Silent Fire

The “wryneck” is quite a strange bird. It has two fingers in front and two fingers in back, according to Aristotle. It makes little high-pitched screams. it is able to stick its tongue out for a long time, like snakes. It gets its name, « wryneck », from its ability to turn its neck without the rest of its body moving. It is also capable of making women and men fall in lovei.

But more importantly, the “wryneck” is a divine « messenger », according to the Chaldaic Oraclesii.

There are, admittedly, many other divine “messengers”, such as the Platonic « intermediaries » (metaxu) and « demons » (daimon). Among them, there is the « Fire », which is a metaphor for the « soul of the world ». All souls are connected to the Fire, because they originated from it: « The human soul, spark of the original Fire, descends by an act of her will the degrees of the scale of beings, and comes down to lock herself in the jail of a body.» iii

How does this descent take place? It is an old “oriental” belief that souls, during their descent from the original Fire, clothe themselves with successive ‘veils’, representing the intermediate planes they have to cross through.

Every incarnating soul is in reality a fallen god. The soul strives to come out of the oblivion into which she has fallen. She must leave the « flock », subjected to an unbearable, heavy, somber fate, in order « to avoid the brazen wing of the fatal destiny »iv. To do this, she must succeed in uttering a certain word, in memory of her origin.

These « chaldaic » ideas have greatly influenced thinkers like Porphyry, Jamblicus, Syrianus and Proclus, inciting them to describe the « rise of the soul », ἀναγωγη, thus replacing the more static concepts of Greek philosophy, still used by Plotinus, and opening the possibility of theurgy, the possibility for the soul to act upon the divine.

Theurgy is « a religious system that brings us into contact with the gods, not only by the pure elevation of our intellect to the divine Noos, but by means of concrete rites and material objects »v.

Chaldaic theurgy is full of signs, expressing the unspeakable, in ineffable symbols. « The sacred names of the gods and other divine symbols raise to the gods.”vi Chaldaic prayer is effective, because « hieratic supplications are the symbols of the gods themselves »vii, wrote Edouard des Places.

“Angels of ascension” make souls rise towards them. They remove the souls from the « bonds that bind them », that is, from the vengeful nature of demons, and from the trials human souls suffer: « Let the immortal depth of the soul be opened, and dilate all your eyes well above! ».viii

Many challenges await those undertaking the spiritual ascension. The Divine is beyond the intelligible, entirely unthinkable and inexpressible, and better honored by silence.

It’s worth noting that, in Vedic ceremonies, silence plays a structurally equivalent role in approaching the mysteries of the Divine. Next to the priests who operate the Vedic sacrifice, there are priests who recite the divine hymns, others who chant them and yet others who sing them. Watching over the whole, there is another priest, the highest in the hierarchy, who stands still and remains silent throughout the ceremony.

Hymns, psalms, songs, must yield to silence itself, in the Chaldaic religion as in the Vedic religion.

The other common point in these two cults is the primary importance of Fire.

The two traditions, which are so far apart, transmit a light from a very old and deep night. They both refer to the power of the original Fire, and contrast it with the weakness of the flame that man has been given to live by:

« [Fire] is the force of a luminous sword that shines with spiritual sharp edges. It is therefore not necessary to conceive this Spirit with vehemence, but by the subtle flame of a subtle intellect, which measures all things, except this Intelligible Itself. » ix

iIn his 4th Pythic, Pindar sang Jason’s exploits in search of the Golden Fleece. Jason faces a thousand difficulties. Fortunately, the goddess Aphrodite decided to help him, by making Medea in love with him, through a bird, the “wryneck”. In Greek, this bird is called ἴϋγξ, transcribed as « iynge ». « Then the goddess with sharp arrows, Cyprine, having attached a wryneck with a thousand colours to the four spokes of an unshakeable wheel, brought from Olympus to mortals this bird of delirium, and taught the wise son of Eson prayers and enchantments, so that Medea might lose all respect for her family, and the love of Greece might stir this heart in fire under the whip of Pitho.» The magic works. The « bird of delirium » fills Medea with love for Jason. “Both agree to unite in the sweet bonds of marriage”.(Pindar, 4rth Pythic)

iiChaldaic Oracles, Fragment 78

iiiF. Cumont. Lux perpetua (1949)

ivChaldaic Oracles, Fragment 109

v A. Festugière. Révélation (1953)

viCf. Édouard des Places, dans son introduction à sa traduction des Oracles chaldaïques (1971). (Synésius de Cyrène (370-413) énonce un certain nombre de ces noms efficaces. Άνθος est la « fleur de l’Esprit », Βένθος est le « profond », Κολπος est le « Sein ineffable » (de Dieu), Σπινθήρ est « l’Étincelle de l’âme, formée de l’Esprit et du Vouloir divins, puis du chaste Amour » : « Je porte en moi un germe venu de Toi, une étincelle de noble intelligence, qui s’est enfoncée dans les profondeurs de la matière. » Ταναός est la « flamme de l’esprit tendué à l’extrême », et Τομή est « la coupure, la division », par laquelle se produit « l’éclat du Premier Esprit qui blesse les yeux ».Proclus s’empara de ces thèmes nouveaux pour éveiller la « fleur », la « fine pointe de l’âme ».)

viiÉdouard des Places, Introduction. Oracles chaldaïques (1971)

viiiChaldaic Oracles, fragment 112

ix Chaldaic Oracles, fragment 1.

Artificial Intelligence and Resurrection

In the 2nd century AD, the Roman Empire was at its height and dominated much of the ancient world. On the religious level, the era was one of syncretism. For its part, the nascent Christianity began to spread around the Mediterranean and reached Carthage. But it already has a lot to struggle with the Gnostic sects and other various heresies.

It was better not to mix religion and politics. The Empire did not tolerate claims of autonomy or religions that could encourage them.

The second Judeo-Roman war (132-135), triggered by Bar-Kokhba, ended with the expulsion of Jews from Judea. Jerusalem was razed to the ground by Hadrian, and a new city was built on its ruins, Ælia Capitolina.

Judea was renamed and called Palestine, from the word « Philistine » referring to one of the indigenous peoples, which is quoted in the Bible (Gen. 21:32; Gen. 26:8; Ex. 13:17).

Emperor Hadrian died three years after the fall of Jerusalem in 138, and these verses, of which he is the author, were written on his grave:

« Animula vagula blandula
Hospes comesque corporis
Quæ nunc abibis in loca
Pallidula rigida nudula
Nec ut soles dabis iocos ».

Which can be translated as follows:

« Little soul, little vague, all cuddly,

hostess and companion of my body,

you who are now going to places

livid, icy, naked,

you won’t make your usual jokes anymore. »

Around the same time, Apuleius, a writer and Roman citizen of Berber origin, born in 123 in Madauros, Numidia (now Algeria), came to complete his studies in Carthage. Apuleius was to become a famous speaker and novelist. His neoplatonism led him to believe that direct contact between gods and men was impossible, and that there had to be « intermediate » beings to allow exchanges between them.

To dramatize the question of contact between the divine and the human, Apuleius detailed the loving, direct and fusional relationship of the god Eros (divine love) and the princess Psyche (human soul), in a passage from his famous Metamorphoses. This meeting of Eros and Psyche received an extraordinary welcome and entered the pantheon of world literature. Since then, it has been the subject of countless repetitions by artists of all time.

But Metamorphoses is also a novel, picaresque, erotic and metaphysical, with a good layer of second and third degrees. There are several levels of intertwined reading and comprehension, which have ensured its modernity for almost two millennia.

The end of the novel focuses on the story of Lucius’ initiation into the mysteries of Isis, carried out at his request (and at great expense) by the high priest Mithras. Lucius can reveal nothing of the mysteries of initiation, of course.

The only concession to the curiosity of profane intelligence, Apuleius places in Lucius’s mouth a few cryptic verses, just before the hero walks into the sacred building, dressed in twelve priestly robes, in order to be presented to the crowd as « the statue of the sun ».

Lucius said then:

« I touched the edge of death, after crossing the threshold of Proserpine, I was carried through all the elements, and I came back. »

For sure, it seems like it was a descent into the underworld, a real one.

The descent into Hades was the ultimate adventure of the initiate. There had already been in the literature some prestigious predecessors, such as Orpheus, or in another order of reference, less literary and certainly less known in the Greek-Roman world, such as the descent of Jesus into Hell.

The time was fond of travelling to the land of the dead. At the same time, around 170, under Marcus Aurelius, a curious text appeared, the Chaldaic Oracles, presenting itself as a theurgic text, with a much more serious tone:

« Do not lean down towards the world of dark reflections; it is underpinned by an eternal, shapeless, dark, sordid, ghostly, devoid of Intellect, full of precipices and tortuous paths, constantly rolling a mutilated depth »i.

Nineteen centuries later, where are we now? Should we look at the depths or should we not talk at all about them?

The main religions of the moment offer a confusing picture of the problem, and seem to have little ability to formulate a solution.

But popular culture remains fascinated by the issue. In Battlestar Galactica, Humans are in total war against the Cylons, revolted robots that have evolved rapidly, reproducing in particular in the form of clones with a biological body, similar in appearance to that of human beings.

Humans are adepts of a polytheistic religion. They pray to the « gods of Kobol » and wander through space in search of a mythical planet called Earth, of which no one knows exactly if it exists or where it is located. They are guided by their President, who has visions, and who already knows that she will die without seeing the Promised Land. They are mercilessly pursued by the Cylons who have already exterminated almost the entire human race.

The Cylon robots profess, with great energy, their faith in a single god, whom they call « God ». The Cylons are very intelligent. They are not afraid to die, because they say (to the Humans who threaten them), that if their bodies are destroyed, then their minds will be « downloaded » into this « God ».

However, there is a problem. Intergalactic communications can be very weak in the event of a crisis. What happens to the spirit of a Cylon being downloaded, wandering through space without being picked up by a communication relay?

Battlestar Galactica. The Chaldaic Oracles. The Gospel of Jesus. The Metamorphoses of Apuleius. Hadrian’s epitaph.

There are those who wander endlessly in the icy night (Hadrian, the Chaldaic Oracles). And those who, after descending into Hell, return from the kingdom of the dead (Orpheus, Lucius, Jesus).

Between these two options, Battlestar Galactica‘s Cylons, these very intelligent and religious robots, have resolutely chosen the most promising one.

The transhumanist movement promotes similar ideas. The downloading of memory and consciousness is for tomorrow, says Ray Kurzweil.

Let’s do some science fiction. Imagine that ubiquitous networks and memory silos, supported by futuristic artificial intelligence techniques, will one day record and process all the thoughts and actions of all humans, from birth to death.

Then future generations would have at their disposal a kind of constantly evolving memory of humanity as a whole. And from this interactive memorial, from this human mine, they could permanently extract pearls of wisdom, sweet madness, unfulfilled dreams and fantastic projects.

Perhaps they would even come to consider this living memory as a kind of divine incarnation.

We would plunge into it, as Lucius once explored the ends of death, in order to live a new life.

iOracles Chaldaïques. Fr. 163 (tr. fr. E. des Places, Belles Lettres, 1996, p. 106).