual construction, and has no other reality than mental.

Plato already believed that mathematics has a form of reality, full of mystery. But he also believed that there were other, deeper mysteries beyond mathematics. As for the hypothesis of an infinity of parallel worlds, happily postulated by the physicists of the super-strings, he had also considered it by means of the metaphysical approach, and had clearly invalidated it:

« So that this world, in terms of uniqueness, may be similar to the Absolute Living, for this reason, it is neither two nor an infinite number of worlds that have been made by the Author, but it is on a unique basis, alone of its kind, that this world has come to be so, and that from now on it will be. »i

The alternative is simple: either there is only one universe (which Plato presents as « similar to the absolute Living Being »), or there is an almost infinite number of multiverses… What is the most likely hypothesis?

If there is an almost infinite number of universes, 99.9999…% of them (we must imagine here a sequence of millions of 9s, after the comma) are absurdly unstable, structurally deleterious – with the extremely rare exception of a handful of them.

And among this handful, infinitely rarer still those who would be able to generate the conditions for the emergence of human thought.

Now human thought has appeared. It therefore becomes a factor to be taken into account from the point of view of cosmological theory. Its very existence, and its extreme rarity on the scale of the large numbers of possible multiverses, are indicators of the exceptional nature (both statistical and conceptual) of the particular universe in which it has emerged.

Its existence and rarity have a cosmological significance. And this meaning inevitably interacts with the definition of the cosmos it seeks to conceive, – through the application of the Ockham principle and the anthropic principle.

Ockham’s principle states that it is futile to multiply beings without necessity. It is absurd to multiply them meaninglessly. A single universe with meaning and coherence (from the cosmological point of view) is preferable to a multiplication of non-viable, absurd and senseless universes (always from the cosmological point of view).

According to the anthropic principle, the mere fact of humanity’s existence requires us to affirm that the universe in which it was born is « special » and even « unique » (again from a cosmological point of view). Among the myriads of possible multiverses, which have no anthropic significance, the mere fact that the universe in which humanity exists implies an immeasurable cosmological chance, – if we just stick to the multiverses theory.

This « incommensurable » chance can be approximated. It can be measured by the hallucinating improbability of the « cosmological constant » essential for human life and thought to be possible.

Chance as it unfolds under the draconian constraints of cosmology can generally only produce ordinary (unstable or incapable of generating ‘human minds’) universes. However, this universe, ours, is not ordinary: it owes the very principle of its existence to the miraculously adequate precision of an infinitely hazardous cosmological constant to be implemented.

This universe is unique because it is special. Why so special? Because of the incredible and disconcerting improbability of the physical constants that govern its structure, and which are necessary for its existence.

These improbably « fine » constants, which physics detects and which mathematics theorizes, make possible the balance of cosmic forces, the existence of galactic clusters and life itself.

The cosmological constant, as deduced by observation and calculation, must be of a mind-blowing precision: a 0, followed by a comma, then 123 zeros, then a long series of numbers. The slightest variation in this sequence of figures would make the universe totally unstable, from the very first moments of the Big Bang, or would make it totally unfit for life.

Multiverses are, in theory, in almost infinite number. But only a very small number of multiverses are compatible with the anthropogenic principle.

The total improbability of the cosmological constants required by life implies that man had no chance of appearing in the infinity of possibly conceivable multiverses.

Yet humanity exists in this universe, and it is even possible to calculate approximately the minute probability of its existence.

The lower the probability, the lower the probability of validating the multiverses theory itself becomes.

As a result, the extreme probability of Plato’s thesis of the unique universe grows even greater.

This result gives us, probably, some nourishing food for thought…

i Plato,Timaeus, 31b

A Mystery much deeper than Mathematics and than Heavens

A famed platonic Renaissance thinker, Marsilio Ficino, thought that everything, whether body or soul, continuously receives the power to ‘operate’, little by little, but never possesses it entirely.

In particular, the soul, at all times, ‘generates herself’, that is, she continuously draws new strengths from herself, she endlessly unfolds intrinsically different forms, and she unceasingly varies (or adapts) her goals, her desires and her laws.

Our time is almost incapable of understanding and integrating these kinds of ideas, which were, by contrast, commonly accepted by the fine flower of philosophical intelligence of the early Renaissance.

It is a lesson in relativism.

Ironically, relativism is precisely what is at stake, here: the soul possesses an intrinsic, permanent, continuous, capacity of metamorphosis, of auto-transformation, – a permanent impermanence.

The soul has a metamorphic essence, and is made of constant transformation, unceasing mobility.

But our modernity does not really consider (and even less understand) the mobility of the “soul », it only knows the mobility of « matter ».

Matter, it is often said, is intrinsically mobile. Just look at the infinite movement of the quarks, the high pitch of the super-strings. By recognizing this intrinsic mobility, modern thinkers believe they understand the secret of all things, from the infinitely small to the ends of the stars.

‘Matter’ and ‘mobility’ together embody today the ancient role of ‘substance’ and ‘soul’.

Everything is still a « mixture », form and matter, mobility and rest.

Old categories, such as the soul and the body, are now confused, merged. No more discrimination, no more separation. Instead, there is now simply common matter, everywhere there is the ‘same’.

But matter, the ‘same’, the ‘common’, do not exhaust the mystery. The same and the common quickly run out of breath, and the mystery continues to grow everywhere, deeper and deeper.

Take a simple look at Euler’s circle. Nothing ‘modern’, nothing ‘material’ in this abstract circle, this mathematical representation taught in high school. But, who among modern thinkers can say why Euler line connects the orthocenter, the center of gravity, and the two centers of the circumscribed circle and of the Euler circle?

I am not talking about demonstrating this curious (and abstract) mathematical phenomenon.

I am saying that nobody, even today, can explain the essence of Euler line, and the reason of its properties…

The same could be said of all the laws of nature…

Modern people are unable to « see » these sorts of (relatively simple) objects of thought (of wonder) as worthy of metaphysical contemplation. They are unable to “penetrate” their nature, their essence.

For Pythagoras and Plato, it was the opposite. Geometric numbers and figures appeared to them as imaginary powers, and even as divine forcesi.

For Pythagoras or Plato, the power of mathematical forms was the best indication of the existence of an underlying mystery, far beyond matter, and far deeper than whichever heavens we were taught…

i Cf. Plato, Timaeus 31b-32c

The limits of the unlimited, and the unlimitedness of the limits

Plato calls God « the Unlimited » in the Parmenidesi – but he calls him « the Limit » in the Philebusii. Contradiction? No, not really.

He calls God « Unlimited » because He receives no limit from anything, and he calls it « the Limit » because He limits all things according to their form and measure.

Marsilio Ficino notes that matter itself imitates God in this. It can be called « unlimited » because it represents « like a shadow, the infinity of the one God ». And it is « limited » as all things are, in some form.

The infinity of matter and the infinity of things can be described philosophically, using the three Platonic categories of « essence », « other » and « movement ». The world, shadow of God, generates infinitely in matter essences, alterations, transformations and movements.

The limit of matter, like the limit of all things, can also be philosophically described using the Platonic categories of « being », « same » and « rest ».

The Unlimited and the Limit are in the same relationship as the sun and the shadow. This is not an opposition ratio, but a ratio of generation. Through shade, one can probably better « see » (understand) the light of the sun than by looking at it directly.

If the « Unlimited » were a sun, then the innumerable essences, the infinite ‘othernesses’, the incessant movements would be its cast shadows.

And we would find the Limit in ideas, the idea of Being, the idea of the Same, the idea of Rest.

iParmenides 137d

iiPhilebus 16d-23c

Being Horizons

Man, stars, wisdom, intelligence, will, reason, mathematics, quarks, justice, the universe, have something precious in common: “being”. Arguably, they all have specific forms of “existence”, though very different. The diversity of their distinctive types of “being” may indeed explain their distinctive roles in the (real) world.

One could assume that the word “being” is much too vague, too fuzzy, too neutral, by allowing itself to characterize such diverse and heterogeneous entities. The verb “to be” has too many levels of meaning. This is probably a direct effect of the structure of (here English) language. For, despite an apparent homonymy, the “being” of man is not the “being” of the number pi, and the “being” of the Cosmos as a whole does not identify itself with the “being” of Wisdom or Logos.

Sensitive to this difficulty, Plato sought to analyze the variety of possible “beings” and their categories. He defined five main genres of the “Being”, which were supposed to generate all other beings through their combinations and compositions.

The first two types of “Being” are the Infinite and the Finite. The third type results from their Mixing. The Cause of the Mixing represents the fourth genre. The fifth genre is Discrimination, which operates in the opposite way to Mixing.

Infinite, Finite, Mixing, Cause, Discrimination. One is immediately struck by the heterogeneity of these five genres. It is a jumble of substance and principle, cause and effect, union and separation. But it is undoubtedly this wild heterogeneity that may give rise to a power of generation.

With its five genres, “Being” is a primary category of our understanding. But there are others.

Plato, in the Sophist, lists them five all together: Being, Same, Other, Immobility, Movement.

The Being expresses the essence of everything; it defines the principle of their existence.

The Same makes us perceive the permanence of a being that always coincides with itself, and also that it can resemble, in part, other beings.

The Other attests that beings differ from one another, but that there are also irreducible differences within each being.

TheImmobility reminds us that every being necessarily keeps its own unity for a certain duration.

The Movement means that every being has a ‘potential’ for ‘action’.

Five kinds of “Being”. Five “categories” of (philosophical) understanding. Oh, Platonic beauties!

This is only a starting point. If we are to accept their power of description, we must now show that from these “genres” and these “categories”, we may induce all the realities, all the creations, all the ideas, all the possible…

As a serendipitous thought experiment, let us conjugate these five « categories » of understanding with the five genres of “being”, in hope of bringing out new and strange objects of thought, surprising, unheard of, notions.

What about imaginary alloys such as: “Moving Cause”, “Mixed Same”, “Other Finite”, “Discriminate Being”, “Immobile Infinite”, “Cause of Otherness”, “Moving Finite”, “Infinite Otherness”, “Infinite Mixed”, “Immobile Discrimination”, or “Discriminate Immobility”?

A general principle emerges from these heuristic combinations : an abstraction piggybacking another abstraction generates “ideas”, that may make some sense, at least to anyone ready to give some sort of attention, it seems.

What do these language games teach us? It shows that genres and categories are like bricks and cement: assembled in various ways, they can generate shabby cabins or immense cathedrals, calm ports or nebulous clouds, dry chasms or acute bitterness, somber jails or clear schools, clumsy winds or soft mountains, hot hills or cold incense.

There are infinite metaphors, material or impalpable, resulting from the power of Platonic ideas, their intrinsic shimmering, and the promise of being “horizons”.

The Absurd Reason

The prophet Daniel speaks as a seer: “And many of them that sleep in the dust of the earth shall awake, some to everlasting life, and some to shame and everlasting contempt. And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. » (Dan. 12,2-3)

This saying refers to the « wise » and to the “righteous”. It is not just a question of knowledge, but of justice, of a wisdom that is less human than divine. How to reach it? How to access these high places?

Many are those who doubt their own divinity, those who have never turned their eyes to the splendour of intelligence, of wisdom. There are even more who prefer the mist of the senses, the thickness of the bodies, to the thin acuity of the soul.

How would they achieve the wisdom and justice that Daniel is talking about?

Plato, who was not a prophet, but no less a seer, advises us to meditate unceasingly on death.

“Either in no way can we ever acquire knowledge, or it is for us only once we have passed away.”i

The way to be as close to divine knowledge as possible is to have as little trade as possible with the body. Going to the limit, we deduce that death only is the kingdom of true knowledge. This is the « immense hope » that Socrates joyfully shares with his afflicted friends, shortly before drinking the hemlock.

What is this hope based on? It is based on an idea as anti-modern as possible: « We are divine beings ». How can such a statement be made? “Because, momentarily deprived of our heavenly abode and homeland, that is, as long as we are on earth God’s substitutes, we are constantly tormented by the desire of this heavenly homeland and no earthly pleasure can console in the present exile the human intelligence desiring a better condition.”ii

This immense hope, without reason, is based – it is a paradox – on the sole activity of reason.

Marsilio Ficino gives this explanation:

“The hope of immortality results from a surge of reason, since the soul hopes not only without the help of the senses, but despite their opposition. That is why I find nothing more admirable than this hope, because, while we live incessantly among ephemeral beings, we do not cease to hope.”iii

These unreasonable ideas have been shared by thinkers as diverse as Zoroaster, Hermes Trismegistus, Orpheus, Aglaopheme, Pythagoras, Plato… They have created schools of thought, their disciples have proliferated: Xenocrat, Arcesilas, Carneade, Ammonius, Plotinus, Proclus…

On a philosophical level, Socrates’ argument seems to have a certain scope. Reason says that there are only two hypotheses: either knowledge is not possible at all, or it is only possible after death.

If we decide to ignore the Socratic, resolutely optimistic point of view, absolute horror would therefore resemble this: to see clearly with the eyes of pure reason the absurdity and inanity of a human condition, capable of reason, and capable of drawing from it the most crazy, most absurd hypotheses.

iPhaedo, 66 e

ii Marsilio Ficino, Platonic Theology Book XVI


Synapses and Soul Epigenesis

Why are souls ‘locked’ in earthly bodies? This very old question has received many answers, but after so many centuries, none consensual.

For some, this question has no meaning at all, since it presupposes a dualism of spirit and matter, of soul and body, in Plato’s way. And Platonic ideas are rejected by materialists: the soul is for them only a kind of epiphenomenon of the body, or the outcome of an epigenetic growth.

In the materialistic approach, one cannot say that the soul is ‘locked’, since it is consubstantial with the flesh: it blossoms fully in it, vivifies it, and receives all its sap from it reciprocally.

But can a spiritual ‘principle’ (the soul) share a material ‘substance’ with a material entity (the body)? How to explain the interaction of immateriality with materialism?

Descartes saw in the pineal gland the place of the union of the soul with the body. This small endocrine gland is also called conarium or the epiphysis cerebri. I can’t resist quoting Wikipedia’s definition of pineal gland, such is its wild poetry:

“The pineal gland is a midline brain structure that is unpaired. It takes its name from its pine-cone shape. The gland is reddish-gray and about the size of a grain of rice (5–8 mm) in humans. The pineal gland, also called the pineal body, is part of the epithalamus, and lies between the laterally positioned  thalamic bodies and behind the habenular commissure. It is located in the quadrigeminal cistern near to the corpora quadrigemina. It is also located behind the third ventricle and is bathed in cerebrospinal fluid supplied through a small pineal recess of the third ventricle which projects into the stalk of the gland.”

Raw flavor of learned words…

In the Veda, the pineal gland is associated with the cakra « ājnā » (the forehead), or with the cakra « sahasrara » (the occiput).

The main question of the coexistence or the intimate conjunction of soul and body is not so much the question of its actual place as the question of its reason.

The reason why souls are « locked » in the bodies is « to know the singular », says Marcile Ficin. Ficin is a neoplatonician philosopher. This explains why he is a priori in favour of soul-body dualism. Souls, of divine origin, need to incarnate in order to complete their ‘education’. If they remained outside the body, then they would be unable to distinguish individuals, and then to get out of the world of pure abstractions and general ideas.

« Let us consider the soul of man at the very moment when it emanates from God and is not yet clothed with a body (…) What will the soul seize? As many ideas as there are species of creatures, only one idea of each species. What will she understand by the idea of a man? She will see that the nature common to all men, but will not see the individuals included in this nature (…) Thus the knowledge of this soul will remain confused, since the distinct progression of species towards the singular escapes her (…) and her appetite for truth will be unsatisfied. If the soul, from birth, remained outside the body, it would know the universals, it would not distinguish individuals either by its own power or by the divine ray seized by it, because its intelligence would not go beyond the ultimate ideas and reason would rest on the eyes of intelligence. But in this body, because of the senses, reason is accustomed to moving among individuals, to applying the particular to the general, to moving from the general to the particular. »i

Indeed Plotin and, long before him, the Egyptians, believed that the soul, by its nature, participates in divine intelligence and will. « Therefore, according to the Egyptians, one should not say that sometimes it stays there and sometimes goes elsewhere, but rather that now it gives life to the earth and then does not give it. »ii

Life is a kind of battle, a battle, where souls are engaged, ignoring the fate that will be reserved for them. No one can explain to us why this battle is taking place, nor the role of each of the souls. « The dead don’t come back, you don’t see them, they don’t do anything (…) But why would an old soldier who’s done his time return to combat? ».

But war metaphors are dangerous because they are anthropomorphic. They deprive us of the quality of invention we would need to imagine a universe of other meanings.

The Platonicians have a metaphor on these questions, less warlike, more peaceful, that of the ‘intermediary’.

They consider that human life is ‘intermediate’ between divine life and the life of animals. And the soul, in leading this intermediate life, thus touches both extremes.

This short circuit between the beast and the divine is the whole of man. Obviously, there is such a difference in potential, but when the current flows, the light comes.

The soul of the newborn child knows nothing about the world, but it is potentially able to learn anything. Its synapses connect and reconfigure several tens of millions of times per second. We can now observe this curious phenomenon in real time on screens. This intense (electro-synaptic) activity testifies to the adventure of the emerging « spirit », meeting the succession of singularities, caresses and rubbing, shimmers and shininess, vibrations and murmurs of tastes and flavours.

The Vedic vision includes this systemic, self-emerging, non-materialistic image.

Veda and neurological imaging meet on this point: the passage through the bodies is a necessary condition for the epigenesis of the soul.

i Marcile Ficin, Platonician Theology. Book 16. Ch. 1

ii Ibid. Ch.5

From the Ass to the Skull and Far Beyond

The Sanskrit language, flexible, learned, sophisticated, has words to designate each of the seven « cakra » that punctuate the human body, from the anus to the occiput. These words are at the origin of analogies, forming a world view, systemic, integrated, structuring. They draw an architecture of metaphors, metonymies, catachresis and synecdoches, linking the human body to the universe, – and to God.

From the lowest to the highest, the seven cakra are also associated with the seven ‘senses’, respectively smell, taste, sight, touch, hearing, mind, and « vision ». They are also related to the seven « states » of the universe: earth, water, fire, air, ether, spirit, and the state called « divine union ». This symbolic gradation of the cakra can be interpreted on the physical level and also as the image of a moral gradation.

The first cakra is the « muladhara » (literally « foundation support »). It’s the anus, and it’s related to smell, and to the earth. It symbolizes the awakening incentive.

The second cakra is called « svadhisthana » (literally « the seat of the self »). It’s the sex. It is related to taste, and water. It symbolizes self-discovery.

The third cakra is called « manipura » (literally « abundant in jewels »). It’s the solar plexus. It is related to sight. It is associated with fire. It evokes the life force.

The fourth cakra is called « anahata » (literally « ineffable »). It’s the heart. We connect it to touch, and we associate it with air. It symbolizes the subtle sound.

The fifth cakra is called « visuddha » (literally « very pure »). It’s the larynx, which is linked to hearing. It is associated with ether. It symbolizes the sacred Word.

The sixth cakra is « ājnā », (literally « the order »). It is the forehead, linked to the mind. It is associated with the spirit, and it symbolizes the truth.

The seventh and last cakra is « sahasrara », (literally the cakra « with a thousand rays »). It is the occiput, which is linked to « vision » and kudalin yoga. It symbolizes divine union.

Catachresis and synecdoques abound in this general picture.

What does the connection of the plexus with sight and fire involve? What does the liaison of the heart to touch, to air and to « subtle sound » really mean? It can be assumed that the link of larynx to hearing is related to phonation, and that it is the ether and not the air that seems to be the medium of meaning, of the « verb ».

If we reflect on the details and implications of these relationships, what strikes us is the will to make system, to connect the body and the mind, semantically and symbolically, to the cosmos. The successive circles of consciousness, from the body foundation up to divine union, are clearly inscribed in human flesh, and described in human mind, through the precise modulations of the Sanskrit language.

However, what language, what words, could ever be able to convey the meaning of the thousand rays of « sahasrara »?

Those who saw and followed some of these rays, up to the core of their suns, only understood that they signal a disruptive way out of our common understanding.

Infinite Journeys

The age of the universe

According to the Jewish Bible the world was created about 6000 years ago. According to contemporary cosmologists, the Big Bang dates back 14 billion years. In fact the Universe could actually be older. The Big Bang is not necessarily the only, original event. Many other universes may have existed before, in earlier ages, who knows?

Time could go back a very long way. Time could even go back to infinity according to cyclical universe theories. This is precisely what Vedic cosmology teaches.

In a famous Chinese Buddhist-inspired novel, The Peregrination to the West, there is a story of the creation of the world. It describes the formation of a mountain, and the moment « when the pure separated from the turbid ». The mountain, called the Mount of Flowers and Fruits, dominates a vast ocean. Plants and flowers never fade. « The peach tree of the immortals never ceases to form fruits, the long bamboos hold back the clouds. » This mountain is « the pillar of the sky where a thousand rivers meet ». It is “the unchanging axis of the earth through ten thousand Kalpa.”

An unchanging land for ten thousand Kalpa

What is a Kalpa? It is the Sanskrit word used to define the very long duration entailed to cosmology. To get an idea of the duration of a Kalpa, various metaphors are available. Take a 40 km cube and fill it to the brim with mustard seeds. Remove a seed every century. When the cube is empty, you will not yet be at the end of the Kalpa. Then take a large rock and wipe it once a century with a quick rag. When there is nothing left of the rock, then you will not yet be at the end of the Kalpa.

What is the age of the Universe? 6000 years? 14 billion years? 10,000 Kalpa?

We can assume that these times mean nothing certain. Just as space is curved, time is curved. The general relativity theory establishes that objects in the universe tend to move towards regions where time flows relatively more slowly. A cosmologist, Brian Greene, says: « In a way, all objects want to age as slowly as possible. » This trend, from Einstein’s point of view, is exactly comparable to the fact that objects « fall » when dropped.

For objects in the Universe that are closer to the « singularities » of space-time (such as « black holes »), time is slowing down more and more. In this interpretation, it is not ten thousand Kalpa that should be available, but billions of billions of billions of Kalpa

A human life is only an ultra-fugitive scintillation, a kind of femto-second on the scale of Kalpa, and the life of all humanity is only a heartbeat. That’s good news! The incredible stories hidden in a Kalpa, the narratives that time conceals, will never run out. The infinite of time has its own life.

Mystics, like Plotin or Pascal, reported some of their visions. But these visions were never more than snapshots, infinitesimal moments, compared to the infinite substance from which they emerged.

This substance is comparable to a landscape of infinite narratives, a never-ending number of mobile points of view, each of them opening onto other infinite worlds, some of which deserve a detour, and some may be worth an infinite journey.

What do we have (yet) to lose?

Gérard de Nerval was imbued with shamanism and orphism. With its calculated, ironic and visionary poetry, Voyage en Orient bears witness to these tropisms.

« They plunged me three times into the waters of the Cocyte » (Antéros).

The four rivers of Hell, who can cross their liquid walls? Can a pale poet cross these bitter barriers, these dark, convulsive masses?

« Et j’ai deux fois vainqueur traversé l’Achéron,

Modulant tour à tour sur la lyre d’Orphée

Les soupirs de la sainte et les cris de la fée.”

(And I have twice a winner crossed the Acheron

Modulating in turn on the lyre of Orpheus

The sighs of the saint and the cries of the fairy.) (El Desdichado)

Nerval’s work is influenced by the tutelary figure of Orpheus, prince of poets, lovers and mystics – explorer of the depths.

Orpheus was dismembered alive by the Bacchae in madness, but continued to sing from the mouth of his beheaded head. His singing had already persuaded Hades to let him leave Hell with Eurydice. The condition was that he did not look at her, until he came out of the world of the dead. Worried about the silence of the beloved, he turned his head when they had arrived at the edge of the world of the living. He lost again, and forever, Eurydice.

Instead of looking at her, he could have talked to her, held her by the hand, or inhaled her scent, to make sure she was there? No, he had to see her, to look at her. As a result, she died.

Why do heroes want to face Hell?

What haunts them is whether death is real, or imaginary. What drives them is the desire to see the loved ones again, though lost forever. In these difficult circumstances, they must acquire special powers, magical abilities. Orpheus’ strengths were music, song and poetry.

Music produces, even in Hell, a form, a meaning, and calls for the poem. Orpheus might have sung:

« Always, under the branches of Virgil’s laurel

The pale hydrangea unites with the green myrtle.  » (Myrto)

Gérard de Nerval was inspired. By what?

From the scattered crumbs, let us deduce the bread that feeds him.

« Man, free thinker! Do you think you’re the only one thinking

In this world where life is bursting into everything?


Each flower is a soul to nature blooms.

A mystery of love in metal rests.


Often in the dark being dwells a hidden God

And like a nascent eye covered by his eyelids,

A pure spirit grows under the bark of the stones.  » (Golden Verses)

The poets lose, lost, in the theological assaults. Nerval admits defeat, false hopes and real regret:

« They will return these Gods that you always cry for!

Time will bring back the order of the old days,

The earth shuddered with a prophetic breath…

However, the sibyl with its Latin face

Is asleep under the arch of Constantine

And nothing disturbed the severe gantry.  » (Delfica)

Did Nerval believe in the breath of the sibyl, in the order of the day?

Orpheus, Nerval, prophetic poets.

During the Renaissance, Marsile Ficin presented Orpheus as an explorer of Chaos and a theologian of love.

« Gilded in Argonautics imitating the Theology of Mercury Trismegist, when he sings principles of things in the presence of Chiron and the heroes, that is, angelic men, puts Chaos before the world, & before Saturn, Iupiter and the other gods, within this Chaos, he welcomes Love, saying Love is very ancient, by itself perfect, of great counsel. Plato in Timaeus similarly describes Chaos, and here puts Love. »i

Chaos is before the gods, – before the very sovereign God, Jupiter. And in Chaos, there is Love!

« Finally, in all of us, Love accompanies Chaos, and precedes the world, excites the things that sleep, illuminates the dark ones: gives life to the dead things: forms the unformed, and gives perfection to the imperfect. » ii

This « good news » was first announced by Orpheus.

« But the unique invisible perpetual light of the divine Sun, by its presence, always gives comfort, life and perfection to all things. Of what divinely sang Orpheus saying:

God the Eternal Love all things comforts

And on all of them is spread, animated and supported. »

Orpheus bequeathed to humanity these simple pearls:

« Love is more ancient and younger than other Gods ».

« Love is the beginning and the end. He is the first and last of the gods. »

Merci, Marcile. Perfect, Orpheus.

Finally, Ficin specifies the figure of the last of all the gods: « There are therefore four kinds of divine fury. The first is the Poetic Fury. The second is the Mystical, that is, the Priestly. The third is Divination. The fourth is the Affection of Love. Poetry depends on the Muses: The Mystery of Bacchus: The Divination of Apollo & The Love of Venus. Certainly Soul cannot return to unity unless it becomes unique.” iii

The One. Love. The Union. This is the message Orpheus reports.

To hear it first, Orpheus must have lost Eurydice.

But to hear it, what do we have yet to lose?

iMarsile Ficin. Discours de l’honneste amour sur le banquet de Platon, Oraison 1ère, Ch. 2, (1578)

ii Marsile Ficin. Discours de l’honneste amour sur le banquet de Platon, Oraison 1ère, Ch. 2, (1578)

iii Ibid., Oraison 7, Ch. 14