Swan Songs

Pherecyde of Syros, the uncle and tutor of Pythagoras, active in the 6th century B.C., was the first to affirm that the souls of men are eternal, according to Ciceroi . However I presume that he must have been preceded by many shamans of ancient times, for whom eternity of souls was obvious, because they had personally experienced that human souls can travel between worlds, those of the living and those of the dead, under certain conditions.

Pherecyde wrote of a dead hero: « His soul was sometimes in Hades and sometimes in the places above the earth »ii . Did he have first-hand experience of these strange phenomena? Or was he just repeating stories he had heard from elsewhere ?

According to Suidas, Pherecyde had been influenced by the secret cults of Phoenicia. Many other Greeks, for their part, fell under the spell of the Chaldean rites, as reported by Diodorus of Sicily, or those of Ethiopia, described by Diogenes Laertius, or were fascinated by the depth of the ancient traditions of Egypt, reported by Herodotus with great detail. Many peoples have cultivated religious mysteries. The Magi of Persia loved the dark caves for their sacred celebrations; the Hebrews practiced the mysteries of the Kabbalah, probably long before their late medieval development; Caesar, in his Gallic Wars, describes those of the Druids.

Benjamin Constant devotes part of his book on « Religion, considered in its source, its forms and its development », to this transnational, multicultural, and several thousand year old phenomenon. « The mysteries of Eleusis were brought by Eumolpe, from Egypt or Thrace. Those of Samothrace, which served as a model for almost all those of Greece, were founded by an Egyptian Amazon (Diodorus of Sicily 3.55). The daughters of Danaus established the Thesmophoria (Herodotus 2:171; 4:172) and the Dionysians were taught to the Greeks by Phoenicians (Herodotus 2:49) or Lydians (Euripides, The Bacchaeans, 460-490). The mysteries of Adonis penetrated from Assyria through the island of Cyprus into the Peloponnese. The dance of the Athenian women to the Thesmophoria was not a Greek dance (Pollux, Onomast. 4) and the name of the Sabarian rites brings us back to Phrygia.» iii

Benjamin Constant notes that the names Ceres and Proserpine in the language of the Cabirs are identical to those of the Queen of the Underworld and her daughter among the Indians, Ceres deriving from Axieros and Asyoruca, and Proserpine from Axiocersa and Asyotursha. He quotes Creutzer who asserts, in his Mithraics (III,486), that the formulas with which the Greek initiates were consecrated (« Konx, Om, Pax ») are in reality Sanskrit words. Konx (κονξ) comes from Kansha (the object of desire), Om is the famous Vedic monosyllable, and Pax (παξ) comes from Pasha (Fortune).

Other similarities are worth noting, such as the role of the (stylized) representation of the sexual organs in Vedic and Greek cults. Constant indicates that the Pelagi in Samothrace worshipped the phallus, as reported by Herodotusiv, and that in the Thesmophoria a representation of the cteisv was staged. The Dionysian Canephores, young virgins chosen from the best families, carried the sacred phallus on their heads in baskets and brought it close to the lips of the candidates for initiation. »vi It was through the Lernéan mysteries that were celebrated in Argolide in honor of Bacchus, that the practice of planting phallus on the tombs was introduced »vii, symbols of genetic power, but also of the immortality of the soul and metempsychosis. Cicero speaks of the infamy of the Sabarian mysteriesviii, Ovid and Juvenal describe the obscene ceremonies of the feasts of Adonisix. Tertullian condemns: « What the mysteries of Eleusis have of more holy, what is carefully hidden, what one is admitted to know only very late, it is the simulacrum of the Phallus. » x

Eusebius of Caesarea is also interested in these ancient orgies and quotes Clement of Alexandria, a well-informed source, who does not hide his indignation: « Do you want to see the orgies of the Corybantes? You will see only assassinations, tombs, laments of priests, the natural parts of Bacchus with his throat cut, carried in a box and presented for adoration. But don’t be surprised if the barbaric Tuscans have such a shameful cult. What shall I say of the Athenians and the other Greeks, with their mysteries of Demeter? »» xi.

Both sexes are publicly displayed in the sacred cults of the Dioscuri in Samothrace and Bacchus in the Dionysies. It is a « feast of raw flesh, » the interpretation of which can vary considerably. One may decide to see it as a simple allusion to the wine harvest: the torn body of Bacchus is the body of the grape pulled from the vine and crushed under the press. Ceres is the Earth, the Titans are the grape-pickers, Rhea gathers the members of the God torn to pieces, who is incarnated in the wine made from the juice of the grapes.

But the metaphor can be completely overturned, and one can read in it the profound message of a theophany of God’s death and sacrifice, of his dismembered body shared in communion, in a strange prefiguration of Christ’s death, and then of the communion of his flesh and blood by his faithful, even today, at the crucial moment of the Mass.

Always in a kind of pagan prefiguration of Christian beliefs, more than half a millennium ahead of time, we witness the death and resurrection of God: Attys, Adonis, Bacchus and Cadmille die and rise again, following the example of Osiris and Zagreus, avatar of the mystic Dionysus.

We can see that the mystery religions of the Greeks owe almost everything to much older cults, coming from Egypt, Phoenicia, Chaldea, Mesopotamia, and further east still.

This raises a question which is not without merit: to what extent was Christian worship, which appeared some seven or eight centuries later, influenced by those ancient pagan cults revering a God who died in sacrifice for men, and whose body and blood are shared in communion by them? « The Logos as son of God and mediator is clearly designated in all the mysteries. » Benjamin Constant affirms in this regard. xii

The protagonists of the initiation ceremonies, composed of many degrees, certainly did not ask themselves such questions at the time. The initiates to the small mysteries (μύσται, the « mystes ») remained confined to the vestibules of the temples, only the initiates to the great mysteries (ἐπόπται, the « epoptes », a name that later applied to Christian « bishops ») could enter the sanctuary.

But what was their motivation? What was this secret that was so difficult to obtain? What justified to stoically endure eighty degrees of trials (hunger, whip, stay in the mud, in the ice water, and other torments…) to be initiated, for example, to the mysteries of Mithra?

What is certain is that these systems of initiation were subversive, they ruined the bases of the established order, of public religions, making too many gods proliferate, too visible. Part of this last revelation, which it took so long to discover, was the idea of the non-existence of these Homeric gods, popular, multiplied, covering the peristyles of the cities, encouraged by the government of the plebeians. The radical negation of the existence of the national gods, was part of the truths finally revealed to only a very small number of chosen ones.

« The secret did not lie in traditions, fables, allegories, opinions, or the substitution of a purer doctrine: all these things were known. What was secret, then, was not the things that were revealed, but that these things were thus revealed, that they were revealed as the dogmas and practices of an occult religion, that they were revealed gradually. » xiii

The initiation was, well before the time of the modern Enlightenment, a conditioning, a training of the mind, an asceticism of the soul, an exercise in radical doubt, an absolute « mise en abîme ». It was a revelation of the inanity of all revelation. At the end of this long journey, there were no other established doctrines than the absence of any doctrine, only an absolute negation of all known assertions, those which the uneducated people were being fed with. There were no more dogmas, but only signs of recognition, symbols, rallying words that allowed the initiated to allusively share the feeling of their election to penetrate the ultimate ends.

But what were these? If we had to free ourselves from all known gods and dogmas, what was left to believe?

That men go to heaven, and that the Gods have gone to earth.

Cicero testifies to this, in an exchange with an initiate: « In a word, and to avoid a longer detail, was it not men who populated the heaven? If I were to delve into antiquity, and take it upon myself to delve deeper into the stories of the Greeks, we would find that even those of the Gods, who are given the first rank, lived on earth, before going to heaven. Find out which of these Gods, whose tombs are shown in Greece. Since you are initiated into the mysteries, remember the traditions. » xiv

Cicero encourages us to recognize that the greatest of mysteries is that of our soul, and that the most sacred sanctuary is therefore not so inaccessible, since it is so close, though buried in the depths of our intimacy, in the center of our very soul.

« And truly there is nothing so great as to see with the eyes of the soul, the soul itself. This is the meaning of the oracle, which wants everyone to know each other. No doubt Apollo did not pretend to tell us to know our body, our size, our figure. For he who speaks of us does not speak of our body; and when I speak to you, it is not to your body that I speak. When therefore the oracle says to us, ‘Know thyself,’ he hears, ‘Know thy soul. Your body is, so to speak, only the vessel, only the home of your soul. » xv

Cicero, at the peak of his art, is modest. He knows that he owes everything he believes to Plato. This can be summed up in a few incisive phrases, in precise, surgical logic: « The soul feels that she is moving: she feels that she is not dependent on a foreign cause, but that she is by herself, and by her own virtue; it can never happen that she misses herself, so she is immortal.» xvi

If one finds the elliptic reasoning, one can read the more elaborate version, as developed by Plato in the Phaedra, as cited by Cicero in his Tusculanes:

« A being that always moves, will always exist. But he who gives movement to another, and who receives it himself from another, necessarily ceases to exist, when he loses his movement. There is therefore only the being moved by his own virtue, who never loses his movement, because he never misses himself. And moreover he is for all other things that have movement, the source and principle of the movement they have. Now, who says principle, says what has no origin. For it is from the principle that everything comes, and the principle cannot come from anything else. It would not be a principle if it came from elsewhere. And since it has no origin, it will therefore have no end. For, being destroyed, it could neither be itself reproduced by another principle, nor produce another, since a principle presupposes nothing anterior. Thus the principle of movement is in the being moved by its own virtue. A principle that can be neither produced nor destroyed. Otherwise it is necessary that heaven and earth be turned upside down, and that they fall into eternal rest, without ever being able to recover a force, which, as before, makes them move. It is obvious, therefore, that that which is moved by its own virtue, will always exist. And can it be denied that the ability to move in this way is not an attribute of the soul? For everything that is moved only by a foreign cause is inanimate. But that which is animated is moved by its own virtue, by its inner action. Such is the nature of the soul, such is its property. Therefore, the soul being, of all that exists, the only thing that always moves itself, let us conclude from this that it is not born, and that it will never die ». xvii

Are we satisfied enough? Do we need more? We are still far from the Gods, or perhaps much closer than we think. « Immortality, wisdom, intelligence, memory. Since our soul gathers these perfections, it is therefore divine, as I say. Or even a God, as Euripides dared to say. » xviii

The soul is a sun. Cicero reports these last words of Socrates, a few moments before drinking the hemlock: « The whole life of philosophers is a continual meditation of death ». This was his swan song. The swans, by the way, were dedicated to Apollo, because they seem to hold from him the art of knowing the future. Foreseeing the benefits of following death, the swans die voluptuously, while singing. Likewise Socrates, who took the time to recall this metaphor in front of his assembled disciples, sang an unforgettable song, and pondered his ultimate doubt, in the face of imminent death, with the smile of a wise man: « When one looks too fixedly at the setting sun. One comes to see no more. And in the same way, when our soul looks at herself, her intelligence sometimes becomes blurred, so that our thoughts become blurred. We no longer know what to fix ourselves on, we fall from one doubt to another, and our reasoning has as little consistency as a ship beaten by the waves. »

This very doubt, this blindness, this ultimate blurring, when we approach revelation, comes only from the too great strength of this inner sun, which the weak eyes of the mind cannot bear.

To detach the mind from the body is to learn how to die. Let us separate ourselves from our bodies by the power of the soul, and thus become accustomed to dying. By this means, our life will already hold a heavenly life, and we will be better prepared to take off when our chains break.


i« According to the written documents, Pherecyde of Syros was the first to have said that the souls of men are eternal. « Cicero, Tusculanes, I, 16, 38.

iiPherecyde of Syros, fragment B 22, trans. G. Colli, La sagesse grecque, t. 2, p. 103: scholies of Apollonius of Rhodes, I, 643-648.

iiiBenjamin Constant. Of religion considered in its source, its forms and its developments. 1831. Book 13, ch.12

ivHerodotus, Story 2:51: « The Greeks, then, hold these and many other rites among the Egyptians, of which I will speak later; but it is not according to these peoples that they give the statues of Mercury an indecent attitude. The Athenians were the first to take this custom from the Pelasians; the rest of Greece followed their example. The Pelasges remained in fact in the same canton as the Athenians, who, from that time, were among the Hellenes; and it is for this reason that they then began to be reputed as Hellenes themselves. Whoever is initiated into the mysteries of the Cabires, which the Samothracians celebrate, understands what I am saying; for these Pelasges who came to dwell with the Athenians used to inhabit Samothrace, and it is from them that the peoples of this island took their mysteries. The Athenians are thus the first of the Hellenes who learned from the Pelagiuses to make statues of Mercury in the state we have just represented. The Pelasges give a sacred reason for this, which is explained in the mysteries of Samothrace. « Pierre-Henri Larcher. Paris, Lefevre and Charpentier 1842.

vSee Theodoret, Serm. 7 and 12. The cteis is a Greek word which literally means « tooth comb » but which also figuratively designates the pubis of the woman, and also means « cup, chalice ».

viTheodoret, Therapeut. Disput. 1, cited by B. Constant in op.cit. Book 13, ch.2

viiB. Constant in op.cit. Book 13, ch.2

viiiCicero, De Nat. Deo III,13

ixOvid, De Art. Amand. I, 75. Juvenal Sat. VI. In op.cit

xTertullian. Ad. Valent.

xiQuoted by B. Constant in op.cit. Book 13, ch.2

xiiB. Constant in op.cit. Book 13, ch.6

xiiiB. Constant in op.cit. Book 13, ch.8

xivCicero. Tusculans I, 12-13

xvCicero. Tusculans I, 22

xviCicero. Tusculans I, 23

xviiCicero. Tusculans I, 23

xviiiCicero. Tusculans I, 26

Religion and plagiarism

Plagiarized Godhead©Philippe Quéau 2018

The word “plagiarism originally meant « the act of selling or buying a free person as a slave ». The word comes from the Latin plagiarius or plagiator, « thief of man ». This meaning is unused today. The word is now only used in a literary, artistic or scientific context. Plagiarism is the act of appropriating someone else’s ideas or words by passing them off as one’s own.

The Latin plagiator and plagiarists have one thing in common, and that is that they attack the very being of man. To steal a man’s ideas is to steal him as a being, to steal his substance.

« Plagiarising » means enslaving a man’s thought, putting it under the control of another man, making it a « slave ».

A Palestinian bishop, Eusebius of Caesarea (265-339), recognised as the « Father of the Church », brought a severe charge against the many plagiarisms and borrowings made by the Greeks at the expense of the many peoples who had preceded them in the history (of ideas).

Eusebius’ intention was apologetic. It was intended to diminish the prestige of Greek philosophy at a time when the development of the Christian religion needed to be reinforced.

« The Greeks took from the Barbarians the belief in multiple gods, mysteries, initiations, and furthermore the historical relations and mythical accounts of the gods, the allegorising physiologies of the myths and all idolatrous error ».i

Pillage is permanent, universal. The Greeks steal from everyone and steal from each other.

« The Greeks monopolised Hebrew opinions and plundered the rest of the sciences from the Egyptians and Chaldeans as well as from the other barbarian nations, and now they are caught stealing each other’s reputation as writers. Each of them, for example, stole from his neighbor passions, ideas, entire developments and adorned himself with them as his own personal labor.”ii

Eusebius quotes the testimony of Clement of Alexandria: « We have proved that the manifestation of Greek thought has been illuminated by the truth given to us by the Scriptures (…) and that the flight of truth has passed to them; well! Let us set the Greeks against each other as witnesses to this theft.»iii

The most prestigious names in Greek thought are put on the pillory of dishonor.

Clement of Alexandria quotes « the expressions of Orpheus, Heraclitus, Plato, Pythagoras, Herodotus, Theopompus, Thucydides, Demosthenes, Eschina, Lysias, Isocrates and a hundred others that it would be superfluous to enumerate.”iv

Porphyrus, too, accuses Plato of being a plagiarist in his Protagoras.

The accusation is clear, precise and devastating. « All the famous philosophical culture of the Greeks, their first sciences, their proud logic were borrowed by them from the Barbarians.”v

The famous Pythagoras himself went to Babylon, Egypt and Persia. He learned everything from the Magi and the priests. He even went to learn from the Brahmins of India, it is said. From some he was able to learn astrology, from others geometry and from others arithmetic and music.vi

Even the Greek alphabet was invented in Phoenicia, and was introduced to Greece by Cadmos, a Phoenician by birth.

As for Orpheus, he borrowed from the Egyptians his rites, his « initiations into the mysteries », and his « affabulations » about Hades. The cult of Dionysus is entirely modelled on that of Osiris, and the cult of Demeter on that of Isis. The figure of Hermes Psychopompe, the conductor of the dead, is obviously inspired by Egyptian myths.

It must be concluded, says Eusebius, that Hebrew theology must be preferred to the philosophy of the Greeks, which must be given second place, since it is nothing but a bunch of plagiarism.

The Greek gods form a cohort of second-hand gods, of eclectic borrowings, from Egypt to Mesopotamia and from India to Persia. Moses predates the capture of Troy and thus precedes the appearance of the majority of the gods of the Greeks and their sages.

Eusebius aims to magnify the Hebrew heritage by completely discrediting « Greek wisdom » and the pantheon of its imported gods.

So, Greek thought, — a plagiary thought?

First of all, the ideas of the Persian magi, the Egyptian priests and the Brahmins of India were not copied as such. Pythagoras or Plato digested them, transformed, even transmuted them into something entirely original.

Greek thought also added a level of freedom of thought by copying, augmenting, criticizing.

Then the so- called « Greek loans » represent a very long chain, which goes back to the dawn of time. And everyone was doing that. It is not at all certain, for example, that Moses himself was entirely free of plagiarism. Raised at the court of Pharaoh Amosis, – according to Tatian and Clement of Alexandria, it is very likely that Moses benefited from many Egyptian ideas about the hidden God (Ammon) and the one God (Aten).

Ammon, the ‘hidden’ God, had been worshipped in Egypt for more than two millennia before Moses. As for the « one » God Aten, he was celebrated by Amenophis IV, who took the name of Akhenaten in his honour several centuries before the Exodus. Several religious rites established by Moses seem to have been copied from the Egyptian rites, by means of a deliberate « inversion », taking the direct opposite side, which is, it is true, an original form of plagiarism. Thus the biblical sacrifice of sheep or cattle was instituted by Moses, as it were, as a reaction against the Egyptian cult which banned precisely blood sacrifices. It is not by chance that Moses had adopted as a « sacred » rite what seemed most « sacrilegious » to the Egyptians — since they accorded the bull Apis the status of a sacred, and even « divine » figure, and for whom it was therefore out of the question to slaughter cows, oxen or bulls on altars.

It is interesting to recall that this prohibition of bloody sacrifices had also been respected for several millennia by the Vedic cult in the Indus basin.

What can we conclude from this? That the essential ideas circulate, either in their positive expressions, or by provoking negative reactions, direct opposition.

As far as ideas are concerned, let us say provocatively, nothing is more profitable than plagiarism, in the long term. And as far as religion is concerned, the more we plagiarize, the closer we come, in fact, to a common awareness, and to a larval consensus, but one can hope for a slowly growing one, on the most difficult subjects.

World religion began more than 800,000 or a million years ago, as evidenced by the traces of religious activity found at Chou Kou Tien, near Beijing, which show that Homo sapiens already had an idea of the afterlife, of life after death, and therefore of the divine.

Moses and Plato are milestones in the long history of world religion. The shamans who officiated 40,000 years ago in the cave of Pont d’Arc, those who later took over in Altamira or Lascaux, were already human in the full sense of the word.

From the depths of the centuries, they have been announcing the coming of the prophets of the future, who will emerge, it is obvious, in the heart of an overpopulated planet, threatened by madness, death and despair.

iEusebius of Caesarea. Praeparatio Evangelica, X, 1,3

iiIbid. X, 1,7-8

iiiIbid. X,2,1

ivIbid. X,2,6

vIbid. X,2,6

viIbid. X,4,15

The Egyptian Messiah

Human chains transmit knowledge acquired beyond the ages. From one to the other, you always go up higher, as far as possible, like the salmon in the stream.

Thanks to Clement of Alexandria, in the 2nd century, twenty-two fragments of Heraclitus (fragments 14 to 36 according to the numbering of Diels-Kranz) were saved from oblivion, out of a total of one hundred and thirty-eight.

« Rangers in the night, the Magi, the priests of Bakkhos, the priestesses of the presses, the traffickers of mysteries practiced among men.  » (Fragment 14)

A few words, and a world appears.

At night, magic, bacchae, lenes, mysts, and of course the god Bakkhos.

The Fragment 15 describes one of these mysterious and nocturnal ceremonies: « For if it were not in honour of Dionysus that they processioned and sang the shameful phallic anthem, they would act in the most blatant way. But it’s the same one, Hades or Dionysus, for whom we’re crazy or delirious.»

Heraclitus seems reserved about bacchic delusions and orgiastic tributes to the phallus.

He sees a link between madness, delirium, Hades and Dionysus.

Bacchus is associated with drunkenness. We remember the rubicond Bacchus, bombing under the vine.

Bacchus, the Latin name of the Greek god Bakkhos, is also Dionysus, whom Heraclitus likens to Hades, God of the Infernos, God of the Dead.

Dionysus was also closely associated with Osiris, according to Herodotus in the 5th century BC. Plutarch went to study the question on the spot, 600 years later, and reported that the Egyptian priests gave the Nile the name of Osiris, and the sea the name of Typhon. Osiris is the principle of the wet, of generation, which is compatible with the phallic cult. Typhoon is the principle of dry and hot, and by metonymy of the desert and the sea. And Typhon is also the other name of Seth, Osiris’ murdering brother, whom he cut into pieces.

We see here that the names of the gods circulate between distant spheres of meaning.

This implies that they can also be interpreted as the denominations of abstract concepts.

Plutarch, who cites in his book Isis and Osiris references from an even more oriental horizon, such as Zoroaster, Ormuzd, Ariman or Mitra, testifies to this mechanism of anagogical abstraction, which the ancient Avestic and Vedic religions practiced abundantly.

Zoroaster had been the initiator. In Zoroastrianism, the names of the gods embody ideas, abstractions. The Greeks were the students of the Chaldeans and the ancient Persians. Plutarch condenses several centuries of Greek thought, in a way that evokes Zoroastrian pairs of principles: « Anaxagoras calls Intelligence the principle of good, and that of evil, Infinite. Aristotle names the first the form, and the other the deprivationi. Plato, who often expresses himself as if in an enveloped and veiled manner, gives to these two contrary principles, to one the name of « always the same » and to the other, that of « sometimes one, sometimes the other ». »ii

Plutarch is not fooled by Greek, Egyptian or Persian myths. He knows that they cover abstract, and perhaps more universal, truths. But he had to be content with allusions of this kind: « In their sacred hymns in honour of Osiris, the Egyptians mentioned « He who hides in the arms of the Sun ». »

As for Typhon, a deicide and fratricide, Hermes emasculated him, and took his nerves to make them the strings of his lyre. Myth or abstraction?

Plutarch uses the etymology (real or imagined) as an ancient method to convey his ideas: « As for the name Osiris, it comes from the association of two words: ὄσιοϛ, holy and ἱερός, sacred. There is indeed a common relationship between the things in Heaven and those in Hades. The elders called them saints first, and sacred the second. »iii

Osiris, in his very name, osios-hieros, unites Heaven and Hell, he combines the holy and the sacred.

The sacred is what is separated.

The saint is what unites us.

Osiris joint separated him to what is united.

Osiris, victor of death, unites the most separated worlds there are. It represents the figure of the Savior, – in Hebrew the « Messiah ».

Taking into account the anteriority, the Hebrew Messiah and the Christian Christ are late figures of Osiris.

Osiris, a Christic metaphor, by anticipation? Or Christ, a distant Osirian reminiscence?

Or a joint participation in a common fund, an immemorial one?

This is a Mystery.

iAristotle, Metaph. 1,5 ; 1,7-8

iiPlato Timaeus 35a

iiiPlutarch, Isis and Osiris.

Devouring the dead God


Orpheus, who went down to the underworld, has an amazing resumé. He invented poetry, which is no small thing. He called Apollo « the living eye of Heaven », and « the one who shapes everything in the world ». He also saw with his own eyes the primordial Chaos dominated by Love.

The main sources on Orpheus are two poets, Virgil and Ovid. Referring to some Christian and Neoplatonist authors, he was also recruited to embody a kind of pagan image of the Word.

The name Orpheus, has no recognized etymology but Chantraine believes that it can be linked to the Indo-European *orbho, « separate, remove », hence the Latin orbus, « deprived of ». This refers, of course, to Eurydice.

The myth of Orpheus dates back to before the 6th century BC since a statue of Orpheus playing the lyre was found dating back to 560 BC.

Orpheus gave his name to a mystical current, orphism, known by hymns, and various texts and archaeological inscriptions including the Golden Lamellae. The general idea is that the soul, soiled from the beginning, must undergo a cycle of reincarnations from which only initiation into the mysteries of Orpheus can bring it out. Then she is allowed to join the Gods.

Orphism has never been a socially organized religion. On the contrary, orphism challenged the established order, rejected the values of the Greek cities and their cults. One became orphic by personal choice, after initiation.

Onomacrite was responsible for the writing of the first compilation of poems and orphic hymns. This singular character had been commissioned by Pisistrate, around 525 BC, to prepare the first complete edition of Homer’s poems, the Iliad and the Odyssey. He was also a diviner, an initiate in mysteries, who traded in oracles. Herodotus tells us that Greek tyrants, dethroned and refugees at the court of Persia, the Pisistratids, called upon his talents to invent oracles in order to incite Xerxes I to start the second medieval war in 481 B.C.

Religion and politics were in close alliance. The city of Delphi and its Pythia, oracle of Apollo, had also taken the side of the Persians. The battle of Salamis proved them wrong. After the Greek victory, Delphi claimed to have been protected by divine intervention. Herodotus attests it: « As the Barbarians approached the temple of Minerva Pronaea, lightning fell on them; rocky quarters, detaching themselves from the top of the Parnassus and rolling with a horrible noise, crushed a great number of them. At the same time, voices and war cries were heard coming out of the temple of Minerva Pronaea. » i

Aristophanes makes fun of Orphic sects in The Birds. He denounces its charlatanism. Plato and Theophrastus present them as gyrovagal priests, selling cheap purifications to a gullible public.


However, the Orphic ideas were conscientiously taken up by neo-Pythagoreans and Neo-Platonists.

The main myth of orphism is the killing of Dionysus by the Titans, who cut him into pieces and then devoured him. Furious, Zeus struck down the latter, and from their ashes were born humans.

Men therefore have a double ancestry. They descend from the Titans, but also from the Gods, through the flesh of devoured Dionysus, also being part of the ashes from which humans are derived. There is an analogy, if not obvious at all, with Christian communion.

Christ was put to death, and his followers share his flesh and blood in memory of him.

Let’s go back to the Dionysian myth.

Persephone, Dionysus-Zagreus’ mother, never forgave the murder and devouring of her son. She then condemned man to wander unceasingly, from incarnation to incarnation. How could offspring from the ashes, from the corpses of the Titans, these eaters of God, be allowed to enter the divine world?

The gold or bone slides found in various tombs indicate that the Orphic and Pythagorean sects gave the initiates hope of deliverance upon their arrival in the afterlife. But on one condition, not to go the wrong way. If one turns left, it’s the fatal mistake. One falls into the spring of Lethe, which plunges the soul into oblivion. If you turn right, it’s the right choice. You find the source of the goddess Mnemosyne who reminds souls of their memory and reminds them of their divine origin.

The golden slice that the deceased initiate takes with him to his grave is a kind of reminder:

« You will find a spring to the left of Hades’ house,

and near her, standing up, a white cypress tree:

from this source, stay away from it.

You will find a second source, the cold water that flows

of Lake Mnemosyne; in front of them stand guards.

Say: « I am the son of the Earth and the Starry Sky;

my race is heavenly, and you know that too…

I am dried up from thirst and I will perish: give me therefore

quickly the cold water that flows from Lake Memory.

And they themselves will give you something to drink from the divine source;

and from that moment on, among the other heroes, you will rule.

And from that moment on, with the other heroes, you will be sovereign. » ii

iHérodotus, VIII, 35-38

iiLamelles d’or orphiques. Instructions pour le voyage d’outre-tombe des initiés grecs, lamelle de Pétélia ( 5th century BC), Ed. by Giovanni Pugliese Carratelli, Les Belles Lettres, 2003, p. 61.