Bound to Build the Collective Unconscious of Humanity


Several centuries before Abraham left Ur in Chaldea, the Zend-Avesta religion revered in ancient Iran a ‘Lord of Lords’, a ‘supreme God’, named Ahura Mazda,which translates, in Pehlevi, or Middle Persian, as Ormuzd. Ahura Mazda has also other names, such as Spenta Mainyu, literally: « the Holy Spirit ».

Ahura Mazda reigns unique over all other, lower ranking, divinities, called ‘Gâthâs’.

Ahura Mazda being a supreme God, far beyond human reach or understanding, the prayers of the Zend-Avesta are addressed to the Gâthâs, rather than to Ahura Mazda, though they are only ‘intermediate divinities’, or more exactly ’emanations’ of Ahura Mazda. The Yasna says about the Gâthâs: « All the worlds, the bodies, the bones, the vital forces, the forms, the consciousness, the soul, the Phravaṣi, we offer them all and present them to the Gâthâs, Saints, Lords of time, pure; to the Gâthâs who are for us supporters, protectors, a food of the spirit.»i

In Avestic, which is the ancient Iranian language, Ahura means « lord ». Mazda means « highly learned », according to the eminent Burnouf, who breaks down the word mazda into maz – dâ. Maz is a superlative, and means « to know ». In modern Persian, dânâ means « learned ». There is also an equivalent in Sanskrit: « mêdhas« .

When asked by Zoroaster about the meaning of his Name, Ahura Mazda declared, as reported in the first Yast:

« My name is the Sovereign, my name is the One who knows ».

Zoroaster did not stick to this answer and continued to question Ahura Mazda. He urged him to reveal what is most powerful, most effective against the Spirit of Evil, Aṅra Mainyu (in Pehlevi: Ahriman), and against all the demons.

Ahura Mazda replied that what is most powerful is the names he bears.

And he added:

« My name is the One to be questioned; my second name is the Head of the flock; the Propagator of the law; the excellent Purity; the Good of pure origin; the Intelligence; the One who understands; the Wise; the Growth; the One who increases; the Lord; the One who is most useful; the One who is without suffering; the One who is solid; the One who counts the merits; the One who observes everything; the Helper; the Creator; the All-Knowing (the Mazda) (…). Remember and pronounce these names day and night. I am the Protector, the Creator, the Suspender, the Savior, the Most Holy Celestial Being. My name is the Auxiliary, the Priest, the Lord; I am called the One who sees much, the One who sees far away. My name is the Supervisor, the Creator, the Protector, the Connoisseur. I am called the One who augments; I am called the Dominator, the One who should not be deceived, the One who is not deceived; I am called the Strong, the Pure, the Great; I am called the One who has good science.

Whoever remembers and pronounces these names will escape the attacks of demons. »ii

In passing, we note the obvious analogy of these lines with comparable, but much later, texts of Judaism, and even later texts of Islam.

Avesta has all the characteristics of a revealed religion.

First of all, it was God (Ahura Mazda) who initially revealed himself to the Mazdaites.

Then, the Avesta refers to a great prophet, Zoroaster, who boasts of having served as an intermediary between God and man, and who was the great reformer of Mazdeism. The most recent scientific work shows that Zoroaster lived before Abraham, between 1400 and 1100 BC. He was the prophet who transformed the initial dualism of Mazdaism and the multiplicity of the various Gâthâs into an absolutely transcendental monism, after having discussed it directly with Ahura Mazda.

The interaction between Ahura Mazda and Zoroaster is not without analogy with the encounter between God and Moses, several centuries later.

From this strident comparison we may derive the following rough alternative.

The Materialistic Hypothesis :

The « world from above », the world of the divine, whose variations, analogies and anagogies, similarities and echoes one tries to identify in the long history of religious ideas, simply does not exist. The ‘spiritual’ world is really empty, there is no God, and it is the materialists who are 100% right. So the wars of religion, the sacrifices, the martyrs, the passions of belief, and all the blood shed today, yesterday and tomorrow, are all facets of a sinister farce played by scoundrels or Machiavellian policies at the expense of the unfathomable naivety of peoples, victims of their credulity and superstition.

This farce is continually developed and rewritten over the millennia by the so-called ‘enlightened’, the mad, the deranged, the cynical and the war criminals, all contributing to making this Earth a place without meaning, without past and without future. In this hypothesis, the world would be condemned to self-destruction, moral suicide and absolute violence, as soon as the trickery is finally blown up.

The Spiritual Hypothesis:

The « world from above » does indeed exist, in one way or another, but it escapes our perception, our understanding and intellection. It’s a Mystery, or the Mystery. In this case, there is a good chance that religions that have appeared since the dawn of time, such as Shamanism, the ancient Egyptian religion, Veda, Avesta, Mazdeism, Zoroastrianism, Chaldaic magic, Orphism, Judaism, Christianity and Islam, far from being able to claim an elective singularity, are as many instances of various perceptions and intuitions of the divine by man, as many testimonies of the plurality of possible approaches to the Mystery.

Each one of these religions represents a unique and special way of understanding the divine emanation, more or less adapted to the time and the peoples who receive it.

It would then be futile to rank or classify religions among themselves. It would be more productive, particularly from a forward-looking perspective, to examine the systemic relationships between a given era and the way in which religious fact is inscribed, at that moment in history, in the social, cultural, political and economic fabric.

Let us add that the general state of the world today, unfortunately suggests hat none of the religions mentioned above is now in a position to claim a monopoly on the ultimate truth or the final revelation on the fundamental questions that humanity keeps asking itself since millennia.

If such a « world from above », inaccessible to human reason, does in fact exist, it also implies that something extremely important, vital, and also beyond human comprehension, has been at stake for thousands of years at the core of Mankind, with the active but hidden and (most of the time) silent complicity of the Divine.

It should be assumed that since the dawn of humanity there has been a kind of cosmic, sidereal « great game », whose meaning and purpose are clearly beyond our grasp, but in which men are invited to take part, within the limits of their limited means.

Humanity is composed of generations that fleetingly pass through the earth like insects in the light on a summer evening. It is therefore very likely that these successive generations can only apprehend in a deficient way, the unspeakable challenge of this super-natural arrangement.

But it is possible to assume that successive human generations may from time to time generate in their midst enlightened spirits capable of intuitively perceiving, imaginalement (‘imaginally’), as Henry Corbin would say, the grandiose stake of this divine part.

All we can do in an era like ours, where materialism seems to pervade everything, is to refuse to let ourselves be caught up in the trap of preconceived ideas, to refuse sectarianism, dogmatism, the prisons of thought and imagination. We can actively contribute, soul by soul, to the slow, fragile and ungraspable building of the immanent Noosphere, the collective Unconscious of all humanity.

iYasna, ch. 54

iiQuoted by Abel Hovelacque, Avesta, Zoroastre et le mazdéisme. Paris, 1880.

The Sad Fate of Oriental Theosophy


In Aleppo, Syria, on July 29, 1191, Saladin had a philosopher, Sohravardî, killed.

Why? He was too subversive. Rulers do not like ideas that do not comfort them.

Sohravardî had been searching all his life for what he called the « True Reality ». He recorded the results of his investigations in his book: Oriental Theosophy. Henry Corbin wrote that he had « resurrected the ancient wisdom that the Imams of India, Persia, Chaldea, Egypt and the Ancient Greeks up to Plato never ceased to take as their pivot, from which they drew their own theosophy; this wisdom is eternal leaven. »i

This short sentence, full of names, has immense implications. It summarizes the dream, the common aspiration of many minds, that fly from century to century, leaping through space and time, or creeping in discreetly, invisibly, in a few chosen minds.

It evokes the idea of a shared intuition, a unique wisdom, a common thread linking the Indus to the Aegean Sea through the Oxus, the Tigris, the Euphrates, the Jordan and the Nile.

These rivers have been irrigating the nations that crowd their shores for thousands of years. The roads that cross them from East to West never ceased to transport words, cultures and ideas.

But today, the dream of a common wisdom shared by all humanity seems more chimeric than ever.

Nothing has been learned.

Dead is the idea of a common wisdom, spread among countless peoples.

Diverse religions, during millennia, Vedism, Avestism, Mazdeism, Zoroastrianism, Chaldean Magism, Hermetism, Orphism, Judaism, Christianity, and Islam (be it Sufi, Shi’ite or Sunni), all bear witness in their own specific and unique way to the fundamental unity of the human spirit. They are as many yeast in the same dough.

But they all failed, in their own way, since none of them succeeded in bringing real peace and lasting wisdom in the minds of men.

A universal cradle of ancient visions, the Middle East is still or again devastated by war.

Universal hatred, encouraged by specific interests, seems unabated.

We need to reassert what Sohravardî pointed out in Aleppo, eight centuries ago.

But the Powers, the Rulers, and their diplomats, the Sykes, the Picots, or the men of the day, have been playing their own Great Game in this vast region all over again. They laid the groundwork for today’s suffering. New corrupt leaders, men of little meaning and wisdom, have brought more harm on this part of the world, but they will not be judged by some International Court for all the suffering they have inflicted, after deliberately provoking endless disruptions, wars and mass migration.

i Henry Corbin, En Islam iranien. Aspects spirituels et philosophiques, t.2, p.35

The ‘God of the Gods’ and the’ Idolaters’


Secrets are to be kept untold, and to remain so. But what about their very existence? The owners of essential (or even divine) secrets, though not allowed to reveal any of their content, sometimes give in to the temptation to allude to the fact that they are the custodians of them.

They cannot and will not reveal anything, of course, but they maybe inclined to leak that they know ‘something’, that could be revealed some day, though it has to remain secret, for the time being.

Of course, this attitude is childish, and dangerous.

Exciting the curiosity of outsiders brings problems, and can turn sour.

If a secret is a secret, then it has to be absolutely kept secret, and its very existence has also to be kept hidden.

Voltaire points out the problem that those claiming big, ‘magical’ secrets may encounter: « Let us see some secret of your art, or agree to be burned with good grace, » he writes in the article « Magic » of his Philosophical Dictionary.

Secrecy, magic and religion have had, over the centuries, chaotic, contradictory and confrontational relationships. Those who openly claimed knowledge of higher levels of understanding, but who refused to share them, were exposed to jealousy, anger, hatred and ultimately violence. They could be accused of fraud or heresy, so much the vaunted knowledge of ultimate secrets could be a source of cleavage, of suspicion.

The famous Magi kings came from Mesopotamia, or present-day Iran, to pay tribute to a newborn child, in Bethlehem, bringing gold, incense and myrrh in their luggage. Undoubtedly, they were also carriers of deep secrets. As Magi, they must have known the mysteries of Mithra, the achievements of the Zoroastrian tradition and maybe some other teachings from further East.

In those days, ideas, mystical traditions and mysteries were traveling fast.

There is no doubt for instance that the Latin word ‘deus’ (god) came all the way from the vedic ‘deva’, which is a Sanskrit word.

According to Franz Cumont, a ‘deva’, in the Veda, is first and foremost, a « being of light », and by a metaphorical extension a « god ». One also finds, in Avestic texts of Zend-Avesta, attributed to Zoroaster, the very similar term of ‘daêva’, but with a very different meaning.

« Daêvas » are not « gods », they are « devils », evil spirits, hostile to the beneficial power of Ahura Mazda, the Good and Almighty God of Zoroastrianism. This inversion of meaning, « gods » (deva) being turned into « devils » (daêva), is striking.

The peoples of ancient Iran borrowed their gods and much of their religion from the neighboring people in the Indus basin, but reversed the meaning of some key words, probably to better distinguish themselves from their original tribes.

Why this need to stand out, to differentiate oneself?

Jan Assman in his book, Moses the Egyptian, points to the fact that the Hebrews reportedly borrowed a number of major ideas from the ancient Egyptian religion, such as monotheism, as well as the practice of sacrifice, but then « inverted » the meaning of some of these fundamental ideas.

Assmann calls this borrowing followed by an inversion, the « Mosaic distinction ».

For example, the ‘Bull’ stands for a sacred representation of the God Apis among Egyptians, and the bull is thus a ‘sacred’ animal, just as in India cows are.

But, following the « Mosaic distinction’, the Hebrews sacrificed without restraint cattle and sheep, which were considered sacred in Egypt.

The Veda and the Zend Avesta keep track of the genesis and decadence of almost forgotten beliefs. These texts form an essential milestone for the understanding of religions that were later developed further west, in the Chaldea, Babylon, Judea-Samaria. The clues are fragile, but there are many avenues for reflection.

For example, the Avestic god Mithra is a « God of the Hosts », which reminds us of the Elohim Tsabaoth of the Hebrews. He is the Husband and Son of a Virgin and Immaculate Mother. Mithra is a Mediator, close to the Logos, the word by which Philo of Alexandria, Jewish and Hellenophone, translates Wisdom (Hokhmah), celebrated by the Hebrew religion, and also close to the Evangelical Logos.

As such, Mithra is the Intermediary between the Almighty Divine Power and the created world. This idea has been taken up by Christianity and Jewish Kabbalah. In the cult of Mithra, sacraments are used, where wine, water and bread are the occasion for a mystical banquet. This is close to the rites of the Jewish Sabbath or Christian Communion.

These few observations indicate that there is no lack of continuity in the wide geographical area from Indus to Oxus, Tigris, Euphrates, Jordan and Nile to Greece and Rome. On this immense arc, fundamental beliefs, first intuitions, sowing seeds among peoples, intersect and meet.

The Vedic Mitra, the Avestic Mithra are figures that announce Orpheus and Dionysus. According to an etymology that borrows its sources from the language of Avesta, Dionysus must be understood as an Avestic name : div-an-aosha, that is: « the God of the drink of immortality ».

The Jews themselves, guardians of the tradition of the one God, bear witness to the antiquity of the belief, common to all the peoples of this vast region, in the God of the Gods. « As our masters note, the Name of the God of the Gods has always been a common tradition among idolaters.»i

The prophet Malachi also said: « For from sunrise to sunset, my Name is great among the nations. »ii

One can assume that ‘monotheism’, whatever the exact meaning given to this relatively recent concept, therefore has a very long history, and extremely old roots.

The intuition of a God of the gods has undoubtedly occupied the minds of men for thousands of years, long before it took on the monotheistic form that we know today.

iRabbi Hayyim de Volozhin. L’âme de la vie

iiMalachie 1, 11

Music and Religion


Music plays a special role in all religions. Part of the Vedic ceremonies consisted of songs from the Sâma-Veda. David’s psalms sang the praise of the Lord and the signs of cantilation guided how they should be sung during prayer. The deliberately dissonant music of flutes and tambourines accompanied the Dionysian thiases.

Plato presented a theory of music in its relationship with philosophy and religion, based on Egyptian ideas, introduced in Greece by Orpheus and developed by Pythagoras.

This musical science was subject to secrecy. Pythagoras openly explains the theoretical part of the system to be used, but he remains silent about the fundamental meaning of sacred music, reserving that knowledge for the initiated.

The initiates had access to these mysteries only after painful trials, and after swearing silence about them. Aeschylus was suspected of having publicly unveiled a subject supposed to be covered by the Mysteries in one of his plays. He only narrowly escaped the fury of the people who wanted him dead for committing this blasphemy. Antoine Fabre d’Oliveti writes that, according to Aristotle, Aeschylus denied having revealed the Mysteries by saying that he did not know that these things should not be said. He could only be absolved of this crime by proving that he had not been initiated himself.

But according to Clement of Alexandria, Aeschylus in fact admitted to having been initiated, but this gave him, unlike his accusers, the ability to disentangle precisely what could be said about the Mysteries and what should be kept quiet.

Fabre d’Olivet also reports that Diagoras’ head was put at a price for the same reason as those of Andocides and Alcibiade. Diagoras de Melos, nicknamed « the atheist », discredited the Mysteries by disclosing them, explaining them, and went so far as to mimic them to make fun of them. He recited in public the Orphic Logos, and told the Mysteries of Eleusis and the Cabires.

Times were not conducive to freedom of criticism and analysis of religion. Aristotle escaped the prosecution of the hierophant Eurymedon with great difficulty. Long before Galileo, Philolaos of Crotone and Aristarchus of Samos were publicly accused and dragged before the court, one for saying and the other for writing that the Earth was not at the centre of the universe.

Philolaos was himself an initiate.

It was through him that Plato was able to read the books of Pythagoras, and to acquire the foundations of his own initiation to the « Pythagorean Gospel ». If this initiation included teachings denying geocentrism, as early as the 5th century BC, their relevance can only be underlined, confirmed by the patronage of such eminent minds as Pythagoras and Plato.

The initiation was supposed to provide a deep understanding of the mechanisms governing the universe. Music was one of the elements of this initiation. It was exoteric (by its public manifestation) but esoteric (by its true meaning, which had to remain hidden).

There are still some traces of this cult of mystery in the solfeggio today.

The musical notes (Do, Re, Mi, Fa, Sol, La, Si, i.e. C, D, E, F, G, A, B) were named after Guy d’Arezzo, who used the first syllables of a sacred hymn to Saint John to name them:

Ut queant laxis

Resonare fibris

Mira gestorum

Famuli tuorum

Polluted Solve

Labli reatum

Iohannes Sancte

It should be noted that the B (SI) is made up of the initials of Sancte and Iohannes (S.I.).

This hymn is translated as follows:

« So that your servants

can sing with their throats extended

the wonderful deeds,

dissolves the stain

of their sinful lips,

Saint John! »

The fact that the initial Ut replaced Do does not change much in terms of substance. Do is the first syllable of Dominus, the « Lord ».

Whatever the sound of music, it sounds the praise of Lord…

iAntoine Fabre d’Olivet (1767-1825) in La musique expliquée comme science et comme art et considérée dans ses rapports analogiques avec les mystères religieux, la mythologie ancienne et l’histoire de la terre.

The Ink in the Sand


Iamblichus thought that humanity is composed mainly of fallen souls, but that the gods have sent some wise men like Orpheus, Pythagoras, Plato, or Hermes here to help them. Iamblichus also boasted being knowledgeable about theurgy.

What is theurgy? It is the idea that the human can unite with the divine through special practices. The soul is called, by means of intense religious gestures, initiation rites, sacrifices, invocations aimed at ecstasy, to unite degree by degree with beings of a higher nature, heroes, « demons », angels and archangels, and ultimately with the One, the ineffable God.

In the Mysteries of Egypt, a book devoted to Chaldeo-Egyptian wisdom, Iamblichus evokes the idea of a progressive « degradation » of man, of his fall from the divine plan. The hierarchy of this fall includes divine beings, archangels, angels, demons, heroes, archons. Human souls are at the end.

Iamblichus also describes two kinds of ecstasy, analyses the causes of evil, the theurgic power of sacrifice and presents the symbolic mystagogy of the Egyptians as well as hermetic theology and astrology. Every soul is guarded by a « demon » who helps it to reach its goal, happiness, union with the divine.

Unity is possible, but not through knowledge. « Actually, it is not even a knowledge that contact with the divinity is. Because knowledge is separated by a kind of otherness. »i

The contact with the divine is difficult to explain. « We are rather wrapped in the divine presence; it is it that makes our fullness, and we take our very being from the science of the gods. « ii

Iamblichus uses well-documented Egyptian metaphors and symbols, such as silt, lotus, solar boat. These are effective images to explain the background of the case. « Conceive as silt all the body, the material, the nourishing and generating element or all the material species of nature carried by the agitated waves of matter, all that receives the river of becoming and falls with it (…) Sitting on a lotus means a superiority over the silt that excludes any contact with it and indicates an intellectual kingdom in the heavens (…) As for the one who sails on a boat, he suggests the sovereignty that rules the world. » iii

Through the magic of images, the silt, the lotus, the boat, the whole order of the universe is revealed. Why go looking elsewhere for distant and confused explanations? Just look at the Nile.

Where does the anaphoric, anagogic power of these images come from? They are the equivalent of divine names. « We keep in our souls a mystical and unspeakable copy of the gods, and it is by the names that we lift our souls to the gods. »iv

Names have this magical, mystical and theurgic power because they have the ability to touch the gods, even if only in a tiny way, in a language that is their own, and that cannot leave them indifferent. « As the entire language of sacred peoples, such as the Assyrians and Egyptians, is suitable for sacred rites, we believe we must address to the gods in the language known to them, the formulas left to our choice. »v

All the religions of the region, from the Nile to the Indus, the religion of ancient Egypt, the Chaldean religions, Judaism, Zoroastrianism, Vedism, have multiplied the names of God.

Each of these names represents a unique, irreplaceable way of knowing an aspect of the divine.

Men use multiple invocations, prayers, formulas. Religions give free rein to their imagination. What really matters is not the letter of prayer. The important thing is to place yourself on the field of language, the language « connatural to the gods ». We don’t know this language, of course. We only have a few traces of it, such as names, attributes, images, symbols.

Of these minute traces, we must be satisfied. In the early 1970s, an archaeologist, Paul Bernard, headed the French Archaeological Delegation in Afghanistan, and conducted research in Ai Khanoun, at the eastern end of the Bactria River, near the border between Afghanistan and Tajikistan.

This city, located at the confluence of the Amu Darya River (the former Oxus) and the Kokcha River, had been nicknamed « Alexandria of the Oxus » by Ptolemy. The archaeological team uncovered the ancient Greek city, its theatre and gymnasium.

In a room of the great Greco-Indian palace of Ai Khanoun, invaded by the sands, Paul Bernard found « the traces of a papyrus that had rotten, leaving on the sand, without any other material support, the traces of ink of the letters. Wonderful surprise! The traces of papyrus fragments were barely visible in the corners, but the text in Greek could still be read: it was the unpublished text of a Greek philosopher, Aristotle’s disciple, who had accompanied Alexander on his expedition! »vi

The communist coup d’état, supported by the Soviet army, ended the archaeological work in 1978. The result of the excavations, deposited in the Kabul Museum, was heavily damaged by successive bombings, and a little later was vandalized by the Taliban.

Have the tiny traces of ink finally disappeared?

iMysteries of Egypt, I,3.

ii Ibid. I,3

iii Ibid. VII, 2

iv Ibid. VII, 4

vIbid. VII, 4

viCf. P. Bernard, Fouilles d’Ai Khanoun I, Paris, 1973. Qoted by Jacqueline de Romilly. Petites leçons sur le grec ancien.

The Transhumance of Humankind


At the last song of Purgatory, Beatrice said to Dante: « Do not speak like a man who dreams anymore ».i If Dante complies with this injunction, the rest of the Divine Comedy can be interpreted as a reference document, as far from the dream as from fiction.

In the immediately following song, which happens to be the first song of Paradise, Dante makes this revelation:

« In the heavens that take most of the light I was, and I saw things that neither knows nor can say again who comes down from above; for when approaching its desire our intellect goes so deep that the memory can no longer follow it there ».ii

Dante didn’t dream, one might think. He really saw what he said he saw « in the heavens », he didn’t make up his visions at all, and he was able to tell us about them after coming down « from up there ».

His memory has kept the memory of light, depth and desire, even if the memory is always behind the spirit that goes, and if it cannot follow it in all conscience, in exceptional, unheard of, unspeakable moments.

Without preparation, the spirit suddenly rises into heavens, sees the light, desires it, sinks into the depths, goes into the abyss.

On the way back, stunned, blinded, without memory, the intelligence begins to doubt what it has seen. Was it only a dream?

In the same song, Dante elliptically explains the true nature of his experience:

« In his contemplation I made myself like Glaucus when he tasted the grass that did it in the sea, the parent of the gods. To go beyond the human cannot be meant by words; that example is enough for those to whom grace reserves experience »iii.

To say « going beyond the human », Dante uses the word trasumanar.

Glaucus’ herb, what was it? Hashish? One of those herbs that are used in shamanic concoctions? Sôma? Haoma?

« Going beyond » implies a disruption. « Overcoming the human being » means leaving humankind behind, leaving it in its supposed state of relative helplessness.

Translated more literally, and playing on the common origin of homo and humus, the word trasumanar could be translated as a sort of ontological, metaphysical « transhumance« .

Like a transhumance out of human nature, an exodus out of inner Egypt, forged by millennia.

This is also the recent dream of « transhumanism ». The accession to a supernatural, a trans-natural, trans-human other state of nature.

The body or soul reaches an extreme point, and with a single pulse they are driven out of themselves, to reach an « Other » state.

Which « Other » state? There are many answers, according to various traditions.

Teilhard de Chardin described this leap towards the Other as a noogenesis.

Akhenaten, Moses, Zoroaster, Hermes, Jesus, Cicero, Nero, Plato, had a brain similar to ours. What did they see that we don’t?

Materialists and skeptics do not believe in visions. Nothing has really changed for thousands of years. But materialism, skepticism, « realism », lack explanatory power, and do not take into account the deep past nor the infinite futures.

Life has evolved since the oyster, the mussel and the sea urchin, and it continues to rise. Where is it going?

The question becomes: when will the next mutation occur? In a few million years? In a few centuries? What will be its form: biological, genetic, psychological? Or all this together? A tiny but decisive genetic mutation, accompanied by a biological transformation and a mental rise, a psychological surge?

The planetary compression is already turning to incandescence. The anthropocene crisis has only just begun. Environmental, societal, political, the crisis is brewing. It remains to mobilize the deep layers of the collective unconscious. There are many warning signs, such as the death drive claimed as such.

The growing forms of an immanent neo-fascism that can already be diagnosed in our times represent a warning.

They indicate the birth of the death drive, the need to bypass the humankind, to leave it behind, perplexed by fears, blinded by false ideas.

Glaucus’s grass, Dante’s trasumanar, will take on other forms from the 21st century onwards. Which ones?

Poetry, the one that reveals, always gives lively leads.

« As the fire that escapes from the cloud, expanding so hard that it no longer holds within itself, and falls to the ground against its nature, so my spirit in this banquet, becoming greater, came out of itself and no longer knows how to remember what it did. »iv

Lightning falls to the ground, and Dante’s spirit rises to heaven. Dante no longer remembers what he does there, but Beatrice guides him in his self-forgetfulness. « Open your eyes, » she said, « look how I am: you have seen things that have given you the power to bear my laughter. »

Dante adds: « I was like a person who feels like a forgotten vision and who strives in vain to remember it. »

I would like to highlight here a crucial relationship between vision, laughter and forgetting. Beatrice’s laughter is difficult to bear. Why? Because this laughter sums up everything Dante has forgotten, and evokes everything he should have seen. This happy laugh of the beloved woman is all she has left. This laughter is also what is necessary to find the thread. Not all the poetry in the world would reach « a thousandth of the truth » of what that « holy laugh » was, Dante adds.

Dense, Dantean laughter. Opaque, obscure. This laughter reopens the eyes and memory.

There are other examples of the power of laughter in history. Homer speaks of the « unquenchable laughter of the gods »v. Nietzsche glosses over Zarathustra’s laughter. There are probably analogies between all these laughter. They burst like lightning without cause.

Dante says, in his own way: « Thus I saw superabundant light, dazzled from above by fiery rays, without seeing the source of the lightning. »

He sees the lightning bolt, but not its source. He sees the laughter, but he has forgotten the reason. He sees the effects, but not the cause.

There is a lesson in this thread: see, forget, laugh. The transhuman must go through this path, and continue beyond it. Laughter is the doorway between memory and the future.

Since his Middle Ages, Dante has warned modernity: « We now preach with jokes and jests, and as long as we laugh well, the hood swells and asks for nothing ».vi

The hood was that of the preachers of the time, the Capuchins.

Nowadays hoods have other forms, and preachers have other ideas. But the jokes and jests continue to fly. And we laugh a lot these days, don’t we?

The transhuman hides away, probably far beyond all these laughter.

i Dante, Purgatory, XXXIII

ii Dante, Paradise, I

iiiIbid.

iv Dante, Paradise, XXIII

v Iliad I, 599, et Odyssey VIII, 326

vi Dante, Paradise, XXIX

Luther, Resurrection and Black Holes


In his History of Hermetic Philosophy, Father Lenglet Dufrennois described the genesis of Hermetic ideas in a remote, fragmented and diverse Orient. He traces their origin back to Noah, and follows their trace to the Egyptians (with Thoth, son of Osiris, and Siphoas, the « second Thoth », known as « Hermes Trismegistus »), then to Moses, the Greeks, the Arabs (Avicenna), the Persians (Geber, who is considered to have been the first « chemist » in history).

In Europe, from the Middle Ages to modern times, many scholars, philosophers and theologians have dealt with these same questions: Morien, Roger Bacon, Albert le Grand, Arnaud de Villeneuve, Thomas d’Aquin, Alain de Lisle, Raymond Lulle, Pope John XXII, Jean de Meun, Jean de Rupescissa, Nicolas Flamel, Jean Cremer, Basile Valentin, Jacques Cœur, Bernard Trevisan, Thomas Northon, Cardinal Cusa, Tritme.

From the 16th century onwards, the hermetic tradition continued with Jean Aurelio Augurelli, Henri Corneille Agrippa, Paracelse, Georges Agricola, Denis Zacaïre, Edouard Felley, Jean-Baptiste Nazari, Thomas Erastus, Blaise de Vigenère, Michel Sendivogius.

This litany of names, eclectic and far from being exhaustive, has a kind of phatic, incantatory poetry.

Some of them are famous, and rightly so.

Albert the Great (1193-1280) was called a « magician ». Above all, he was a great philosopher and an even greater theologian: « Albertus fled Magnus in Magia, Major in Philosophia and Maximus in Theologia. »

But most of these names smell like library dust, and don’t mean much anymore.

Hermeticism has fallen, if not into complete oblivion, at least into discredit.

In 1854, Louis Figuier could write: « Was Alchemy the most insignia of the madness of men, his study would not yet be to be neglected. It is good to follow the activity of thought down to its strangest aberrations. »

At the beginning of the 3rd millennium, hermeticism remains a fertile ground for the anthropological study of the « secret » and its quest.

Seekers of occult truth used to carefully maintain the darkness of their science and intentions. It was necessary to remain impenetrable to the uninitiated. It was no secret that we wanted to keep the mystery alive. The light was suspicious, the shadow propitious.

« When philosophers speak frankly, I distrust their words; when they explained themselves in riddles, I think, » says Guy de Schroeder.

Arnaud de Villeneuve has much harsher words: « Hide this book in your womb, and do not put it in the hands of the ungodly, for it contains the secret of the secrets of all philosophers. This pearl should not be thrown to the swine, because it is a gift from God. »

The famous Roger Bacon had as a principle « that all the secrets of nature and art that we discovered should be kept hidden, without ever revealing them, because those to whom they would be communicated could abuse them, or for their own loss, or even to the detriment of society. »

Basile Valentin, in his Char de triomphe de l’antimoine, confides: « I have now spoken enough, I have taught our secret in such a clear and precise way, that to say a little more would be to want to sink into hell ».

The fundamental idea, the unique intuition, which has brought together for centuries all these shadow researchers, whether chemists, alchemists, philosophers, theologians, poets, is that there is a « wisdom of the world », which remains to be discovered.

This is a belief still shared by many « modern » people, even those who are most reluctant to think metaphysically.

It is the idea that there is a hidden, deep, difficult to understand, or even unspeakable order that keeps everything together.

If the world « holds together », it is because it has an inner « glue ».

What is this « glue »? What is this hidden « order »? Einstein also believed in the existence of an immanent order. God doesn’t play dice.

This internal order « holds together » the infinitely small and the largest cosmic units. Without this order, the world would not last a billionth of a billionth of a billionth of a second. It would disintegrate from the very first moments of the Big Bang, physicists say.

Long before Einstein and modern physicists, Hermeticism said something similar, with the language and forms of another age: « Hermetic Philosophy is nothing other than the Knowledge of the General Soul of the World determinable in its generality and universality »i..

Alchemists have long searched, without apparent success, for the famous « philosopher’s stone ». This « stone » was only a metaphor, or a mirror in which one hoped to see the « wisdom of the world », its « General Soul », which is perhaps another name for the « glue » of the universe.

The philosopher’s stone is a metaphor for the laws of the world. « The stone of philosophers brings help to everyone in need; it strikes man of vain glory, hope and fear; it removes ambition, violence and excess desire; it softens the most severe adversityii « , writes the English alchemist Thomas Norton, towards the end of the 15th century.

Humanist program if ever there was one!

Shortly afterwards, Martin Luther himself gave his approval to « hermetic science » because it offered, he said, magnificent comparisons with the resurrection of the dead on the last day.

In any image, we can find the trace of a desire. To better speak to the people, Luther thought it would be useful to compare the resurrection to an alchemical operation. Hermeticism was still at that time, in all minds, the science of fundamental transmutations, and a vast reservoir of spiritual metaphors.

Today, alchemy is derided, as is the resurrection.

Did our times lose all intuition of the mystery, and the taste of the ultimate secrets?

The anthropology of the secret and the mysteries is linked by a thousand fibers to the litany of the millennia, it is linked to the history of terror and the hopes of the human soul.

We are living in a curious era, which has almost lost the intuition of the last ends, the desire for vision, the sense of excess, even hope.

Would Luther today look for a metaphor of the resurrection in black holes, in dark matter or in dark energy?

i M.I. Collesson. L’idée parfaite de la philosophie hermétique (Paris, 1631)

ii Thomas Norton. Crede mihi

Artificial Intelligence and Resurrection


In the 2nd century AD, the Roman Empire was at its height and dominated much of the ancient world. On the religious level, the era was one of syncretism. For its part, the nascent Christianity began to spread around the Mediterranean and reached Carthage. But it already has a lot to struggle with the Gnostic sects and other various heresies.

It was better not to mix religion and politics. The Empire did not tolerate claims of autonomy or religions that could encourage them.

The second Judeo-Roman war (132-135), triggered by Bar-Kokhba, ended with the expulsion of Jews from Judea. Jerusalem was razed to the ground by Hadrian, and a new city was built on its ruins, Ælia Capitolina.

Judea was renamed and called Palestine, from the word « Philistine » referring to one of the indigenous peoples, which is quoted in the Bible (Gen. 21:32; Gen. 26:8; Ex. 13:17).

Emperor Hadrian died three years after the fall of Jerusalem in 138, and these verses, of which he is the author, were written on his grave:

« Animula vagula blandula
Hospes comesque corporis
Quæ nunc abibis in loca
Pallidula rigida nudula
Nec ut soles dabis iocos ».

Which can be translated as follows:

« Little soul, little vague, all cuddly,

hostess and companion of my body,

you who are now going to places

livid, icy, naked,

you won’t make your usual jokes anymore. »

Around the same time, Apuleius, a writer and Roman citizen of Berber origin, born in 123 in Madauros, Numidia (now Algeria), came to complete his studies in Carthage. Apuleius was to become a famous speaker and novelist. His neoplatonism led him to believe that direct contact between gods and men was impossible, and that there had to be « intermediate » beings to allow exchanges between them.

To dramatize the question of contact between the divine and the human, Apuleius detailed the loving, direct and fusional relationship of the god Eros (divine love) and the princess Psyche (human soul), in a passage from his famous Metamorphoses. This meeting of Eros and Psyche received an extraordinary welcome and entered the pantheon of world literature. Since then, it has been the subject of countless repetitions by artists of all time.

But Metamorphoses is also a novel, picaresque, erotic and metaphysical, with a good layer of second and third degrees. There are several levels of intertwined reading and comprehension, which have ensured its modernity for almost two millennia.

The end of the novel focuses on the story of Lucius’ initiation into the mysteries of Isis, carried out at his request (and at great expense) by the high priest Mithras. Lucius can reveal nothing of the mysteries of initiation, of course.

The only concession to the curiosity of profane intelligence, Apuleius places in Lucius’s mouth a few cryptic verses, just before the hero walks into the sacred building, dressed in twelve priestly robes, in order to be presented to the crowd as « the statue of the sun ».

Lucius said then:

« I touched the edge of death, after crossing the threshold of Proserpine, I was carried through all the elements, and I came back. »

For sure, it seems like it was a descent into the underworld, a real one.

The descent into Hades was the ultimate adventure of the initiate. There had already been in the literature some prestigious predecessors, such as Orpheus, or in another order of reference, less literary and certainly less known in the Greek-Roman world, such as the descent of Jesus into Hell.

The time was fond of travelling to the land of the dead. At the same time, around 170, under Marcus Aurelius, a curious text appeared, the Chaldaic Oracles, presenting itself as a theurgic text, with a much more serious tone:

« Do not lean down towards the world of dark reflections; it is underpinned by an eternal, shapeless, dark, sordid, ghostly, devoid of Intellect, full of precipices and tortuous paths, constantly rolling a mutilated depth »i.

Nineteen centuries later, where are we now? Should we look at the depths or should we not talk at all about them?

The main religions of the moment offer a confusing picture of the problem, and seem to have little ability to formulate a solution.

But popular culture remains fascinated by the issue. In Battlestar Galactica, Humans are in total war against the Cylons, revolted robots that have evolved rapidly, reproducing in particular in the form of clones with a biological body, similar in appearance to that of human beings.

Humans are adepts of a polytheistic religion. They pray to the « gods of Kobol » and wander through space in search of a mythical planet called Earth, of which no one knows exactly if it exists or where it is located. They are guided by their President, who has visions, and who already knows that she will die without seeing the Promised Land. They are mercilessly pursued by the Cylons who have already exterminated almost the entire human race.

The Cylon robots profess, with great energy, their faith in a single god, whom they call « God ». The Cylons are very intelligent. They are not afraid to die, because they say (to the Humans who threaten them), that if their bodies are destroyed, then their minds will be « downloaded » into this « God ».

However, there is a problem. Intergalactic communications can be very weak in the event of a crisis. What happens to the spirit of a Cylon being downloaded, wandering through space without being picked up by a communication relay?

Battlestar Galactica. The Chaldaic Oracles. The Gospel of Jesus. The Metamorphoses of Apuleius. Hadrian’s epitaph.

There are those who wander endlessly in the icy night (Hadrian, the Chaldaic Oracles). And those who, after descending into Hell, return from the kingdom of the dead (Orpheus, Lucius, Jesus).

Between these two options, Battlestar Galactica‘s Cylons, these very intelligent and religious robots, have resolutely chosen the most promising one.

The transhumanist movement promotes similar ideas. The downloading of memory and consciousness is for tomorrow, says Ray Kurzweil.

Let’s do some science fiction. Imagine that ubiquitous networks and memory silos, supported by futuristic artificial intelligence techniques, will one day record and process all the thoughts and actions of all humans, from birth to death.

Then future generations would have at their disposal a kind of constantly evolving memory of humanity as a whole. And from this interactive memorial, from this human mine, they could permanently extract pearls of wisdom, sweet madness, unfulfilled dreams and fantastic projects.

Perhaps they would even come to consider this living memory as a kind of divine incarnation.

We would plunge into it, as Lucius once explored the ends of death, in order to live a new life.

iOracles Chaldaïques. Fr. 163 (tr. fr. E. des Places, Belles Lettres, 1996, p. 106).

In Memoriam Kenji Goto’s Sacrifice


Kenji Goto’s throat was slit and then he was beheaded by ISIS on 30 January 2015. This Japanese man converted to Christianity in 1997, at the age of 30. As a war journalist, he had covered many conflicts in Africa and the Middle East, including investigations into « blood diamonds » and « child soldiers ». He focused on reporting on the lives of ordinary people in exceptional situations.

He returned to Syria in October 2014, despite numerous warnings from the Japanese government, and despite his wife having just given birth to a second child. He had decided, through his knowledge of the field, to do everything possible to help his friend, Haruna Yukawa, who was already a prisoner of ISIS.

Kenji Goto was kidnapped the day after his arrival in Syria. We know the rest.

About his Christian faith, he told the Japanese publication Christian Today: « I saw horrible places and risked my life, but I know that somehow God will always save me.  » He then added that he never undertook anything dangerous, however, quoting a verse from the Bible: « You shall not tempt the Lord your God. »

Looking at the photos of Kenji Goto and Haruna Yukawa, dressed in the fatal orange tunic, one is struck by Goto’s emaciated face, cut with a serpent’s knife (metaphorically speaking), and his firm, intense, open look.

There are several possible angles of analysis of this case. The courage of a man who is trying one last chance to help a friend in danger of death.

The naivety to believe that Japan offers its nationals a passport of neutrality in the Middle East, because it does not bombard the belligerents, as some Western countries do.

The abyss of the professional journalist who always stands somehow outside the event to be able to grasp and comment on it, and forgets to see how much his own tortured body can do the whole desirable event for purposes he does not suspect.

One of Kenji Goto’s Twitter messages, published in September 2010, gives an idea of what was driving this man:

« Close your eyes and be patient. If you get angry and scream, it’s over. It’s almost like praying. Hating is not the domain of men, judging is the domain of God. My Arab brothers taught me that. »

The Japanese public was particularly affected by the double beheading of its two nationals. I am struck by the limited relative response elsewhere, and by a complete lack of analysis and perspective on this subject.

This is one more symptom of the frightening misunderstanding of what is really at stake.

The sacrifice of Puruṣa, the dismemberment of Osiris and the crucifixion of Christ


The Rig Veda is without doubt the most sacred text of ancient India.

It has been translated into several Western languages, but with significant differences of interpretation, that may reveal different worldviews, within the West itself.

Focusing here on one of the most fascinating hymns of the Rig Veda (RV, X, 90), dedicated to Puruṣa (i.e. the Man or the Supreme Being, depending on the interpretations), it is interesting, I think, to try to retrieve these points of view, as they are revealed by how they understand the role of the Supreme God’s ‘Sacrifice’.

A. Langlois, the author of the first French translation of Rig Veda in the beginning of 19th century, translates the first two verses of this Hymn, in this manner:

« 1. Pourousha has a thousand heads, a thousand eyes, a thousand feet. He kneaded the earth with his ten fingers, and formed a ball of it, above which he dominates.

2. Pourousha, master of immortality, strong of the food he takes, has formed what is, what was, what will be. »i

H. H. Wilson, a professor of Sanskrit at the University of Oxford (1888) translates:

« 1. Purusha, who has a thousand headsii, a thousand eyes, a thousand feet, investing the earth in all directions, exceeds (it by a space) measuring ten fingers.iii

2. Purusha is verily all this (visible world), all that is, and all that is to be; he is also the lord of immortality; for he mounts beyond (his own condition) for the food (of living beings)iv. »

A famous German scholar, active in the first half of 20th century, Karl Friedrich Geldner, proposes:

« 1. Tausendköffig, tausendaügig, tausendfüssig ist Puruṣa; er bedeckte vollständig die Erde und erhob sich noch zehn Finger hoch darüber. »

2. Puruṣa allein ist diese ganze Welt, die vergangene und die zukünftige, und er ist der Herr Unsterblichkeit (und auch über das), was durch Speise noch weiter wächst. »

Finally, here is another translation of the same verses by the famous French Indianist, Louis Renou:

« 1. The Man has a thousand heads. He has a thousand eyes, a thousand feet. Covering the earth from side to side, he still exceeds it with ten fingers.

2. The Man is none other than this universe, what has passed, what is to come. And he is the master of the immortal domain because he grows beyond food.»v

We see that Renou translates the word पुरुष Puruṣa, as « The Man ».

Langlois, Wilson, Geldner, prefer not to translate the word Puruṣa (or Pourousha in the 19th century spelling), but to keep it as a proper name. Why?

Maybe they thought that this word was too ambivalent or too complex to be rendered by an apparently too simple equivalent like « the Man »?

Huet’s dictionary defines Puruṣa as « Man, male, person; hero ». In a philosophical sense, this word means « humanity ». According to Huet, Puruṣa can also be understood like a proper name, and it then translates into: « the Being; the divine spirit; the macrocosm ».

In effect, the spectrum of Puruṣa’s meanings is quite wide.

In Monier-Williams’ Sanskrit dictionary, which may be the most complete one that we have in the West, we find the following explanation for Puruṣa: « The primaeval man as the soul and original source of the universe; the personal and animating principle in men and other beings, the soul or spirit; the Supreme Being or Soul of the universe. »

Let us now look at verses 6 and 7, which are rather singular.

Renou translatess:

« 6. When the Gods offered the sacrifice with Man as an oblation, spring served as butter, summer as kindling wood, and autumn as an offering.

7. On the litter, they sprinkled the Man – the Sacrifice – who was born at the beginning. Through him the Gods made the sacrifice, as well as the Saints and the Seers. »

Langlois gives:

« 6. When the Devas with Pourousha sacrificed by offering the offering, the butter formed the spring, the wood the summer, the holocaust the autumn.

7. Pourousha thus born became the Sacrifice, accomplished on the (holy) lawn by the Devas, the Sadhyas and the Richis. »

Wilson has:

« 6. When the gods performed the sacrificevi with Purusha as the offering, then Spring was its ghí, Summer the fuel, and Autumn the oblation.

7. They immolated as the victim upon the sacred grass Purusha, born before (creation); with him the deities were Sadhyasvii and those who were Ṛishis sacrificed. »

Geldner gives:

« 6. Als die Götter mit Puruṣa als Opfergabe das Opfergabe vollzogen, da war der Frühling dessen Schmelzbutter, der Sommer das Brennholz, der Herbst die Opfergabe.

7. Ihn besprenten (weihten) sie als das Opfer auf dem Barhis, den am Anfang geborenen Puruṣa. Diesen brachten die Götter, die Sādhya’s und die Ŗși’s sich zum Opfer. »

One can see here a serious divergence of interpretation of verse 6:

Langlois is the only one to place (ambiguously) Pourousha alongside the Devas, the all of them apparently sacrificing together: « the Devas with Pourousha sacrificed by offering the offering ».

On the contrary, Wilson, Renou, Geldner, present Puruṣa as the very object of sacrifice, the unique (and divine) victim of oblation: « the gods performed the sacrifice with Purusha as the offering » or « the Gods offered the sacrifice with Man as an oblation ».

The verse 7 offers another significant difference of interpretation.

For Langlois, « Pourousha thus born became the Sacrifice », as if his birth happened at this moment, and this « (re-)birth » allowed him to « become the Sacrifice ».

For Wilson, Geldner, Renou, Puruṣa is treated like the very material, the essence of the Sacrifice: « They immolated Purusha as the victim upon the sacred grass ». « On the litter, they sprinkled the Man – the Sacrifice – who was born at the beginning. »

In a recent article discussing the « self sacrifice in Vedic ritual » and commenting the same hymn, one can read these lines about Puruṣa’s sacrifice :

« By immolating the Puruṣa, the primordial being, the gods break up the unchecked expansiveness of his vitality and turn it into the articulated order of life and universe ».viii

By immolating Puruṣa, the primordial Being, the gods break the uncontrolled expansion of its vitality, and transform it into the articulated order of life and the universe.

The same article cites verse 6 as particularly significant: « With sacrifice the gods sacrificed sacrifice, these were the first ordinances « ix

What a strange formula! « With the sacrifice, the gods sacrificed the sacrifice. »

This verse presents itself as an enigma, it is an incentive to research.

Man is the sacrifice. The gods sacrifice Man, and in doing so they « sacrifice the sacrifice. »

What is the meaning of this?

This formulation is irresistibly reminiscent of another divine sacrifice, which happened more than two thousand years after the Rig Veda was composed, — the sacrifice of Jesus Christ, « the Son of Man », in order to save Man.

The similarity of the sacrificial structures suggests the hypothesis of a trans-historical permanence of a trans-cultural « myth » or « paradigm », establishing a sacrificial link between God and Man.

However, it is also interesting to underline that this sacrificial structure (in the Veda and in Christian sacrifice), is the exact opposite to the one represented by the sacrifice that the Biblical God asked Abraham to perform with his son Isaac.

Let’s continue with verses 11, 12, 13, 14

Renou translates:

« When they had dismembered the Man, how did they distribute the shares? What happened to his mouth, what happened to his arms? His thighs, his feet, what name do they get?

His mouth became Brāhman, the Warrior was the product of his arms, his thighs were the Artisan, his feet were born the Servant.

The moon was born from his consciousness, from his gaze the sun was born, from his mouth Indra at Agni, from his breath the wind was born.

The air came out of his belly button, from his head the sky moved, from his feet the earth, from his ear the orients. Thus were the worlds settled. »

Through the magic of metaphors, we seem to move from the Indus Valley to the Nile Valley. These verses of the Rig Veda evoke formulas from the Book of the Dead. The dismemberment of Man is reminiscent of the dismemberment of Osiris.

Plutarch reports that after Osiris’ murder by his brother Seth, the latter tore Osiris’ body into fourteen pieces and dispersed them. « His heart was in Athribis, his neck in Letopolis, his spine in Busiris, his head in Memphis and Abydos. And Plutarch concluded: « Osiris rose again as king and judge of the dead. He bears the title of Lord of the Underworld, Lord of Eternity, Sovereign of the Dead. »

The sacrifice of Puruṣa, the killing and dismemberment of Osiris, the crucifixion of Christ and the communion of his Body and Blood, share a deep structural analogy.

It is the idea of a God, primordial, supreme, sacrificed and then dismembered. In India, Egypt and Israel, God is sacrificed on the altar or on the cross, and its « dismemberment » allows universal communion.

iA. Langlois. RV Lecture IV, Section VIII, Hymn V: « 1. Pourousha a mille têtes, mille yeux, mille pieds. Il a pétri la terre de ses dix doigts, et en a formé une boule, au-dessus de laquelle il domine. 2. Pourousha, maître de l’immortalité, fort de la nourriture qu’il prend, a formé ce qui est, ce qui fut, ce qui sera. »

iiWilson comments: « As one with all creatures, Purusha or Viraj may be said to have a thousand, or thousands of heads, eyes, etc., a thousand being put for an infinite number. »

iiiWilson explains in a footnote: « Mahídhara gives the same explanation as Sáyaņa, but adds that it may also mean that the human soul, extending from the navel, takes up its abode in the heart — a doctrine to be found in the Upanishad. Hence Colebrooke renders it ‘stands in the human breast’; compare Burnouf’s version, ‘il occupe dans le corps de l’homme une cavité haute de dix doigts qu’il dépasse encore.’ All, however, that seems intended is that the supreme soul, having animated the universe, is moreover present in man, either in a minute form or of definite dimensions, a doctrine taught in the Upanishads and by the Vedántists. »

ivWilson adds here in a note: « Literally, ‘since he rises beyond by food.’ This may well admit of different explanations. Colebrook has ‘he is that which grows by nourishment’. Muir, ‘that which expands by nourishment.’ Burnouf has, ‘Car c’est lui qui par la nourriture (que prennent les créatures) sort (de l’état de cause) pour se développer (dans le monde)’; which follows Sáyaņa rather closely. Sáyaņa explains annena as práņinám bhogyenánnena nimittabhútena, and lower down adds, ‘Inasmuch as he assumes the condition of the world in order that sentient beings may enjoy the fruit of their acts (práņinám karmaphalabhogáya), that is not his true nature.’ The notion is that the supreme spirit, which in its own state is inert and undiscernible, becomes the visible world, that living beings may reap the fruit of their acts; and inasmuch as they may thereby acquire moksha, or final liberation, the supreme spirit is the lord or distributer of immortality. The word anna, ‘food’, which constitutes the chief difficulty here, is used in the Upanishads in a very vague and mystical sense; see, for example, the Muņḍaka, I. 8 [where it is translated ‘matter’ by Max Müller, Sacred Books of the East, vol. XV, p.28]. »

v In French : « 1. L’Homme a mille têtes. Il a mille yeux, mille pieds. Couvrant la terre de part en part, il la dépasse encore de dix doigts. 2. L’Homme n’est autre que cet univers, ce qui est passé, ce qui est à venir. Et il est le maître du domaine immortel parce qu’il croît au-delà de la nourriture. « 

viAccording to Sáyaņa, the sacrifice here was imaginary, or mental (mánasam).

viiWilson notes: « Sadhya, meaning ‘competent to create’, i.e. Prajápati and the rest ».

viii Cf. Essays on Transformation, Revolution and Permanence in the History of Religions (S. Shaked, D. Shulman, G.G. Stroumsa)

ix Cf. Essays on Transformation, Revolution and Permanence in the History of Religions (S. Shaked, D. Shulman, G.G. Stroumsa)

The 24-letters Names of God


Apocalyptic and esoteric books have a definite taste for the ‘names’ of God and for His multiple ‘attributes’.

These ‘names’ are supposed to embody aspects of the divine essence.

You might think they are immutable by nature, but human language and human-made names are not immutable, by nature, so the names keep changing.

Philo of Alexandria devoted a whole book (De mutatione nominum) precisely to the question of changing names in the Bible.

Examples abound. Abram becomes Abraham, Sarai is renamed Sarah, and Jacob Israel.

In this book, Philo dealt with the important question of the names that God gave to himself.

About the specific name that God revealed to Moses, « I am that I am » (Ex 3,14), Philo has this comment: « It is equivalent to : my nature is to be, not to be said ».

In the original Hebrew, Ex 3,14 reads: אֶהְיֶה אֲשֶׁר אֶהְיֶה « Ehyeh asher ehyeh« .

A literal translation might sound like: « I am who I am », — or « I shall be who I shall be », since « ehyeh » is the 1st person of the present-future of the verb to be, — if we want to somewhat preserve the Hebrew idiosyncrasy of the original text.

We could also simply focus on the word ehyeh that doubly expresses the notion of « Being », in two different modalities: « I am ‘I AM’ « .

We could then assume that God’s name might be ‘I AM’, which may be confirmed by the fact that God also said to Moses, just immediately after:

« Thus shalt thou say unto the children of Israel: I AM hath sent me unto you. »i

In the Exodus, God clearly affirms a key aspect of his essence through his Name. This essence is « Being ».

In John’s Gospel, another aspect of the essence of God is given: Word, or Logos.

« In the beginning was the Word, and the Word was with God, and the Word was God. »ii

But can this Word be His Name?

It does not seem so, at least if we consider what John quotes about Jesus addressing God:

« I have manifested thy name (onoma) unto the men, which thou gavest me out of the world. Thine they were, and thou gavest them to me; and they have kept thy word (logon). « (John 17, 6).

Clearly, here, the Word (Logos) is not the Name (Onoma).

The Name is ‘manifested’. The Word is ‘kept’.

What does that mean?

The Name embodies the very ‘presence’ of God, it « manifests » his presence.

In many texts, the Hebrew word Shekhina is used to celebrate God’s Presence’.

But the Word is something else entirely. It is neither the Name nor the Presence.

What is it then?

It is what was « in the Beginning », — and what was « with God », — and what was « God ».

More complex, admittedly.

Something else entirely than ‘just a Name’.

Logos is not God’s Name, and Logos is not God’s Shekhina.

Jesus also said to God: « And now I am no more in the world, but these are in the world, and I come to thee. Holy Father, keep through thine own name (onoma) whom thou hast given me, so that they may be one, as we are. « (John 17, 11)

According to John’s original text (in Greek), Jesus asked God to « keep » the men through His Name (onoma).

Jesus, who is the Logos (Verb), asks God to « keep » men through His Onoma (His Name).

This indicates that Logos and Onoma play indeed a different role.

What are these different roles?

The Logos « is with God » and « is God ». The Onoma is a ‘Name’ and is not God.

The men « keep » the Logos. The Onoma « keep » the men, « so that they may be one ».

The Logos is said to be « one » with God. The Onoma can make the men be « one »with God.

Though obviously not synonymous, ‘Onoma‘, ‘Logos‘ and ‘God’, are however somewhat converging into ‘oneness’.

Let’s add that any ‘Name’ of God has therefore to be considered to have a formidable power.

Any ‘Name’ of God potentially includes all the other Names, those that are revealed and those that will remain ever hidden.

In all likelihood, Hidden Names abound.

To speak metaphorically, there are as many Names as there are angels, and conversely, each angel « bears » one of God’s Names.

The Babylonian Talmud teaches on this subject: « The Archangel Metatron, who is said to bear the Name of God » (« Metatron che-chemo ke-chem rabbo) » (Sanhedrin 38b).

All these (infinite) Names are not just names.They are divine beings, or rather they are figures of the divine Being.

A text belonging to the Nag Hammadi manuscripts, the « Gospel of Truth », composed by Valentine in the 2nd century, specifies it in this way:

« The Name of the Father is the Son. It is He who, in the Principle, gave name to the one who came out of Him, who was Himself and begot Him as Son. He gave Him his own name. (…) The Father. He has the Name, He has the Son. We can see him. But the Name, on the contrary, is invisible, because it alone is the mystery of the Invisible destined to reach the ears which are all filled with it (…) This Name does not belong to words and it is not names that constitute its Name. He’s invisible.»iii

The same idea is expressed in a slightly different way in the Gospel of Philip, also from the Nag Hammadi manuscripts: »‘Jesus‘ is a hidden name, ‘Christ‘ is a manifested name »iv.

But if ‘Jesus’ is a hidden name, how can he be known?

Irenaeus of Lyons gives a possible answer: « Iesous is only the sound of the Name, not its virtue. In fact, the entire Name consists of not only six letters, but thirty. Its exoteric (or pronounceable) composition is IHCOYC [Iesous], while its esoteric composition consists of twenty-four letters.»v

The exoteric name IHCOYC consists of six Greek letters. The full Name contains thirty of them.

Simple arithmetic: 6 (exoteric letters) + 24 (esoteric letters) = 30 letters of the full Name

But Irenaeus of Lyons does not reveal what are the 24 esoteric letters. if he had done so, would they have stayed ‘esoteric’?

It is up to us then, to try figuring them out.

Knowing that the Greek alphabet includes precisely twenty-four letters, the first one being ‘alpha’, the last one being ‘omega’, we could imagine that this esoteric Name is not a fixed name, but that it is constantly woven from the infinity of all their possible combinations, like this one:

βαγεδζηκιθλμονξπρστυφωχψ

or this one:

ΞΟΠΡΥΣΤΨΩΧΦΑΓΒΕΖΔΗΚΘΛΙΜΝ

There 2424 such names…

Here is a selection of names that I like a lot:

ΞΞΞΞΞΞΞΞΞΞΞΞΞΞΞΞΞΞΞΞΞΞΞΞ

and:

ΏΏΏΏΏΏΏΏΏΏΏΏΏΏΏΏΏΏΏΏΏΏΏΏΏ

and:

ΧΧΧΧΧΧΧΧΧΧΧΧΧΧΧΧΧΧΧΧΧΧΧΧΧ

and :

ΙΙΙΙΙΙΙΙΙΙΙΙΙΙΙΙΙΙΙΙΙΙΙΙ

and:

ΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔ

We could also try with Hebraic letters such as:

יייייייייייייייייייייייי

and:

שששששששששששששששששששששששש

and:

ןןןןןןןןןןןןןןןןןןןןןןןן

and :

הההההההההההההההההההההההה

A lot of research ahead of us!

iEx 3,14

iiJn 1,1

iii Quoted by Guy Stroumsa, Ancient Christian Magic : Coptic Texts of Ritual Power. Princeton, 1993.

iv Gospel of Philip 58, 3-4

vIreaneus of Lyons .Adv. Heres.I. 14, 1-9. Trad. A. Rousseau. 1979

Towards a Cosmo-Theology of Humanity — or a new « Cosmotheandric » Mythos


The comparative anthropology of religions is based on the intuition that they have a common, original foundation, or at least that they share striking analogies.

But are these analogies really significant?

Do they reveal structural invariants, hidden in the diversity of apparent forms?

Is it legitimate to compare and compare, today, from an anthropological point of view, the worship of the God Osiris, King of Death, the sacrifice of the Purusa in the Veda, the immolation of Isaac required of Abraham by YHVH, the humiliating death of Jesus on the cross?

Despite all the obvious differences, do these examples not offer certain common points that transcend eras, civilizations and particularities?

In these cases, the death of an innocent, a deity lowered into humanity.

If so, then it opens the door to an anthropology of the divine.

It is a paradoxical time for us.

Religion seems to play a major role in some parts of the world, for example in the southern Mediterranean, or in the Middle East. But elsewhere, in much of Europe, on the contrary, there is a weakening of religious sentiment, or at least conventional religiosity.

On the one hand, extreme forms of religious violence, even fanaticism, and identity affirmation based on religious faith, claim millions of victims, modify the map of the world, provoke mass emigration, with global geopolitical consequences.

On the other hand, skepticism, materialism, agnosticism, atheism and atheism are flourishing, replacing old dogmas, now difficult to accept without criticism, with the discourse of « humanism », based on various achievements such as « secularism » and « tolerance ».

It is a global fault line, which passes through each society, and is drawn every day on the map of the world.

On the one hand, some peoples are more or less carried away by religious passion. On the other hand, entire populations, once subject to the religious spirit, seem to be moving away from it, and even despising it – forgetting the fanatical fury that may have overwhelmed them in earlier times.

These global, religious and geopolitical lines, what are they the symptoms of?

By studying the ancient religions, their foundations, beliefs and excesses, it seems to me that we can make a contribution to this question. We can hope to discern fundamental trends in human cultures, trends that can be identified in one form or another at all historical periods, and that are still active today.

If we can identify some trends, some principles, we will have taken an important step.

The context of the analysis is essential. The crisis of the « anthropocene » has begun. It has been given a geological name to highlight its importance in the long history of the Earth. This is a crucial period, and perhaps even a new « axial » period in the history of humanity.

Any progress, however small, in the anthropological analysis of the « crisis of the mind » would be of immeasurable importance.

Skeptics, materialists, agnostics, atheists and unbelievers undoubtedly share, in spite of themselves, some anthropological invariants with « believers ». They just don’t believe in the same gods. They do not believe in gods that have the name of gods. But they believe in gods who are abstractions, ideas, or even absences of ideas, as the nothingness of any belief.

Structurally it is the same fundamental mechanism. These abstract gods, these idea gods, or these gods of nothingness, let us note that they existed in some religions. The Zend Avesta, for example, had invented gods embodying pure abstractions such as « good thinking ».

It is also worth noting that skeptics, materialists, agnostics, atheists and unbelievers also have their expiatory victims, their scapegoats. Nor do they hesitate to make their own gods die as a holocaust, on the cross of their doubts.

If an anthropology of religions is at all possible, then it will reveal infinitely more about Man than about the Divine.

Then we’ll perhaps need to continue with the next step.

After this (badly needed) anthropology of the Divine, — there is, waiting for us, a new field of research to be opened: a Cosmo-Theology of Humanity, or as Raimon Panikkar labelled it, we have to invent a « cosmotheandric » Mythos.i

iRaimon Panikkar. The Rythm Of Being. The Unbroken Trinity. The Gifford Lectures. Orbis Books, New York, 2010

Christ’s Laughter on the Cross : Caricature and Religion


In his book Christ‘s Laughter (2006), Guy Stroumsa recalls that the Gnostics of the first centuries of our era represented Christ « laughing » on the cross. What was he laughing at? « At the stupidity of the world, » they said.

In the Gospel of Judas, an apocryphal text composed in the 2nd century, Jesus also laughs.

Another Gnostic text, found in 1978 in the Nag Hammadi manuscripts, the 2nd Treatise of the Great Seth, gives this explanation: « It was another, the one who carried the cross on his shoulder, it was Simon. It was another one who received the crown of thorns. As for me, I rejoiced in the height, above all the domain that belongs to the archons and above the seed of their error, their vain glory, and I mocked their ignorance. »

This explanation is based on the thesis of heresy called docetism. According to this thesis, Jesus would not have really suffered on the cross. His nature being divine and spiritual, his physical body was detached from him, simple appearance, simple clothing. He would have remained « impassive » (impassibilis), nailed to the cross.

The fact that God could laugh at men, kings, peoples and nations was not absolutely new. There is this verse from David’s Psalms: « He who sits in heaven amuses himself, YHVH makes fun of them » (Ps. 2:4): Yochev ba-chammayim yitzhaq.

Yitzhaq. « He laughs. » Abraham gave this very name to Isaac. For Christians, Isaac is a prefiguration of Christ. Isaac, led by his father Abraham who intended to slit his throat, carried the wood necessary for the sacrifice himself, just as Christ carried the wood of his cross.

Philo of Alexandria, a Jewish and Neo-Platonic philosopher born in 25 B.C., evokes the history of Isaac’s miraculous conception, in order to draw, as he often does, an anagogical lesson. His thesis is that Isaac was miraculously born of God himself and Sarah, then a very old woman. Sarah says: « The Lord has made laughter for me » (Gen. 21:6).

Philo comments: « Open your ears, O mysteries, and welcome the most holy initiations: « Laughter » is joy, and the word « he has done » is equivalent to « he will beget » so that these words mean this: the Lord will beget Isaac; for he is the Father of perfect nature, who in souls sows and generates happiness. « Legum Allegoriae III, 219

Christ nailed to the cross laughs, – while derided and ridiculed by the soldiers.

Sara affirms at Isaac’s birth, the birth of « He laughs », that it is the Lord who generated the laughter in her.

Christ dying and laughing, Sarah conceiving « laughter » through the divine operation.

Humanity’s closeness to the divinity can be sensed in nakedness, death, conception.

This is one of the fundamental problems faced by religions such as Judaism, Christianity and Islam. How can we reconcile divine transcendence with historical, material, immanent reality?

If God is absolutely transcendent, how can He generate Isaac in the womb of an old woman?

Isn’t the simple fact of asking the question, based on the letter of the Scriptures, already a « caricature »?

Is not the fact that Jesus is a naked God, who died on the cross, in humiliation and derision, not in itself susceptible to being caricatured in a thousand ways?

The prohibition of the representation of the Prophet Muhammad testifies to the same problem. How can we reconcile the prophet’s humanity with his divine mission? The difficulty of the question seems unrelated to the simplicity of the answer: the outright prohibition of any representation.

Let’s take a step back. Isn’t any critical, distanced, and sometimes even a little ironic question a form of caricature – for those who don’t ask questions, and don’t ask themselves them, either?

When it comes to religion, it is so easy to fall into caricature, or to be accused of it.

The Black God


Alphonse Constant, aka Eliphas Levi, gave a precise description of the « mysteries of Eleusis », of which this is the final scene:

« When the initiate had triumphed through all the trials, when he had seen and touched the holy things, if he was judged strong enough to bear the last and most terrible of all the secrets, a veiled priest came running towards him, and threw this enigmatic word into his ear: ‘Osiris is a black God’. Words darker and brighter than jet! »

André Breton, in his book Arcane 17, quotes these same words, ‘Osiris is a black God’, which he describes as a « magic formula » that « works ».

« So, every time an association of ideas treacherously brings you back to that point where, for you, all hope one day has been denied and, from the highest point you then hold, threatens, soaring in search of the wing, to rush you back into the abyss, testing myself the vanity of every word of consolation and holding any attempt at diversion as unworthy, have I convinced myself that only a magic formula here could work, but what formula could condense in it and instantly restore to you all the strength to live, to live with all the intensity possible, when I know that it had returned to you so slowly? The one I decide to stick to, the only one by which I find it acceptable to remind you to me when you suddenly lean towards the other side, is in those words of which, when you start turning your head away, I just want to touch your ear: « Osiris is a black God ». »

What is actually behind the name of this « magic », and whose help Breton invokes?

What do these words really mean: « Osiris is a black God »?

Anubis, funerary god, reigning over the necropolises, one of Egypt’s oldest deities, dates back to the pre-dynastic period, more than 5500 years ago. Anubis is usually represented as a large black canid. Is it a wolf? A jackal? A wild dog?

Being a hybrid, it has the ears of a fox, the tail and head of a jackal, and the silhouette of a greyhound.

Anubis is the adulterous son of Osiris, according to the version of the myth transmitted by Plutarch in his Isis and Osiris.

« Osiris rose again as king and judge of the dead. He bears the title of Lord of the Underworld, Lord of Eternity, Sovereign of the Dead. »

In some manuscripts Osiris is also represented with a black face.

It can be noted that the cruel death of Osiris murdered by his brother Seth, the dismemberment of his body and his resurrection are irresistibly reminiscent of an analogy, at least in form, between the faith of the ancient Egyptians and the mystery of Christ’s death and resurrection in Christianity.

But why a « Black God »?

I propose the following down-to-earth explanation.

The flooding of the Nile (in its part called the « white » Nile) brought a black silt each year, allowing to cultivate its banks.

In those days, this phenomenon remained mysterious and unexplained for a long time.

It is from this black silt that Egypt’s ancient name, Kemet, comes from, which means « the black land », that is, the « arable land ».

Osiris is a « Black God » because he brings life, every year, covering land with black silt.

The three colours of the Egyptian flag, black, white and red, still bear witness to this mythical belief long after. These three colours are a reference, respectively, to Osiris, Isis and Set, Osiris being the black God, Isis the white goddess, and Set, bound to the desert, being symbolized by red.

Black is the colour of life, of eternal life.

Is the (real) Tradition the Talmud, the Kabbalah or the Zohar?


Alphonse-Louis Constant was a French clergyman and a controversial figure of occultism in the 19th century. As the author of an abundant work, he took the pen name Eliphas Levi, or Eliphas-Levi Zahed, which is a translation of his name into Hebrew. In 1862, he published Fables and Symbols, a work in which he analyzed the symbols of Pythagoras, the Apocryphal Gospels, and the Talmud. Here is one of these fables, « The Fakir and the Bramin », and its commentary, which are not unrelated to a certain topicality:

THE FAKIR AND THE BRAMIN.

Carrying an axe in his hand,

A fakir meets a bramin:

– Cursed son of Brama, I can still find you!

I love Eswara!

Confess before me that the master of heaven

Is the best of the gods,

And that I am his prophet,

Or I’ll split your head open!

– Strike, » replied the bramin,

I don’t love a god who makes you inhuman.

The gods do not murder anyone.

Believe or not that mine

Is more forgiving than yours:

But in his name, I forgive you.

SYMBOL – THE FAKIR AND THE BRAMIN.

« When the opposing forces do not balance each other, they destroy each other.

Unfair enthusiasm, religious or otherwise, causes the opposite enthusiasm through its excess.

That is why a famous diplomat was right when he said: ‘Never be zealous’.

That is why the great Master said: ‘Do good to your enemies and you will build fire on their heads’. It was not revenge by occult means that Christ wanted to teach, but the means to resist evil by learned and self-defense. Here is indicated and even revealed one of the greatest secrets of occult philosophy. »

Eliphas Lévi also made an interesting statement on the veil, a difficult subject admittedly, not unrelated to current events.

« Absconde faciem tuam et ora. Veil your face to pray.

This is the use of the Jews, who, in order to pray with more contemplation, wrap their heads in a veil which they call thalith. This veil originates from Egypt and resembles that of Isis. It means

that holy things must be hidden from the profane, and that everyone must only count on God for the secret thoughts of his heart. »

Finally, here is an extract from a small dialogue, quite lively, between an Israelite and Eliphas Levi.

Israelite: I am pleased to see that you are making cheap of the mistakes of Christianity.

Eliphas Levi: Yes, I suppose so, but it’s to defend the truths with more energy.

Israelite: What are the truths of Christianity?

Eliphas Levi: The same as those of the religion of Moses, plus the effective sacraments with faith, hope and charity.

Israelite: Plus idolatry, that is, worship that is due to God alone, given to a man and even to a piece of bread. The priest put in the place of God himself, and condemning the Israelites to hell, that is, the only worshippers of the true God and the heirs of his promise.

Eliphas Levi: No, children of your fathers ! we do not put anything in the place of God himself. Like you, we believe that his divinity is unique, immutable, spiritual and we do not confuse God with his creatures. We worship God in the humanity of Jesus Christ and not this humanity in the place of God.

There is a misunderstanding between you and us that has lasted for centuries and has caused much blood and tears to flow. The so-called Christians who persecuted you were fanatics and unholy people unworthy of the spirit of this Jesus who forgave by dying to those who crucified him and said: Forgive them, Father, for they know not what they do (…)

Israelite: I arrest you here and tell you that for us the Kabbalah is not authoritative. We no longer recognize her because she was desecrated and disfigured by the Samaritans and the Eastern Gnostics. Maimonides, one of the greatest lights of the synagogue, sees the Kabbalah as useless and dangerous; he does not want us to deal with it and wants us to stick to the symbol of which he himself formulated the thirteen articles, from the Sepher Torah, the prophets and the Talmud.

Eliphas Levi: Yes, but the Sepher Torah, the prophets and the Talmud are unintelligible without the Kabbalah. I will say more: these sacred books are the Kabbalah itself, written in hieroglyphics, that is, in allegorical images. The Scripture is a closed book without the tradition that explains it and the tradition is the Kabbalah.

Israelite: That’s what I deny, the tradition is the Talmud.

Eliphas Levi: Say that the Talmud is the veil of tradition, the tradition is the Zohar.

Israelite: Could you prove it?

Eliphas Levi: Yes, if you want to have the patience to hear me, because it would take a long time to reason.

Brief Comments on Ten God’s Names


Paulus Ricius, also known as Paulus Israelita, was a humanist and Kabbalist of Jewish origin, converted to Christianity in 1505. He is known for his contributions to « Christian Hebraism » and for his refutation of Jewish arguments against Christianity through Kabbalah. He was one of the architects of the ‘Christian Kabbalah’ . His work Sha’arei Orah – in Latin Portae lucis, the « Gates of Light », was a source of inspiration for comparable projects initiated by scholars such as Conrad Pellicanus or Guillaume Postel.

By consulting Ricius’ Artis Cabalisticae – Hoc est reconditae theologiae et philosophiae scriptorum (1587), as well as De Arcana Dei Providentia and Portae lucis, I found a list of ten names of God that is worth studying.

1. אדנּי Adonai – The Lord

2. אל חי El Hay – The One who Lives

3. Elohim Zabaoth – The God of the Armies

4. Adonai Zabaoth – The Lord of the Armies

5. יהוה YHVH – Yahweh

6. אלהים Elohim – God (literally: The Gods)

7. אל El – God

8. יהֹוִה The YHVH Tetragram, with Elohim’s vocalization:YeHoViH

9. יה Ioh – First and last letter from YHVH

10. אהיה Ehieh – « I am »

The order of these ten names of God is relatively (but not entirely) arbitrary. No hierarchy is possible or relevant in such a matter, one may assume. Let us note that Guillaume Postel, Thomas Aquinas and Paulus Ricius (and many other specialists) offered very different views on the Names to be retained and listed.

As a matter of principle, God’s Names should be considered to have equal value or status.

However, that does not mean that these Names convey the same meaning, the same weight or have the same value.

Almost two centuries after Ricius, Leibniz proposed thirteen names of God, based on God’s own statement to Moses in Ex. 34:6-7 (as already discussed in my blog The other Other) .

It is interesting, I think, to compare Ricius’ list and Leibniz’ one, with their differences, additions, and yawning gaps.

While comparing and weighing both approaches, one has to remember that the count made by Leibniz is indeed arbitrary, and the base for his reasoning quite fragile, though intellectually stimulating.

There is no certainty either that Paulus Ricius’ version of the ten Names may be more accurate.

We should not be too shy entering this field of questioning, either. What is here at stake is to look for some kind of heuristics, akin to serendipity, to help us, poor humans, in mapping our way around a very difficult subject.

For that matter, it may seem relevant to analyze the relationship between the ten names of God and the ten Sefirot, which are divine emanations.

Here is the list of Sefirot as declined in Latin by Paulus Ricius:

Corona. Prudentia. Sapientia. Pulchritudo. Fortitudo. Magnificentia. Fundamentum. Confessio. Victoria. Regnum.

The Hebrew names of Sefirot quoted in the Kabbalah are the following:

Keter (crown), Hokhma (wisdom), Bina (understanding), Hessed (mercy), Gevurah (discipline), Tiferet (beauty), Netzah (victory), Hod (splendour), Yesod (foundation), Malkuth (kingship).

The Sefirot names are organized in a figure, which evokes a kind of human body, very schematic, with corona for head, sapientia and prudentia as two eyes or two ears, fortitudo and magnificentia for both arms, pulchritudo for heart, confessio and victoria for both legs, fundamentum for ‘foundation’ (euphemism for anus) and regnum for sex.

It is certainly worth trying to meditate on possible equivalences or connections between the Sefirot and the ten Names of God, looking for analogies or anagogies :

CoronaKeter may be linked to ‘Adonai’. The Lord wears the only crownthat be. However, who anointed Him? And what this crown is made of? Gold or thorns?

PrudentiaBina may be linked to ‘YHVH’. God is prudent, and understanding. This is why He did not reveal the meaning of His Name, nor its vocalization.

SapientiaHokhma may be linked to ‘El Hay’. Wisdom is always alive in God.

PulchritudoTiferet may be linked to ‘Elohim’. The Scriptures mentions the beauty of the three Men ‘who were God’, meeting Abraham under the oak of Mamre.

FortitudoGevurah may be linked to ‘Adonai Zabaoth’. The ‘Lord of the Armies’ incarnates the essence of forceand discipline.

MagnificentiaHod may be linked to ‘Elohim Zabaoth’. How could the ‘God of the Hosts’ not embody magnificence in all its glory?

FundamentumYesod may be linked to ‘Ioh’. The Name Ioh incarnates the foundation of divinity, with its two fundamental letters.

ConfessioHessed may be linked to ‘Yehovih’. How can you get mercy without at least requesting it, by confessing your sins? The Tetragram YHVH intertwined with the vowels of Elohim is analogous to mercy penetrating the heart.

VictoriaNetzah may be linked to ‘El’. Only El, at the end of times, — or at the ‘extreme’ summit of His eternity –, will be victorious.

RegnumMalkuth may be linked to ‘Ehieh’. By saying « I am whom I will be », God establishes His reign once for all, for the present and the future.

Of course Kabbalah literature is rich in temptatives to link the sefirot to different Names of God.

For instance, just to give a glimpse of possible, acceptable, variations on the same theme, one may quote the following series of associations, that I found in the online literature on the subject.

I would like to note in passing that, after having forged the associations listed above, I discovered that two associations (out of ten) were similar in the list quoted below. I mention this only to show the power (and the limitations) of heuristic serendipity in this obscure arcane.

RegnumMalkuth linked to Adonaï ha Aretz, The Lord of the Earth.

FundamentumYesod linked to ‘Shaddaï El Haï (The Omnipotent Living God).

Magnificentia – Hod linked to Elohim Zabaoth (The God of Armies), — like we did (see above).

VictoriaNetzah linked to ‘YHVH Zabaoth (YHVH of the Hosts).

PulchritudoTiferet linked to ‘Aloah‘ (The Divinity).

FortitudoGevurah linked to ‘Elohim Gibor’ (The Strong God).

ConfessioHessed linked to ‘El‘ (God).

PrudentiaBina linked to ‘YHVH‘, — just like we did (see above).

SapientiaHokhma linked to ‘Iah‘ (another vocalization of the short Name ‘YH’)

CoronaKeter linked to ‘Eyeh‘ (‘I am’).

What can we learn from this sort of exercise?

We learn that all divine Names are ‘ living’ metaphors, which means that they ‘live’ and the may ‘die’.

But all these metaphors, in a way, are also (metaphorically) ‘gravid’, ‘pregnant’ with other, unheard of, new Names, yet to be born out of the most profound depths of language and of our souls.

The Divine Omnipotence vs. Contingency, Chance and Fortune


Tommaso Campanella (1568-1639), a Dominican monk, spent twenty-seven years of his life in prison where he was tortured for heresy. He wrote an abundant worki there after narrowly escaping the death penalty by posing as mad.

He said of Aristotle that he was « unholy », « a liar », « father of the Machiavellians », and « author of amazing errors ».

He said of himself: « I am the bell (campanella) that announces the new dawn. »

Campanella wanted to found a philosophical republic, « The Sun City », referring to Plato, Marcile Ficin and Thomas More.

In his Apology of Galileo, he describes the world as « a book in which eternal Wisdom wrote his own thoughts; it is the living temple in which she painted her actions and her own example (…) But we, souls attached to dead books and temples, copied from the living with many errors, interpose them between us and the divine teaching. » ii

Nature is the « manuscript of God ». It is necessary to look for « all ugliness and all evil ». They are « beauty masks ».

From the « living book » of nature, Man is the « epilogue ». Man can be compared to a « windowpane ».

He is a « spark of the infinite God ». He can reach the level of the « archetypal world » by means of ecstasy, – even if it is « denied by the stupidity of the Aristotelians ».

Through his immortal soul, man can escape the condition of other living beings, who are « like the worms in a belly or in a cheese ».

The characteristic of a good metaphor is that it can be followed ad libitum, and given unexpected directions.

If the world is a « book », many of its pages may be stained, incomplete, unreadable; other pages are simply missing, or have not even been written.

In other words, in this world made for « being », there are also many « non-being ». In this light, there is a lot of darkness. There is wisdom and a lot of ignorance; there is love and hatred.

Everything derives from a mixture of necessities and contingencies, destinies and chance, harmony and antagonisms.

But it is from this contingency and chance that the possibility of freedom is born for man.

Contingency, chance, fortune are defects inherent in the very texture of the world. From the beginning, all creation is affected by a « deficit » of being. Hence the rifts, the blindness, the gaps in the world.

However, it is in these gaps and blindness that man can find freedom.

Campanella’s theory (freedom through « lack of being ») was both revolutionary and « heretical » at the beginning of the 17th century.

It was difficult for the authorities to accept that contingency, chance, fortune could contradict the supposed manifestations of divine omnipotence and omniscience.

Contingency (contingentia) unnecessarily breaks the chain of necessity (necessitas) willed by God. It limits the power of causes, it denies the tyranny of determinism, it undoes the inflexible chain of causality.

Chance (casus) counters fatality (fatum), and « contradicts » what has been « predicted » (by God). In this way, he invalidates the idea of absolute, divine prescience.

Fortune (fortuna) thwarts universal harmony (harmonia). It thwarts world order and the will that drives it.

Thus are marked the necessary limits of necessity, and the constraints that are imposed even on divine power, knowledge and will.

Contingency, chance and fortune are all obstacles to divine « omnipotence », and therefore all openings to human « freedom ».

Subversive ideas!

If God is omnipotent and omniscient, how could He be limited in His power or prescience by contingency or chance?

If God wants universal harmony, how could His will be thwarted by the whims of fortune?

If God wants the necessary sequence of causes and effects, how can He tolerate contingency? How can His « omniscience » be compatible with the effects of chance?

Campanella replied that creation was drawn from nothing by God. It is therefore a combination of being and non-being. It comes from the Being, but its being « lacks being ». Contingency, chance and fortune are the concrete expressions of this lack, and the visible expression of the possible freedom of man.

Contingency, chance and fortune can be interpreted as providential figures of God’s absence in the world, as signs of his voluntary withdrawal, to leave man a responsibility in his creation.

This absence and withdrawal from God is reflected in the ideas of kenosis (S. Paul) and tsimtsum, (Kabbalah).

I will evoke these concepts in another article.

i Philosophia Sensibus Demonstrata, La Cité du soleil, Atheismus Triumphatus, Aforismi Politici,

ii « Mundus ergo totus est sensus, vita, anima, corpus, statua Dei altissimi, ad ipsius condita gloriam, in potestate, sapientia, et Amore (…) Homo ergo epilogus est totius mundi, ejus cultor et admirator dum Deum nosse velit, cujus gratia factus est. Mundus est statua, imago, Templum vivum et codex Dei, ubi inscripsit et depinxit res infiniti decoris gestas in mente sua. » (De Sensu Rerum et Magia, 1619) Cité par J. Delumeau Le mystère Campanella

The Metaphysics of the Lotus


In Biblical Hebrew, some letters of the alphabet can be swapped, i. e. replaced by phonetically close letters.

For example, the ninth letter, Teth, ט, corresponds to the t of the Latin alphabet. Teth means « snake » because of its shape. This letter can be switched with the sibilant ז (z) or צ (ts), and with the letter Taw, ת (th), which is the 22nd and last letter of the alphabet, and which means « writing sign ».

Permutation allows word games, which then generate other word games, giving rise to new meanings or altering those already known.

Let’s give an example.

The word תֵּבֵב, tevah, means « box », but also « ark ».

Noah built a tevah out of gopher wood (Gen 6:14).

And it was in a rush tevah that Moses, a newborn child, was placed (Ex. 2:3).

With the letter צ (ts), tevah gives tsavah, צָבָה, « to gather to fight », and again « to swell up ».

Noah’s Ark, by a slight shift of meaning, can thus embody a general assembly of the life forces fighting the flood. It also evokes a kind of belly that swells, as living beings destined to be saved penetrate into it…

By switching with the letters ז (z) and ט (t) things get tricky. The verb טָבַח tavaha has the meaning « to sacrifice, to kill cattle ». The word טַבָּח tabah means « the one who kills ». The verb זָבַח, zavaha, means « to cut, immolate, sacrifice » and the word זָבַח tavah: « victim, sacrifice ».

By simple permutation, the ark then evokes a huge oblation. We know now that this whole noachical affair turned out well. But the ark could have been shipwrecked. It would have been a disaster, the ultimate sacrifice: all the eggs of life in the same wooden basket.

We can also cut the last and weak letter of the word, ה. Then we get טָב, tav, « good », as in טָבְ אֵל « God is good ».

A rich assortment of meanings, convergent or contrary, through the magic of permutations. Language conducive to innuendoes, or even misunderstandings, depending on the attention, acuity available.

In Latin, it is the word arca that is supposed to translate tevah, and which gave in French « arche ». Arca means first of all « chest, wardrobe ». Hence the adjective arcanus, « hidden, secret », and the name arcanum, « secret », which is found with the French « arcane ».

Arca also means « coffin, prison, cell, cistern, tank ». But, strangely enough, it never means « ark ».

Arca refers to the verb arceo, « to contain, to confine, to retain ». But also: « to keep away, to divert, to spread ». This double meaning can well apply to Noah’s Ark.

Coerceo means « to contain, to repress ». Exerceo: « to tame, to exercise ». The adjective arctus, « locked, tightened, tightened » is part of the same family as is the verb arto, « tighten, press, reduce ».

« The world encloses (coercet) and encloses everything with its embrace (complexus) » said Ciceroi. Complexus is embracing, kissing, embracing. This word means ‘struggle’ as well as ‘love’, the hand-to-hand combat and the carnal embrace.

For anyone interested in the mysteries of the world, it is useful to start with the words that carry them, hide them and transport them.

These words are also like an arch, an arch of meaning, floating and precarious, through the flood of nonsense, or sometimes, a prison or a tomb.

To translate Tevah, the Septuagint translators chose to take a Greek word borrowed itself from Egyptian. They translated tevah by the word κιϐωτός, « cash register, box ». This word refers to κιϐώριον: « water lily flower », but also « cup », and even « tomb ». The word « ciborium » comes from there.

The word chosen by the Septuagint to embody both Noah’s Ark, the cradle of Moses and the Ark of the Covenant, then comes from a very ancient botanical and religious metaphor, the lotus flower (the « Egyptian water lily »).

The seeds of the sacred lotus hold the record for longevity (dormancy). A team of researchers successfully germinated a seed about 1,300 years old from the dry bed of an ancient lake in China.

Some words also germinate long after their dormancy.

In ancient Egypt (3500 BC), the lotus was a symbol of the creation of the world and an allegory of rebirth after death. The lotus flower was worthy to be offered to the God who had overcome death, Osiris.

In India, and also in China, the lotus is considered worthy of offering to the gods.

The lotus grows in the mud, which feeds it. It does not float on the water like the water lily, it emerges clearly out of the water. That is why it is an allegory of the resurrection.

The tevah floats on the flood. The lotus stands really above the water.

Times are changing. We now need a new Noah, and a new ark. This new ark will not just be a tevah (i.e. a big box). It will not just help a (very limited) subset of mankind to « float » in order to survive, like the old Noah’s Ark did.

This new ark will be more like a lotus, and it will help raise all of mankind above the water, like a wind of God did, a long time ago…

i « Mundus omnia complexu suo coercet et continet » (Nat. 2, 48).

Leaving aside Joy and Sorrow


All religions, all beliefs, play their part in this world.

They are all quite different in a sense, But they all play a role in the current global, political and moral crisis.

Whether Vedic, Egyptian, Zend, Chaldean, Jewish, Buddhist, Hinduist, Christian, Islamic, all religions have something essential in common: they all have some kind of responsibility for the misfortune of the world.

Whether they say they are « outside » the world, or « inside » the world, they are responsible for what they say or let say, for what they do or let do on their behalf.

They are part of the world, taking on the most eminent place, that of judge, master and sage.

How could they not be linked to the actions and speeches of their followers?

How can we not judge them as much on what they say as on what they don’t say?

How can we not bring their great witnesses to the public arena and ask their opinion on the state of the world, as we would on election night or on a day of disaster?

We don’t really know where the chain of prophets began or when it will end.

Is the seal of the word sealed for eternity? Who will tell?

Will the Messiah return? Who will see that day?

Will eschatology come to an end? Who will hear the final Word?

If ten thousand years is not enough to lower the pride of the presumptuous, let us give ourselves a hundred centuries or a million millennia, just to see what will remain of the dust of words once tables, once stones, once laws.

Lists of names can be listed, to stimulate memories. How far back do we go?

Agni, Osiris, Melchizedek, Zoroaster, Moses, Hermes, Buddha, Pythagoras, Isaiah, Jesus, Muhammad…

In a few million years, we will see that they all shared their differences, their aspirations, their visions, their breaths, their ends.

What does the « religion » of these prophets have to do with « entities » now called Palestine, Israel, Saudi Arabia, Kuwait, the United States, Afghanistan, Iraq, Iran, Syria, Egypt, India, Greece, China, France, Germany?

Will History teach us some day the essence of the difference between the « religion » of the Khârijites, the Zaydites, the Imâmites, the Ismaili Shi’ites and the Sunni ‘majority’ of Islam?

What was really the origin of the « religion » of the Nizarrians, and that of Hassan ibn al-Sabbah’s Assassiyoun?

What is the « religion » of the Taliban?

These questions are pointless, useless, apparently. There are better things to do, as it seems, such as fighting, killing people, bombing cities, beheading bodies, murdering children.

The religions of the past illuminate the wanderings of the present and those of the future with a special light, a premonitory aura.

Their slow epigenesis must be observed.

Their (implicit, slow) convergence must not be excluded, in the long run, beyond their differences.

Memory is necessary for understanding the present, as time takes its time.

But who still has time to remember?

Religions highlight, with words, curses and targeted blessings, much of the world’s misfortune.

They reveal the fragility, weakness, instability, irreducible fracture of Man.

They encourage us to take a long and global perspective, to observe the events of the day, to understand them, to anticipate their consequences, and to overcome pain, anxiety, fatigue and the desire for revenge, the drive for hatred.

For more than fifty-five centuries, several religions have been born and deployed in a limited geographical area, it is worth noting.

This privileged area, this node of beliefs and passions, extends from the Nile Valley to the Ganges basin, via the Tigris and Euphrates, the Oxus, and the Indus.

Geography changes more slowly than the hearts of mortals….

Between the Indus and the Oxus, which country best reflects today the past millennia, the erased glories?

Pakistan? Afghanistan?

How can we forget that Iran and Iraq (like Ireland) take their names from the ancient Aryas, attesting to the ancient Indo-European ties of Persia, Elam and Europe?

The Aryas, long before they even received their « Aryan » name, founded two major religions, the Veda in India, and the Zend Avesta in Iran.

Colossal forces! Immaculate memories!

Antoine Fabre d’Olivet reports that Diagoras de Melos (5th century BC), nicknamed « the atheist », a mocking and irreverent character, discredited the Mysteries by disclosing and ‘explaining’ them. He even went so far as to imitate them in public. He recited the Orphic Logos, he shamelessly revealed the Mysteries of Eleusis and those of the Cabires.

Who will dare to unveil today, like Diagoras, the actual mysteries of the world to the amazed crowds?

« Religion » is a prism, a magnifying glass, a telescope and a microscope at the same time.

« Religion » is above all an anthropological phenomenon.

Dogma bring nothing to this debate, or rather ignite it without benefit to the heart or the mind.

A global anthropology of « religion » could possibly reveal some constants of the human mind.

These constants do exist. Thus, the latent, impalpable or fleeting feeling of « mystery ».

This « mystery » is not defined. It escapes any categorization. But implicitly, indirectly, by multiplying approaches, by varying angles, by accumulating references, by evoking the memory of peoples, their sacredness, perhaps we sometimes manage to see the shadow of its trace, its attenuated effluvium.

There is also the idea of a unique, principal, creative divinity. It is found in various forms, in ancient times, long before Abraham’s time, before the Zend, even before the Veda.

Constant again is the question of origin and death, the question of knowledge of what we cannot know.

What breath then goes through the pages of the Book of the Dead, the manuscripts of Nag Hammadi, the hymns of Ṛg Véda or the Gāthās of Zend Avesta? What breath, even today, runs through the world, in a time so different from the origins?

This breath, it is still possible to perceive it, to breathe its smell.

A world of ideas and beliefs, distant, astonishing, serves as a foundation for today’s world, filled with violence and lies, populated by « saints » and murderers, wise men and prophets, fools and crooks, death cries and « divine winds » (kami-kaze).

Who, today, thinks the world’s destiny?

When reading the Upaniṣad, let us also think of the « masters of the world », the « gnomes » enslaved to the banks, the political « dwarves » governing the peoples, perched on the shoulders of centuries?

« Those who are agitated in ignorance consider themselves wise. They run wildly around like blind people, led by a blind man. »i

It is a fact that we often observe, at the highest level, hypocrisy, lies, baseness, cowardice, and much more rarely wisdom, courage, truth.

But it is also a fact that anything can happen, always., at any time.

Anything is possible, on principle. The worst. The best. The mediocre. The unspeakable. The unheard of.

The world is saturated with ideas from all ages. Sometimes, from nowhere, new forms are born, shimmering above the rubble and catacombs, relics and hypogoria, crypts and hidden treasures.

Who will see these incredible visions, yet to appear?

Those who will be able to « meditate on what is difficult to perceive, penetrate the secret that is deposited in the hidden place, that resides in the ancient abyss ».

Those who « leave aside the joy and sorrow. »ii

i KU. 2.5

iiKU. 2.12

The End of Judaism


« I am the end of Judaism »i.

Jacques Derrida wrote this sentence in his 1981 Notebooks.

The context? Starting from a question asked by Saint Augustine: « Quid ergo amo, cum Deum meum amo? », Derrida adapted it in his own way: « What do I love, who do I love, whom do I love above all? I am the end of Judaism. »ii

« What God do I love? « asks Derrida, fifteen centuries after Augustine.

Answer: He loves a « unique » God, – unique as birth, unique as death, unique as circumcision (because it only happens once).

What does Derrida like most of all? Answer: Judaism.

Who does he love above all? His mother, who is dying, and who no longer recognizes him.

His mother represents « the end of a Judaism, » adds Derrida (« la fin d’un judaïsme »).

As for him, he says he is « the end of Judaism » (« la fin du judaïsme »), of that Judaism that his mother embodied, to which his mother gave her face, and which he will not transmit.

The maternal face has now disappeared, although indelible.

« It’s over. »

His own face, disfigured by a viral facial paralysis, affects him, and opens up an unpredictable future for him.

Derrida claims that he is the end of this Judaism, that of his mother. But why does he generalize by saying: « I am the end of Judaism« ?

What allows him to make this assertion, this prophecy? His name Elijah?

After the end of this Judaism, Jacques Derrida wanted to found another one. He says that he will start a new Judaism, a « Judaism out of religion, inherited from his people but detached from them »iii.

He wants to found another religion, and even, through his philosophy, « to rebuild all religions »iv.

Colossal project, amazing idea. Questions quickly come to mind. Is there any analogy between Derrida’s new religion and Christianity?

Hadn’t Christianity already been a kind of first ‘exit’ from Judaism, and perhaps was it not even a project to « re-found » religion?

No and no. Derrida is categorical: « Christianity has abandoned the letter and circumcision ».

Is it worth starting a dispute? In Christian services, the letter is read. The Bible is a reference. The letter is there, literally. As for circumcision, it has not really been abandoned, either. Of course, it is not the foreskin (« orla », עָרְלָה), but rather the heart, eyes and ears that are recommended to be circumcised.

Derrida says he is faithful to the letter and circumcision. But since he wants to found another religion, which would be an « other Judaism » after the « end of Judaism », how will he go about innovating?

Let’s consult his program.

He says we must « re-found religions by playing with them, reinvent circumcision, re-circumcise what is uncircumcising, thwart the re-appropriation of languages by a God-Unity »v.

These formulas call for some comments.

« Re-founding religions by playing with them ».

The metaphor of « play » is curious, even surprising, in this charged context. « Playing » with religion is a dangerous game. Nowadays, a mortal one.

Moreover, where there is only one game, how can we judge what is at stake? What can be based on a game? When a foundation stone « plays », the temple trembles, religion falters.

« Reinventing circumcision. »

In what way is this idea new compared to what the Judeo-Christian Paul already said about circumcision, not of the foreskin, but of the heart?

What more can we invent to circumcise after the sex, the soul, the heart, the eyes, the ears? The fruits of the trees? Atoms? The stars? DNA? Eschatology? Or Judaism itself?

« Re-circumcise what is being uncircumcised. »

Derrida says that circumcision is a unique act, a founding event. How would flesh foreskins « uncircumcise »? Or would « uncircumcision » be only a metaphor, applying not to the flesh but to the spirit? But then isn’t this just Paul of Tarsus’ proposal?

« To defeat the re-appropriation of languages by a One God ».

Again a metaphor of a game. It is no longer a question of playing, however, but of « thwarting God ». Babel’s confusion had indicated a lead. The God « One » had then shown himself hostile to the idea of a « one » language among men.

Why would God – who once allowed the confusion of languages – have « re-appropriated » languages and unified them in the process?

What does Derrida want to thwart in God? Words, language? He plays them, he plays with them, he thwarts them. He is a poet of the word who opens, and who provokes.

« I am the last of the Jews. »vi

Here is Pierre Delain’s comment on the Derridex website: « This sentence, « I am the last of the Jews », Jacques Derrida signs it, and at the same time he mocks it (UTD p101). It must be put in quotation marks. It is the ironic sentence of the one who listens to himself speak, a stereotype, an outrageous statement. By quoting and reciting it, he staged the mockery, he laughed and cried too. From a certain angle where writing is put in abyss, it can be taken seriously. »

The philosopher Derrida wants to have the last word. This is his last card in the big game. The last one was a stunt. « Religious is a fighting sport (especially not for journalists!) ».vii

He is the last thinker, the thinker of eschatology.viii

« The most advanced is the one that keeps the future open. « Always open, even at the last minute…

« I am the last » means, really: « I am the one who opens, again, always. »

ihttp://www.idixa.net/Pixa/pagixa-0506201121.html

iihttp://www.idixa.net/Pixa/pagixa-0506201121.html

iiihttp://www.idixa.net/Pixa/pagixa-0505131252.html

iv Cf. Circonfession, p.206

vhttp://ww.idixa.net/Pixa/pagixa-0710201132.html

vihttp://www.idixa.net/Pixa/pagixa-0506190802.html « Cette formulation de Jacques Derrida, « Je suis le dernier des Juifs » [avec une majuscule], est reprise des carnets de 1976, non publiés mais cités dans Circonfession (1990). En septembre 1991, elle est rappelée dans une interview donnée à Elisabeth Weber, et enfin reprise le 3 décembre 2000 à l’occasion du colloque Judéités, qui s’est tenu au Centre communautaire de Paris. Elle est donc constamment réaffirmée sur plusieurs décennies. (…) dernier des Juifs, c’est aussi celui qui habite ce qui reste du judaïsme. Le dernier des eschatologistes maintient l’avenir ouvert. S’il annonce la fin du judaïsme, c’est pour en fonder un autre, qui ne serait plus le même. Tout se passe « comme si » le moins pouvait le plus (il insiste sur le « comme si ») : moins tu te montreras juif, plus tu le seras (c’est la formule du marrane). Le dernier des juifs peut être le pire des juifs, mais aussi celui qui garantit la série. Exclu-inclu, dehors-dedans, il n’appartient pas de fait à la culture juive, il est au bord de la série et la débordant. »

viihttps://diacritik.com/2016/03/25/jacques-derrida-le-religieux-est-un-sport-de-combat-surtout-pas-de-journalistes/

viiihttp://www.idixa.net/Pixa/pagixa-0506190808.html « Il n’est pas seulement le dernier des eschatologistes, il est aussi le plus avancé (p91) : « ils n’ont m’ont jamais pardonné d’être l’eschatologiste le plus avancé, la dernière avant-garde qui compte ». Le plus avancé, c’est celui qui maintient l’avenir ouvert, sans horizon. »

Careful! Logic is misleading


« The most characteristic feature of the mystery is the fact that it is announced everywhere »i.

It is announced, but not revealed.

It is presented, but not disclosed. It is reported, but not visible.

« What is hidden is what is revealed »ii

I assume that « what is hidden » points not to the invisible but to the ineffable.

What is revealed is ineffable.

Between myth and mysticism, there are as many differences as there are between the invisible and the unspeakable.

Buried caches, deep caves, dark cellars, distant Hades, these are the founding places of the myth. Esoteric thinkers promise the vision of these secret places to the initiate, when the time comes.

Mysticism goes beyond myth in this: it claims to reveal nothing of the « mystery », which remains unspeakable, inexpressible, incommunicable. What mysticism teaches is not what cannot be said, but what testifies to it, what by signs takes the place of it.

« The god whose oracle is in Delphi does not reveal, does not hide, but gives a sign. « iii (Heraclitus)

You have to get used to thinking like crabs, to drifting towards the sea, running sideways, going sideways. Think by allusions, by paradoxes. « God exists, but not by existence. He lives, but not by life. He knows, but not by science » iv (Leibniz).

Words, syntax, grammars, are teeming with false leads. The researcher must look for other stars, to cross the unknown seas of the world.

Logic itself and its laws are misleading. It is better to follow Leibniz: « The more we succeed in abstracting ourselves from demonstrating God, the more we progress in His knowledge. »v

iS. John Chrysostom

ii Ignatius of Antioch, Ad. Eph. 19,1

iii Heraclitus, Frag. 93.

ivCf. Observations de Leibniz sur le livre du Rabbin Moïse Maïmonide intitulé le Guide des Égarés. §C57

v Ibid. §C59

The other ‘Other’


In his Observations on Rabbi Moses Maimonides’ book entitled The Guide for the Perplexedi Leibniz refers to two other « Tetragrams », one of twelve letters and the other of forty-two. But he remains elliptical on how a four-letter Tetragram, to put it pleonastically, can expand like this into many more letters.

Leibniz also indicates that Moses received « thirteen prophecies » from Godii. Here is the detail of this revelation, reported in the Exodus, and quoted in full.

« The Lord passed before him and shouted: ‘The Lord, the Lord, God of tenderness and mercy, slow to anger, rich in grace and faithfulness, who keeps his grace to thousands, tolerates fault, transgression and sin, but leaves nothing unpunished, and punishes the sins of fathers on children and grandchildren until the third and fourth generation!’ »iii

So Leibniz’ idea is that there are thirteen prophecies densely concentrated in these two verses. One may conjecture that each ‘prophecy’ seems to be associated with one specific word.

Here they are, as far as I can reconstruct them:

The first ‘prophecy’ is: « YHVH (יהוה) ».

The second one: « YHVH (יהוה) ».

The third: « God » (אל).

The fourth: « Clement » (רחום).

The fifth: « Merciful » (חנון).

The sixth: « Slow to anger (אפים) ».

The seventh: « Full (or rich, רב) » – more precisely, « rich in goodness (חסד) and truth (אמת) ».

The eighth: « He keeps his kindness (or favor, חסד) to thousands ».

The ninth: « He tolerates fault (or crime, עון) ».

The tenth: « And the transgression (or rebellion, פשע) ».

The eleventh: « And sin (חטאה) ».

The twelfth « But he leaves nothing unpunished (לא ינקה) ».

The thirteenth: « And he punishes the sins (עון) of the fathers on the children and on the little children ».

Observations are required, from a critical and heuristic point of view.

First of all, we count as two separate and distinct prophecies, the two statements that Yahweh makes of the name YHVH, and as a third the name EL.

Then each attribute (clement, merciful, slow, full) is counted as a prophecy.

There is the special case of « full of goodness and truth », which is counted as a prophecy. Why not count two? Because the adjective « full » is mentioned only once, and because God wants to make it clear that « goodness » and « truth » are inseparable, and must be counted as « one ».

For the verb « he keeps », let us count a prophecy, since God only keeps his goodness.

For the verb « he tolerates », let us count three prophecies, since God tolerates fault, rebellion and sin.

Finally, let us count two prophecies that refer to punishment.

Then, let us note that God cries out twice his name YHVH, but once his name EL.

He shouts four of his attributes, then he shouts four verbs. The first, to keep, applies to only one thing, kindness, but for the benefit of thousands. The second, to tolerate, applies to three negative things. The third, to leave, is used in a negative, therefore absolute, total way. The fourth, to punish, applies over four generations.

It is surely worth noting that three words are quoted twice: « YHVH », « goodness », and « fault », and that one word is quoted three times in the last verse: « the sons ».

There are also questions about some apparent inconsistencies:

God « tolerates fault » but « he leaves nothing unpunished », which seems contradictory.

Moreover, « he punishes the sins of the fathers on the sons and the sons of the sons », which seems unfair.

Let’s take a closer look at this last point, referring to the dictionary. The verb « to punish«  is in the original Hebrew: פקד. This word has a very rich palette of meanings. Here are some of them: « to seek, to visit, to examine, to remember, to punish, to avenge, to lack something, to deprive, to entrust something to the care of another ».

This verb can be translated to mean that God wants to « punish » and « chastise » children and grandchildren for their fathers’ faults, as it is written:

« And he punishes the sins (עון) of the fathers on the children and on the little children ».

But one could also opt for a broader, more generous translation or interpretation of פקד :

« And he seeks, or he examines, or he remembers, or he entrusts the care the sins of a generation to the care of another. »

Another what? Another generation?

Or might it be another ‘Other’?

Who, then, might be this other « Other » to whom God entrusts the care of future generations?

i Observations de Leibniz sur le livre du Rabbin Moïse Maïmonide intitulé le Guide des Égarés § C62

ii Ibid. § C54

iiiEx. 34,6-7

The power of whisper


« But among the humble is wisdom. » i.

In Hebrew, the word « humble » derives from the verb צָנַע, to hide, to humiliate oneself. A more literal translation might then be possible: « But among those who hide is wisdom. »

The humble are hiding. So is wisdom, hiding.

The idea of hidden wisdom is old. It is found in many religious, exoteric or esoteric traditions.

« I speak to you, O Nacitekas, heavenly Agni, who knows how to obtain the endless worlds and the sojourn. O thou, know it, [this wisdom] is deposited in a secret place. » ii

The secret is first and foremost a “place”. And wisdom also is a “place”.

Going to this secret “place” is akin to a “revelation”. To penetrate the divine secret is to penetrate this divine place, and to plunge into the abyss. When you enter it, you lose all balance, all connection, you leave everything to go beyond the human.

« When he meditated, applying himself, on the union with the supreme soul, on the God who is difficult to perceive, who has penetrated into the secret, who has settled in the hiding place, who resides in the abyss, – the wise leaves aside joy and sorrow. » iii

Not everyone can imitate the wise man. The Holy of Holies is a very empty, solitary, place.

If the revelation reveals anything, it is that nothing sheds light on the mystery. It only deepens it without measure, always more so.

Abrahamic, Mosaic or Christian “revelations” are in a way an “unveiling”. But this unveiling brings in reality many new veils, many questions, throwing inconceivable, unexpected perspectives.

Among them: any divine revelation threatens the state of things and life itself. How many prophets stoned or crucified for sharing their vision? Death is the companion of their truth.

R. Isaac of Acra comments: « When Moses our master said: « Show me your glory » (Ex. 33:18), it is death that he asked for, so that his soul may break the light of his palace, which separates him from the wonderful divine light, which she was eager to contemplate ».

The union with the Divine presents an extraordinary challenge: death.

Elsewhere, in other traditions, it is called dissolution. It is compared to a drop of water in the sea. « As pure water poured into pure water becomes like it, the soul of the discerning wise man becomes like Brahman.»iv

The same image can be found in the Jewish Kabbalah: « The soul will cling to the divine Intellect and the intellect will cling to the soul (…) And the soul and the Intellect become the same thing, as when a jug of water is poured into a gushing spring. This is therefore the secret of the verse: ‘A fire that devours fire’. » (R. Isaac of Acra).

A drop of water in the spring. A fire that devours the fire. Wisdom is well hidden. Why is she concealing herself, shying away from glory, from revelation?

A passage from Paul can put us on the track. « Should we boast? It’s not worth anything, though. (…) For me, I will only boast of my weaknesses.» v

An « angel of Satan » is in charge of blowing Paul so that he does not take pride. If Paul asks God to remove this satanic angel from him, God answers: « My grace is enough for you; for power unfolds in weakness.» So the blows continue.

And Paul concludes: « That is why I take pleasure in weaknesses, in outrages, in distress, in persecutions and anguish endured for Christ: for when I am weak, it is then that I am strong ».vi

It is strange (and maybe inaudible) in our modern times, to hear that weakness, distress, persecution,, may be a « strength ».

Strength and power in effect veil and muffle everything. In the noisy storm, in the midst of the devastating hurricane, only the humble, the wise, have a little chance of hearing the zephyr, which will follow, in a whisper.

iProv.11,2

iiKatha Upanisad 1,14

iiiKatha Upanisad 2,12.

ivKatha Upanisad 4,15

v2 Cor. 12,1-10

vi2 Cor. 12,1-10

The Metaphors of Monotheism in India, Israel and the West


The philosopher must travel among the nations, following the example of Pythagoras.

« Pythagoras went to Babylon, Egypt, all over Persia, learning from the Magi and priests; it is reported that he also got along with the Brahmins. »i

No people, no culture, no religion has a monopoly on knowledge. Under the appearance of their multiplicities, we must seek a deeper, original unity.

In the Vedas, Agni is « God of Fire ». Fire is an image. It’s only one of his names. Agni is the Divine in many other aspects, which its names designate: « Agni, you are Indra, the dispenser of good; you are the adorable Viṣṇu, praised by many; you are Brahmānaspati… you are all wisdom. Agni you are the royal Varuṇa, observer of the sacred vows, you are the adorable Mitra, the destroyer. »

Agni embodies the infinite multiplicity and profound unity of the Divine. Agni is in the same time innumerable, and the only God.

The religion of the Vedas has the appearance of a polytheism, through the myriadic accumulation of God’s names. But it is also a monotheism in its essential intuition.

The Vedas sing, chant, invoke and cry out the Divine, – in all its forms. This Divine is always Word, – in all its forms. « By the Song and beside it, he produces the Cry; by the Cry, the Hymn; by means of the triple invocation, the Word. »ii

Agni is the divine Fire, which illuminates, it is also the libation of the Soma, which crackles. He is one, and the other, and their union. Through Sacrifice, Fire and Soma unite. Fire and Soma contribute to their union, this union of which Agni is the divine name.

The same questions are still running through humanity.

« Where is the breath, the blood, the breath of the earth? Who went to ask who knows? « asks Ṛg Veda.iii

Later, and further west, the Lord asked Job: « Where were you when I founded the earth? Speak if your knowledge is enlightened. Who set the measures, would you know, or who stretched the line on her? (…) Tell us, if you know all this. On which side does the light dwell, and where does the darkness dwell? » iv

There is an instinctive familiarity, a brotherhood of tone, an intuitive resemblance, between a thousand years apart.

The ancient Hebrews, dedicated to the intuition of the One, also sought and celebrated His various names. Is this not analogy with the multiple names and Vedic attributes of the Divinity, whose essence is unique?

When God « shouts » three times his name to Moses’ address « YHVH, YHVH, EL » (יְהוָה יְהוָה, אֵל), there is one God who pronounces a triple Name. Three screams for three names. What does the first YHVH say? What does the second YHVH mean? What does the third name, EL, express?

Christianity will respond a thousand years after Moses to these questions with other metaphors (the Father, the Son, the Spirit).

A thousand years before Moses, verses from Ṛg Veda already evoked the three divine names of a single God: « Three Hairy shines in turn: one sows itself in the Saṃvatsara; one considers the Whole by means of the Powers; and another one sees the crossing, but not the color. »v

The three « Hairy » are in fact the only God, Agni, whose hair is of flame.vi

The first « Hairy » is sown in the Soma, as a primordial, unborn germ. The second « Hairy » considers the Whole thanks to the Soma, which contains the powers and forces. The third « Hairy » is the dark being of Agni (the Agni « aja », – « unborn »), a darkness that God « passes through » when he passes from the dark to the bright, from night to light.

For the poet’s eye and ear, this ‘triplicity’ is not a coincidence. Millennia pass, ideas remain. Agni spreads the fire of his bushy and shiny « hair » three times, to signify his creative power, wisdom and revelation. From the burning bush, Yahweh shouts his three names to Moses to make sure he is heard.

The figure of a God « one » who shows Himself as a « three », seems to be an anthropological constant. The same strange, contradictory and fundamental metaphor links Aryan and Vedic India, Semitic and Jewish Israel, and Greek-Latin and Christian West.

iEusèbe de Césarée. Préparation évangélique, 4,15

iiṚg Veda I, 164,24.

iiiṚg Veda I, 164,4.

ivJob, 38, 4-19

vṚg Veda I, 164,44.

viOne of the attributes of Apollo, Xantokomès (Ξανθόκομης), also makes him a God« with « fire-red hair »

Teresa’s Ecstasy


Grothendieck has revolutionized the notion of mathematical space, as Einstein did in physics. He invented a new geometry, in which « the arithmetic world and the world of continuous quantities are now one ».

To combine the discontinuous and the continuous, the numbers and the quantities, to make them unite intimately, Grothendieck conceived the metaphor of their « marriages ». This marriage of paper had to be followed by proper consumption, in order to ensure the generation of new mathematical beings.

« For the expected ‘brides’,’of numbers and greatness’, it was like a decidedly narrow bed, where only one of the future spouses (i.e., the bride) could at least find a place to nestle as best as they could, but never both at the same time! The « new principle » that remained to be found, to consume the marriage promised by favourable fairies, was also that this spacious « bed » that the future spouses were missing, without anyone having only noticed it until then. This « double bed » appeared (as if by a magic wand…) with the idea of topos. » i

Grothendieck, the greatest mathematical thinker of the 20th century, explained a revolutionary breakthrough using a matrimonial metaphor, and all that follows.

Indeed, the metaphor of « marriage » has always been used to translate difficult ideas into philosophical contexts.

Two thousand years ago, the Jewish philosopher Philo of Alexandria used this same metaphor to present the « mystery of the divine generation ». To translate the idea of « divine generation » into Greek, Philo uses the word τελετή (‘telete’).

This mystery is composed of three elements. There are the two initial « causes » of the generation and their final product.

The two causes are God and Wisdom (who is « the bride of God », – remaining « virgin »)ii.

Wisdom is Virginity itself. Philo relies on the authority of the prophet Isaiah, who affirms that God unites himself with Virginity in itself.iii

Philo specifies elsewhere: « God and Wisdom are the father and mother of the world ».iv

In the Christian tradition, there are similar metaphors, derived from Jewish ideas, but transposed into the « union » of Christ and the Church.

A 16th century Christian cabalist, Guillaume Postel, uses the metaphor of the love of the male and female to describe this union:

« For as there is love of the male to the female, by which she is bound, so there is love and bond of the female to the male by which she is bound. This is the mystery of the most wonderful secret of the Church’s authority over God and Heaven, as well as over God and Heaven on Church by which Jesus meant it: Whatever you bind on earth will be bound to Heaven. »v

Teresa of Avila, a contemporary of Guillaume Postel, speaks through experience of « perfect union with God, called spiritual marriage »:

« God and the soul are one, like crystal and the ray of sunlight that penetrates it, like coal and fire, like the light of the stars and the light of the sun (…) To give an idea of what it receives from God in this divine cellar of union, the soul is content to say these words (and I do not see that it could better say to express something of them):

From my Beloved I drank.

For as the wine that we drink spreads and penetrates into all the limbs and veins of the body, so this communication of God spreads to the whole soul (…) The Bride speaks of it in these terms in the book of Songs: ‘My soul has become liquefied as soon as the Bridegroom has spoken’. »vi

Therese of Avila speaks of the Bride « burning with the desire to finally reach the kiss of union with the Bridegroom », quoting the Song of Songs: « There you shall teach me ».

The Song of Songs has incestuous resonances:

« Oh, what a brother to me, breastfed in my mother’s womb! Meeting you outside, I could kiss you, without people despising me. I’ll drive you, I’ll introduce you to my mother’s house, you’ll teach me! I’ll make you drink a fragrant wine, my pomegranate liqueur. »vii

This spicy passage was strangely interpreted by S. François de Sales:

« And these are the tastes that will come, these are the ecstasies, these are the summits of the powers; so that the sacred wife asks for pillows to sleep. »viii

Metaphors! Metaphors! Where do you lead us to?

iRécoltes et Semailles, §2.13 Les topos — ou le lit à deux places

iiPhilo of Alexandria. De Cherubim

iii Is. 66, 6-9

iv De Ebrietate, 30

v Guillaume Postel (1510-1581). Interprétation du Candélabre de Moïse (Venise 1548).« Car comme il y a amour du masle à la femelle, par laquelle elle est liée, aussi y a-t-il amour et lien de la femelle au masle par lequel il est lyé. Cecy est le mistère du très merveilleux secret de l’authorité de l’Eglise sur Dieu et sur le Ciel, comme de Dieu et du Ciel sur icelle par lequel Jésus l’a voulu dire : Ce que vous lierez sur la terre sera lyé au Ciel. »

viTeresa of Avila (1515-1582). The Interior Castle

viiCt 8,1-2

viiiFrançois de Sales. Œuvres complètes. p. 706

“I nothing saw” (Dante)


One of the best French Kabbalah specialists is named “Secret”, Mr. François Secret. Proper names sometimes carry in them collective fates. François Secret wrote Le Zohar chez les Kabbalistes chrétiens de la Renaissance (1958), a book in which such romantic names as Bartholomeus Valverdius, Knorr de Rosenroth, Blaise de Vigenère, Alfonso de Zamora, Guy Le Fèvre de la Boderie, or Gilles de Viterbe, the famous Guillaume Postel, and of course Johannis Reuchlin and Pic de la Mirandole appear. These names appear like shooting stars in the night. We would like to follow their trajectories, engraved in the ink of long nights.

But Mr. Secret, so learned, reveals no secrets, one can regret it.

It encourages us to continue searching, at the sources, or among the apparently initiated.

One of the most famous books of Kabbalah is called, without excess of modesty, Siphra di Tsenniutha (The Book of Mystery). It begins as follows:

« The Mystery Book is the Book that describes the balance of the balance. For before there was balance, the Face did not look at the Face. »

Compact style. From the outset, we get into the subject. ‘Balance’. ‘Face’. ‘Look’.

What could be higher than the Face? What could be deeper than his gaze?

Verse 9 of the Siphra di Tsenniutha suggests the existence of a depth scale (the unknown, the occult, the occult in the occult): « The head that is not known (…) is the occult in the occult ».

Verse 12 specifies important, scattered details: « Her hair is like pure wool floating in the balanced balance ». Chapter 2 of the Mystery Book refers to a « beard of truth ». The « head that is not known » wears, we learn, « hair » and « beard ».

According to one commentary, the « truth beard » is « the ornament of everything ». From the ears, where it begins, « it forms a garment around the face ».

Truth clothes the Face.

There is this passage from Revelation: « His head, with its white hair, is like white wool, like snow, his eyes like a burning flame. »i

These materialistic images, beard, hair, wool, flame, are common to the Christian Apocalypse and the Jewish Kabbalah. They have been deemed relevant by our elders for the representation of the « Face » of God. Why?

The millennia have passed. A concrete image, even if unreal or misleading, is better than an empty abstraction. As a trope, it suggests openings, avenues, encourages criticism, stimulates research.

Kabbalah projects the surreptitious idea that all the symbolism with which it is steeped is not only symbolic. The symbol, in this context, is the very thing. Each word, each letter of the Text, is a kind of incarnation, literally literal. Metaphors and images also carry the burden of incarnation.

This is one of the most constant paradoxes of the fickle science of interpretation. The more concrete is the best symbol of the abstract.

The verbal alchemy of Kabbalah transmutes words, transforms them into an acute surface, with a bushy, burning aura, pulverizes them and disperses them in all directions, sparkling with opalescence.

Let us add this. The Law is supposed to be transparent, since it is intended to be understood and fulfilled. But the Law is also full of shadows, darkness. How can this paradox be explained?

Kabbalah explains the Law in its enlightened parts. But what remains obscure is the totality of its meaning, drowned in shadows, and its ultimate purpose is incomprehensible, inscrutable. The darkness of the Law is systemic. Kabbalah, verbose, confused, provides fewer answers than it forges infinite questions. It shows that the Law is irreducible, insubordinate to reason, to sight, to understanding.

The whole of the Law, its meaning, its end, cannot be grasped by biased, narrow minds. Through the centuries, the shadow, the hidden, the occult always appear again.

“O ye who have undistempered intellects,

Observe the doctrine that conceals itself

Beneath the veil of the mysterious verses!”ii

Song IX of Hell describes the 6th circle, where the heresiarchs and followers of sects are confined, who have not known how to understand or see the deployment of the Whole.

The researcher walks in the night. Surprised by a flash, the gaze discovers the magnitude of the landscape, an infinite number of obscure details. Immediately, this grandiose and precise spectacle disappears into the shadows. The lightning that reveals deprives the blind eye of its strength.

“Even as a sudden lightning that disperses

The visual spirits, so that it deprives

The eye of impress from the strongest objects,

Thus round about me flashed a living light,

And left me swathed around with such a veil

Of its effulgence, that I nothing saw”iii.

i Rev. 1,14

iiDante, Hell, IX, 61-63

iiiDante, Paradise, XXX

YHVH told Adonai: « Sit on my right »


Man does not speak. It is the word that « speaks ». Man is not the master, he is only the instrument.

« By whom is spoken the word that is said? The eye and the ear, what God splints them? For he is the ear of the ear, the mind of the mind, the word of the word and also the breath of the breath, the eye of the eye.  » – (Kena-Upanişad, 1, 1-2)

During the Vedic sacrifice, it is not the priest who speaks, despite the appearance, it is the God.

God is the spirit in the spirit, the breath in the breath.

God alone is truly « speaking word ». Brahman alone inhabits the words. Only he remains in all the cries, songs, psalmodies, throughout the sacrifice.

The idea of the God « Word » is not specific to the Vedas. It is found in other traditions.

The Bible, which appeared long after the Vedas, also presents a God who creates and makes people exist through his Word alone.

The Vedas and the Bible have a common vision. God is Word, and from this Word emanates a creative Word. From this creative Word is born (among others) Man, – speaking creature.

The Hebrew tradition proclaims the absolute oneness of God. But it also recognizes a second cause: a Word that is detached from God, that comes from his Mouth, and that acts in the world by its own power.

In support, the prophet Moses and the psalmist David.

Moses speaks explicitly of a Lord who splits himself, – or of two « Lords » who are both « YHVH », the first sending the second punishing men:  » Then the Lord rained upon Sodom and upon Gomorrah brimstone and fire from the Lord out of heaven;  » (Gen. 19:24)

The Hebrew text is as follows:

וַיהוָה, הִמְטִיר עַל-סְדֹם וְעַל-עֲמֹרָה–גָּפְרִית וָאֵשׁ:  מֵאֵת יְהוָה, מִן-הַשָּׁמָיִם

We note the repetition of the YHVH tetragram as an initial agent of the action ( וַיהוָה), and as an active partner (מֵאֵת יְהוָה). We also notice the use of the expression מֵאֵת יְהוָה, « from YHVH » which indicates a kind of detachment, of movement.

Literally: YHVH rains fire and brimstone, and YHVH himself comes « from » YHVH, who is in the « highest heaven ».

We find this divine duplication elsewhere. King David chanted:

« The Lord (YHVH) said to my Lord (Adonai): Seat on my right ».i

How can we understand that the Lord (Adonai) sits at the right hand of the Lord (YHVH)?

Isn’t YHVH also Adonai? What does the figure of the Lord (Adonai) « sitting at the right hand » of the Lord (YHVH) represent? Who is this Lord (Adonai), who also slaughters kings, does justice to the nations, and is « a priest forever according to the order of Melchizedek »?

David says again:

« By the word of YHVH the heavens were made, by the breath of his mouth, all their army. »ii

What does David mean by evoking the mouth of God, His breath and His word? Are God’s Mouth, Word and Breath « united » in divine oneness, or are they « distinct »? Or are they both united and distinct?

What specific action do Word and Breath have respectively on the world, what singular meanings do they have for man?

David offers a first answer. He presents the Word as an « envoy », healing those who need YHVH:

« He sent his Word, and he healed them. « iii

The divine Word, as presented in the Vedas, has an astonishing structural analogy, it seems, with the divine Word in the Bible.

Two great spiritual traditions, different in many other respects, very distant geographically and in time, come together to affirm that God speaks, that His Word is divine, and that It heals and saves men.

Yet, there is another unanswered question ;

The Word heals. But what does the Breath do?

iPs. 110 (109) -1

iiPs 33(32) -6

iiiPs 106(107)-20

A God hidden in the mud


« You really are a hidden God.  » (Is 45:15)

אָכֵן, אַתָּה אֵל מִסְתַּתֵּר

Vere tu es Deus absconditus.

Isaiah calls out to God by a simple « you », in Hebrew « attah ».

This « you » mocks the cynic, the incredulous. It testifies to the immediate proximity of what is revealed, the certainty of the idea.

But this « you » hides more than it reveals itself.

The adjective « hidden » is said mistatar in Hebrew. Esther of the Book of Esther, bears this name, she is « the hidden one » (מִסְתַּתמִסֵר mistatèr). These words come from the verb סַתָר « to hide, protect, shelter ». This word is often found in the Bible, with a wide range of possible meanings: to cover, conceal, eclipse, bury, wrap, bury, blotch, mask, shut in, shut up, hold, drag, veil.

In the substantive form, three main meanings emerge: 1) What is hidden, secret 2) Envelope, cover, veil 3) Protection, retirement, asylum.

It is revealing, I think, that the meaning of a word that means « veil » can have hidden depths, and refer to other words, just as deep, just as veiled.

The verb tsamtsem, related to the concept of tsimtsum, also means « to veil ».

The God who hides and veils himself is also the God who contracts Himself, and makes Himself silent. It is also the God of kenosis, the God who humbles Himself ( the word humble comes from Latin humus, earth, which also gave homo, man).

What is God hiding in His humiliation? What is He hiding in the humus, in the mud-made man?

Why are souls locked in earthly bodies?


« If the soul were not immortal, man would be the most unhappy of all creatures, » writes Marsile Ficin in his Platonic Theology of the Immortality of the Soul. In this treaty, which dates back to 1482, this argument is only mentioned in passing, as a matter of course. No need to insist, indeed: if one had absolute, irrefutable conviction, apodictic proof of the mortality of the soul, then the feeling of unhappiness of being nothing, the despair of a pitiful WTF, the assured evidence of the absurd, would invade the soul and suffocate it.

Questions about the origin and the end follow one another over the centuries, with strange resonances. There is no need for fine hearing or sharp eyesight. It is enough to visit the remains of sacred traditions, to connect them, and to place them side by side, to consider them together, with sympathy, in what they indicate in common, in what they reveal to be universal.

Marsile Ficin, a humanist and encyclopedic conscience, was interested in the beliefs of the Magi of Persia and Egyptian priests, the certainties of the Hebrew prophets, the visions of the Orphic, the truths of the Pythagorean and Platonician philosophers, the dogmas of the ancient Christian theologians and the revelations of the Brahmins of India.

Let’s look at the big picture, let’s breathe wide. The feeling of mystery is a stronger, more established, more significant anthropological constant than any of the truths hardly conquered by Gnostic and schizophrenic modernity. Among all peoples, the men most remarkable for their love of wisdom have devoted themselves to prayer, notes Porphyry.

For his part, Ficin, probably one of the remarkable men of his time, asked himself questions such as: « Why are souls locked in earthly bodies? »

Ficin proposes six answers to that question:

To be able to know the singular beings.

To unite the particular shapes with the universal shapes.

For the divine ray to be reflected in God.

To make the soul happier (the descent of the soul into the body contributes to the happiness of the soul itself).

For the powers of the soul to act.

So that the world may be embellished and God may be honored.

These answers can be summarized as follows: the soul unites what is a priori separate. The top and bottom. The world and the divine. The same and the other. It needs mediation, and it is itself mediation. It is in the process of becoming, it must increase, grow, mature, rise, to act, even if to do so it must first descend, to the point of becoming tiny like a germ again, remain for a very short time, decrease as much as possible, in order to observe better.

Why does such an infinite God bother with all these little supernumerary souls? Mystery, tsimtsum.

There are some leads, however, some indications, in the vast history of the world, that can be gleaned from the dismemberment of the body of Osiris, the Orphic hymns, the Book of the Dead, some verses from Homer, Virgil and Ovid, the fragments of Nag Hammadi, the cries and songs of the Vedas, the brevity of Heraclitus, the folds of Plato, the lengths of Kabbalah, the words of Christ, the figures of the shamans, – and in many other places…

A Jewish « Kenosis »


How could an Almighty God, creator of the worlds, let himself be put to death by his own creatures? Mystery. To designate this lowering, this humiliation, this annihilation of the divine, Christianity uses the word kenosis, from the Greek verb kenoô, « to empty oneself, to strip oneself, to annihilate oneself ». This word was first used by the Epistle of Paul to the Philippiansi.

But the idea of God’s death is much older. It can be found in the centuries preceding Christianity in quite different forms, it is true, for example among the Greeks with the death of Dionysus killed by the Titans, but also among the Egyptians with the murder of Osiris and his dismemberment by Seth, his own brother.

Among Jews, with the concept of tsimtsum (from the Hebrew צמצום, contraction), there is also this idea of a « God who empties himself ». It is a concept of late appearance since it is due to Isaac Louria in Ari Zal (Safed, 16th century), who uses it to explain a point of Kabbalah :

Before the creation of the worlds, God was everything, everywhere, and nothing was without Him. But when God decided to create the worlds, he had to give them a place so that they could be. God withdrew his original light, or qadoum. In the void thus created, called reshimou (« imprint », from the verb rashama, « write ») a light emanated from God, or néetsal. This emanated light constitutes the olam ha-Atziluth, the world of Emanation. Then are generated the olam haBeryah or world of Creation, the olam haYetzirah or world of Formation and the olam haAssiya or world of Action, – which contains our world. The light emanating from it therefore undergoes several contractions, compressions, or « dissimulations », which are all tsimtsum.

This word comes from the verb צָמַם tsamam, which has a wide spectrum of meaning: « to put an end to, exterminate, silence, annihilate, compress, contract, squeeze, veil, hide, observe closely, define exactly, certify », which is described in Marcus Jastrow’s Dictionary of Targumim Talmud and Midrashic Literature (1926). From this rich range, the word tsimtsum probably brings out the harmonics.

Here are some of them, taken from a Kabbalah lesson by Baruch Shalom Alevi Ashlag. The reason why the emanated Light cascades through the four created worlds, Atziluth, Beryah, Yatzirah and Assiya, is that the « desire to receive » must at each step be increased accordingly. For there can be no divine creation without an equally divine desire to « receive » this creation.

In the beginning, there is an abundance of Light created, emanating from the divine essence. Correlatively there must be an abundance of desire to receive this light. But this desire to receive cannot appear in the world ex nihilo. Desire is itself created. It is called Kli ְכְּלִי , a word whose primary meaning is: « thing done, thing made ». It is also called, less metaphorically, Guf (« the body »). The Kli must « receive », « lock », « hold » the light in him (as the root verb כָּלַא indicates).

Here, a little aside. The Kli can be said to be a piece of furniture, a vase, a garment, a suit, a ship, an instrument or a weapon. Here again, all the harmonics of these various senses can undoubtedly be applied to make the Kli resonate in its role as a receptacle of light, – in its role as a soul, therefore. Sander and Trenel’s dictionary says that Kli comes from the root verb כֶּלֶה (kalah), a close word to ֶכָּלַא (kala’), already mentioned. The verb kalah offers an interesting spectrum of meaning: to be made, completed, ready; to be resolved; to disappear, to miss, to be consumed, to perish, to languish; to finish; to consume, to exterminate.

Believing that words serve as a memorial to millenary experiences, I would think that all these meanings apply in one way or another to kli in its possible relationship with light.

Divine light, falling into the different worlds, spreads and at the same time contracts, folds, or veils itself, to let the desire to be received by the Kli grow, by this receptacle, this desire, this soul or this « body », this Kli which is at the root of the created creature. The Kli, who was previously part of the Light, must now distinguish himself from it in order to receive it better; he must separate himself from it in order to desire it better. He desires it as Or Hokhma (the Light of Wisdom) or Or Haya (the Light of Life), or Or Hassadim (the Light of Mercy). The Kli is therefore determined according to the degree of expansion of the Light and also according to its degree of exit from it.

Wise men commented on these questions as follows: « There is crying in inner dwellings ».

This means that when the Light arrives in the lower worlds, and it does not find a Kli wishing to receive it, it remains « interior », unrevealed, and then « there is crying ». But when she finds a Kli who desires her, she can reveal herself on the outside, and then « vigour and joy are in His place », and everything becomes visible.

i Ph. 2, 6-9 « Lui, de condition divine, ne retint pas jalousement le rang qui l’égalait à Dieu. Mais il s’anéantit (εκένωσεν) lui-même, prenant condition d’esclave, et devenant semblable aux hommes. S’étant comporté comme un homme, il s’humilia plus encore, obéissant jusqu’à la mort, et à la mort sur une croix !  Aussi Dieu l’a-t-il exalté et lui a-t-il donné le Nom qui est au-dessus de tout nom. »