What The Hidden God Does Reveal


« Cyrus the Great. The First Man the Bible calls the Messiah ».


Taken together, the Self, the inner being, hidden in its abyss, under several veils, and the Ego, the outer being, filled with sensations, thoughts, feelings, vibrating with the life of circumstances and contingencies, offer the image of a radical duality.
This constitutive, intrinsic duality is analogous, it seems to me, to that of the God who ‘hides’ Himself, but who nevertheless reveals Himself in some way, and sometimes lets Himself be seen (or understood).
This is a very ancient (human) experience of the divine. Far from presenting Himself to man in all His glory, God certainly hides Himself, everywhere, all the time, and in many ways.
There are indeed many ways for Him to let Himself be hidden.
But how would we know that God exists, if He were always, irremediably, hidden?
First of all, the Jewish Scriptures, and not the least, affirm that He is, and that He is hidden. Isaiah proclaims:
Aken attah El misttatter. אָכֵן, אַתָּה אֵל מִסְתַּתֵּר .

Word for word: « Truly, You, hidden God » i.

Moreover, though admittedly a negative proof, it is easy to see how many never see Him, always deny Him, and ignore Him without remorse.
But, although very well hidden, God is discovered, sometimes, it is said, to the pure, to the humble, and also to those who ‘really’ seek Him.


Anecdotes abound on this subject, and they must be taken for what they are worth. Rabindranath Tagore wrote: « There was a curious character who came to see me from time to time and used to ask all sorts of absurd questions. Once, for example, he asked me, ‘Have you ever seen God, Sir, with your own eyes?’ And when I had to answer him in the negative, he said that he had seen Him. ‘And what did you see?’ I asked. – ‘He was agitated, convulsing and pulsating before my eyes’, he answered.» ii


I liked this last sentence, at first reading, insofar as the divine seemed to appear here (an undeniable innovation), not as a noun, a substance, or any monolithic or monotheistic attribute, but in the form of three verbs, knotted together – ‘agitate’, ‘convulse’, ‘palpitate’.


Unfortunately, either in metaphysical irony or as a precaution against laughter, the great Tagore immediately nipped this embryonic, agitated, convulsive and palpitating image of divinity in the bud in the very next sentence, inflicting on the reader a brief and Jesuitical judgment: « You can imagine that we were not interested in engaging in deep discussions with such an individual. » iii


For my part, on the contrary, I could not imagine that.
It is certain that, whatever it may be, the deep « nature », the « essence » of God, is hidden much more often than it shows itself or lets itself be found.

About God, therefore, the doubt lasts.
But, from time to time, sparks fly. Fires blaze. Two hundred and fifty years before the short Bengali theophany just mentioned, Blaise Pascal dared a revolutionary and anachronistic (pre-Hegelian and non-materialist) dialectic, of the ‘and, and’ type. He affirmed that « men are at the same time unworthy of God and capable of God: unworthy by their corruption, capable by their first nature » iv.


Man: angel and beast.

The debate would be very long, and very undecided.
Excellent dialectician, Pascal specified, very usefully:
« Instead of complaining that God has hidden himself, you will give him thanks that he has discovered himself so much; and you will give him thanks again that he has not discovered himself to the superb wise men, unworthy of knowing a God so holy. » v
Sharp as a diamond, the Pascalian sentence never makes acceptance of the conveniences and the clichés, of the views of the PolitBuro of all obediences, and of the religious little marquis.
Zero tolerance for any arrogance, any smugness, in these transcendent subjects, in these high matters.
On the other hand, what a balance, on the razor blade, between extremes and dualisms, not to blunt them, but to exacerbate them, to magnify them:
« If there were no darkness man would not feel his corruption, if there were no light man would not hope for a remedy, so it is not only right, but useful for us that God be hidden in part and discovered in part since it is equally dangerous for man to know God without knowing his misery, and to know his misery without knowing God. » vi
This is not all. God makes it clear that He is hiding. That seems to be His strategy. This is how He wants to present Himself, in His creation and with man, with His presence and with His absence…
« That God wanted to hide himself.
If there were only one religion, God would be very obvious. Likewise, if there were only martyrs in our religion.

God being thus hidden, any religion which does not say that God is hidden is not true, and any religion which does not give the reason for it is not instructive. Ours does all this. Vere tu es deus absconditus.vii« 


Here, Pascal quotes Isaiah in Latin. « Truly, You are a hidden God. »
Deus absconditus.

I prefer, for my part, the strength of Hebrew sound: El misttatter.

How would we have known that God was hidden if Scripture had not revealed Him?
The Scripture certainly reveals Him, in a clear and ambiguous way.
« It says in so many places that those who seek God will find him. It does not speak of this light as the day at noon. It is not said that those who seek the day at noon, or water in the sea, will find it; and so it is necessary that the evidence of God is not such in nature; also it tells us elsewhere: Vere tu es Deus absconditus. » viii
Absconditus in Latin, misttatter in Hebrew, caché in French.

But, in the Greek translation of this verse of Isaiah by the seventy rabbis of Alexandria, we read:

σὺ γὰρ εἶ θεός, καὶ οὐκ ᾔδειμεν
Su gar eï theos, kai ouk êdeimen.

Which litterally means: « Truly You are God, and we did not know it »… A whole different perspective appears, then. Languages inevitably bring their own veils.
How do we interpret these variations? The fact that we do not know whether God is ‘really God’, or whether He is ‘really hidden’, does not necessarily imply that He might not really be God, or that He will always be hidden.
Pascal states that if God has only appeared once, the chances are that He is always in a position to appear again, when He pleases.
But did He appear only once? Who can say with absolute certainty?
On the other hand, if He really never appeared to any man, then yes, we would be justified in making the perfectly reasonable observation that the divinity is indeed ‘absent’, and we would be led to make the no less likely hypothesis that it will remain so. But this would not prevent, on the other hand, that other interpretations of this absence could be made, such as that man is decidedly unworthy of the divine presence (hence his absence), or even that man is unworthy of the consciousness of this absence.


Now Pascal, for his part, really saw God, – he saw Him precisely on Monday, November 23, 1654, from half past ten in the evening to half past midnight. « Fire. God of Abraham, God of Isaac, God of Jacob, not God of the philosophers and scholars. Certainty. Certainty. Feeling. Joy. Peace. God of Jesus Christ. » ix
This point being acquired (why put in doubt this writing of Pascal, discovered after his death, and sewn in the lining of his pourpoint?), one can let oneself be carried along by the sequences, the deductions and the exercise of reason that Pascal himself proposes.


« If nothing of God had ever appeared, this eternal deprivation would be equivocal, and could just as well refer to the absence of any divinity as to the unworthiness of men to know it; but the fact that he appears sometimes, and not always, removes the equivocation. If he appears once, he is always; and thus one cannot conclude anything except that there is a God, and that men are unworthy of him» x.
Pascal’s reasoning is tight, impeccable. How can one not follow it and approve its course? It must be admitted: either God has never appeared on earth or among men, or He may have appeared at least once or a few times.
This alternative embodies the ‘tragic’ question, – a ‘theatrical’ question on the forefront of the world stage…
One must choose. Either the total and eternal absence and disappearance of God on earth, since the beginning of time, or a few untimely divine appearances, a few rare theophanies, reserved for a few chosen ones…


In all cases, God seemed to have left the scene of the world since His last appearance, or to have decided never to appear again, thus putting in scene His deliberate absence. But, paradoxically, the significance of this absence had not yet been perceived, and even less understood, except by a tiny handful of out-of-touch thinkers, for whom, in the face of this absence of God, « no authentic human value has any more necessary foundation, and, on the other hand, all non-values remain possible and even probable. » xi
A Marxist and consummate dialectician, Lucien Goldmann, devoted his thesis to the ‘hidden god’. He established a formal link between the theophany staged by Isaiah, and the ‘tragic vision’ incarnated by Racine, and Pascal.
« The voice of God no longer speaks to man in an immediate way. Here is one of the fundamental points of the tragic thought. Vere tu es Deus absconditus‘, Pascal will write. » xii
Pascal’s quotation of the verse from Isaiah will be taken up several times by Goldmann, like an antiphon, and even in the title of his book.
« Deus absconditus. Hidden God. Fundamental idea for the tragic vision of God, and for Pascal’s work in particular (…): God is hidden from most men but he is visible to those he has chosen by granting them grace. » xiii


Goldmann interprets Pascal in his own strictly ‘dialectical’ way. He rejects any reading of Pascal according to binary oppositions ‘either…or…’. « This way of understanding the idea of the hidden God would be false and contrary to the whole of Pascalian thought which never says yes or no but always yes and no. The hidden God is for Pascal a God who is present and absent and not present sometimes and absent sometimes; but always present and always absent. » xiv
The constant presence of opposites and the work of immanent contradiction demand it. And this presence of opposites is itself a very real metaphor for the absent presence (or present absence) of the hidden God.
« The being of the hidden God is for Pascal, as for the tragic man in general, a permanent presence more important and more real than all empirical and sensible presences, the only essential presence. A God always absent and always present, that is the center of tragedy. » xv


But what does ‘always present and always absent‘ really mean?
This is the ‘dialectical’ answer of a Marxist thinker tackling the (tragic) theophany of absence, – as seen by the prophet Isaiah, and by Pascal.
In this difficult confrontation with such unmaterialist personalities, Goldmann felt the need to call to the rescue another Marxist, Georg von Lucàcs, to support his dialectical views on the absent (and present) God.
« In 1910, without thinking of Pascal, Lucàcs began his essay: ‘Tragedy is a game, a game of man and his destiny, a game in which God is the spectator. But he is only a spectator, and neither his words nor his gestures are ever mixed with the words and gestures of the actors. Only his eyes rest on them’. xvi

To then pose the central problem of all tragic thought: ‘Can he still live, the man on whom God’s gaze has fallen?’ Is there not incompatibility between life and the divine presence? » xvii


It is piquant to see a confirmed Marxist make an implicit allusion to the famous passage in Exodus where the meeting of God and Moses on Mount Horeb is staged, and where the danger of death associated with the vision of the divine face is underlined.
It is no less piquant to see Lucàcs seeming to confuse (is this intentional?) the ‘gaze of God’ falling on man with the fact that man ‘sees the face’ of God…
It is also very significant that Lucàcs, a Marxist dialectician, combines, as early as 1910, an impeccable historical materialism with the storm of powerful inner tensions, of deep spiritual aspirations, going so far as to affirm the reality of the ‘miracle’ (for God alone)…

What is perhaps even more significant is that the thought of this Hungarian Jew, a materialist revolutionary, seems to be deeply mixed with a kind of despair as to the human condition, and a strong ontological pessimism, tempered with a putative openness towards the reality of the divine (miracle)…
« Daily life is an anarchy of chiaroscuro; nothing is ever fully realized, nothing reaches its essence… everything flows, one into the other, without barriers in an impure mixture; everything is destroyed and broken, nothing ever reaches the authentic life. For men love in existence what it has of atmospheric, of uncertain… they love the great uncertainty like a monotonous and sleepy lullaby. They hate all that is univocal and are afraid of it (…) The man of the empirical life never knows where his rivers end, because where nothing is realized everything remains possible (…) But the miracle is realization (…) It is determined and determining; it penetrates in an unforeseeable way in the life and transforms it in a clear and univocal account. He removes from the soul all its deceptive veils woven of brilliant moments and vague feelings rich in meaning; drawn with hard and implacable strokes, the soul is thus in its most naked essence before his gaze. »
And Lucàcs to conclude, in an eminently unexpected apex: « But before God the miracle alone is real. » xviii

Strange and provocative sentence, all the more mysterious that it wants to be materialist and dialectic…


Does Lucàcs invite man to consider history (or revolution) as a miracle that he has to realize, like God? Or does he consider historical materialism as the miraculous unfolding of something divine in man?
Stranger still is Lucien Goldmann’s commentary on this sentence of Lucàcs:
« We can now understand the meaning and importance for the tragic thinker and writer of the question: ‘Can the man on whom God’s gaze has fallen still live?’» xix

But, isn’t the classic question rather: ‘Can the man who looks up to God still live?
Doesn’t Lucàcs’ new, revised question, taken up by Goldmann, imply a univocal answer ? Such as : – ‘For man to live, God must be hidden’ or even, more radically: ‘For man to live, God must die’.
But this last formulation would undoubtedly sound far too ‘Christian’…

In the end, can God really ‘hide’ or a fortiori can He really ‘die’?
Are these words, ‘hide’, ‘die’, really compatible with a transcendent God?
Is Isaiah’s expression, ‘the hidden God’ (El misttatter), clear, univocal, or does it itself hide a universe of less apparent, more ambiguous meanings?
A return to the text of Isaiah is no doubt necessary here. In theory, and to be complete, it would also be necessary to return to other religious traditions, even more ancient than the Jewish one, which have also dealt with the theme of the hidden god (or the unknown god), notably the Vedic tradition and that of ancient Egypt.
The limits of this article do not allow it. Nevertheless, it must be said emphatically that the intuition of a ‘hidden god’ is probably as old as humanity itself.
However, it must be recognized that Isaiah has, from the heart of Jewish tradition, strongly and solemnly verbalized the idea of the ‘hidden God’, while immediately associating it with that of the ‘saving God’.
 אָכֵן, אַתָּה אֵל מִסְתַּתֵּר–אֱלֹהֵי יִשְׂרָאֵל, מוֹשִׁיעַ. 
Aken attah, El misttatter – Elohai Israel, mochi’a.
« Truly, You, hidden God – God of Israel, Savior. » xx
A few centuries after Isaiah, the idea of the God of Israel, ‘hidden’ and ‘savior’, became part of the consciousness called, perhaps too roughly, ‘Judeo-Christian’.
It is therefore impossible to understand the semantic value of the expression « hidden God » without associating it with « God the savior », in the context of the rich and sensitive inspiration of the prophet Isaiah.
Perhaps, moreover, other metaphorical, anagogical or mystical meanings are still buried in Isaiah’s verses, so obviously full of a sensitive and gripping mystery?


Shortly before directly addressing the ‘hidden God’ and ‘savior’, Isaiah had reported the words of the God of Israel addressing the Persian Cyrus, – a key figure in the history of Israel, at once Persian emperor, savior of the Jewish people, figure of the Messiah, and even, according to Christians, a prefiguration of Christ. This last claim was not totally unfounded, at least on the linguistic level, for Cyrus is clearly designated by Isaiah as the « Anointed » (mochi’a)xxi of the Lord. Now the Hebrew word mochi’a is translated precisely as christos, ‘anointed’ in Greek, and ‘messiah‘ in English.


According to Isaiah, this is what God said to His ‘messiah’, Cyrus:
« I will give you treasures (otserot) in darkness (ḥochekh), and hidden (misttarim) riches (matmunei) , that you may know that I am YHVH, calling you by your name (chem), – the God of Israel (Elohai Israel). » xxii


Let us note incidentally that the word matmunei, ‘riches’, comes from the verb טָמַן, taman, ‘to hide, to bury’, as the verse says: « all darkness (ḥochekh) bury (tamun) his treasures » xxiii.
We thus learn that the ‘treasures’ that Isaiah mentions in verse 45:3, are triply concealed: they are in ‘darkness’, they are ‘buried’ and they are ‘hidden’…


The accumulation of these veils and multiple hiding places invites us to think that such well hidden treasures are only ever a means, a pretext. They hide in their turn, in reality, the reason, even more profound, for which they are hidden…


These treasures are perhaps hidden in the darkness and they are carefully buried, so that Cyrus sees there motivation to discover finally, he the Anointed One, what it is really necessary for him to know. And what he really needs to know are three names (chem), revealed to him, by God… First the unspeakable name, ‘YHVH’, then the name by which YHVH will henceforth call Cyrus, (a name which is not given by Isaiah), and finally the name Elohéï Israel (‘God of Israel’).

As for us, what we are given to know is that the ‘hidden God’ (El misttatter) is also the God who gives Cyrus ‘hidden riches’ (matmunei misttarim).
The verbal root of misttatter and misttarim is סָתַר, satar. In the Hithpael mode, this verb takes on the meaning of ‘to hide’, as in Is 45:15, « You, God, hide yourself », or ‘to become darkened’, as in Is 29:14, « And the mind will be darkened ».

In the Hiphil mode, the verb satar, used with the word panim, ‘face’, takes on the meaning of ‘covering the face’, or ‘turning away the face’, opening up other moral, mystical or anagogical meanings.
We find satar and panim associated in the verses: « Moses covered his face » (Ex 3:6), « God turned away his face » (Ps 10:11), « Turn away your face from my sins » (Ps 51:11), « Do not turn away your face from me » (Ps 27:9), « Your sins make him turn his face away from you » (Is 59:2).

Note that, in the same verbal mode, satar can also take on the meaning of « to protect, to shelter », as in: « Shelter me under the shadow of your wings » (Ps 17:8).
In biblical Hebrew, there are at least a dozen verbal roots meaning « to hide » xxiv , several of which are associated with meanings evoking material hiding places (such as « to bury », « to preserve », « to make a shelter »). Others, rarer, refer to immaterial hiding places or shelters and meanings such as ‘keep’, ‘protect’.
Among this abundance of roots, the verbal root satar offers precisely the particularityxxv of associating the idea of « hiding place » and « secret » with that of « protection », carried for example by the word sétèr: « You are my protection (sétèr) » (Ps 32:7); « He who dwells under the protection (sétèr) of the Most High, in the shadow (tsèl) of the Almighty » (Ps 91:1).xxvi


Isaiah 45:15, « Truly, You, the hidden God, » uses the verbal root satar for the word « hidden » (misttatter). Satar thus evokes not only the idea of a God « who hides » but also connotes a God « who protects, shelters » and « saves » (from the enemy or from affliction).
Thus we learn that the God « who hides » is also the God « who reveals ». And, what He reveals of His Self does « save ».

_________________________


iIs 45, 15

iiRabindranath Tagore. Souvenirs. 1924. Gallimard. Knowledge of the Orient, p. 185

iiiRabindranath Tagore. Souvenirs. 1924. Gallimard. Knowledge of the Orient, p. 185

ivPascal. Thoughts. Fragment 557. Edition by Léon Brunschvicg. Paris, 1904

vPascal. Thoughts. Fragment 288. Edition by Léon Brunschvicg. Paris, 1904

viPascal. Thoughts. Fragment 586. Edition by Léon Brunschvicg. Paris, 1906

viiPascal. Thoughts. Fragment 585. Edition by Léon Brunschvicg. Paris, 1904

viiiPascal. Thoughts. Fragment 242. Edition by Léon Brunschvicg. Paris, 1904

ixPascal. Memorial. In Pensées, Edition by Léon Brunschvicg. Paris, 1904, p.4

xPascal. Thoughts. Fragment 559. Edition by Léon Brunschvicg. Paris, 1904

xiLucien Goldmann. The Hidden God. Study on the tragic vision in Pascal’s Pensées and in Racine’s theater. Gallimard. 1955, p. 44. Expressions in italics are by the author.

xiiLucien Goldmann. The Hidden God. Study on the tragic vision in Pascal’s Pensées and in Racine’s theater. Gallimard. 1955, p. 45

xiiiLucien Goldmann. The Hidden God. Study on the tragic vision in Pascal’s Pensées and in Racine’s theater. Gallimard. 1955, p. 46

xivLucien Goldmann. The Hidden God. Study on the tragic vision in Pascal’s Pensées and in Racine’s theater. Gallimard. 1955, p. 46. Expressions in italics are by the author.

xvLucien Goldmann. The Hidden God. Study on the tragic vision in Pascal’s Pensées and in Racine’s theater. Gallimard. 1955, p. 46-47. Expressions in italics are by the author.

xviLucien Goldmann. The Hidden God. Study on the tragic vision in Pascal’s Pensées and in Racine’s theater. Gallimard. 1955, p. 46-47. Expressions in italics are by the author.

xviiLucien Goldmann. The Hidden God. Study on the tragic vision in Pascal’s Pensées and in Racine’s theater. Gallimard. 1955, p. 47

xviiiGeorg von Lucàcs. Die Seele und dir Formen. p. 328-330, quoted in Lucien Goldmann. The Hidden God. Study on the tragic vision in Pascal’s Pensées and in Racine’s theater. Gallimard. 1955, p. 48-49

xixLucien Goldmann. The Hidden God. Study on the tragic vision in Pascal’s Pensées and in Racine’s theater. Gallimard. 1955, p. 49

xxIs 45,15

xxi« Thus says the LORD to his Anointed, to Cyrus, Is 45:1.

xxiiוְנָתַתִּי לְךָ אוֹצְרוֹת חֹשֶׁךְ, וּמַטְמֻנֵי מִסְתָּרִים: לְמַעַן תֵּדַע, כִּי-אֲנִי יְהוָה הַקּוֹרֵא בְשִׁמְךָ–אֱלֹהֵי יִשְׂרָאֵל . (Is 45.3)

xxiiiJob 20.26

xxivIt would be out of place to make an exhaustive analysis of this in this article, but we will return to it later. The roots in question are as follows: חבא, חבה, טמן ,כּחד,כּסה, נצר, כּפר, סכךְ, סתם, סתר, עמם, עלם. They cover a wide semantic spectrum: ‘to hide, to hide, to bury, to cover, to cover, to keep, to guard, to protect, to preserve, to make a shelter, to close, to keep secret, to obscure, to be obscure’.

xxvAs well as the verbal roots צפן and סכךְ, although these have slightly different nuances.

xxviIt would be indispensable to enter into the depths of the Hebrew language in order to grasp all the subtlety of the semantic intentions and the breadth of the metaphorical and intertextual evocations that are at stake. Only then is it possible to understand the ambivalence of the language, which is all the more amplified in the context of divine presence and action. The same verbal root (tsur) indeed evokes both ‘enemy’ and ‘protection’, ‘fight’ and ‘shelter’, but also subliminally evokes the famous ‘rock’ (tsur) in the cleft of which God placed Moses to ‘protect’ him when He appeared to him in His glory on Mount Horeb. « I will place you in the cleft of the rock (tsur) and I will shelter you (or hide you, – verb שָׂכַךֽ sakhakh) from my ‘hand’ (kaf, literally, from my ‘hollow’) until I have passed over. « (Ex 33:22) For example, puns and alliterations proliferate in verse 7 of Psalm 32. Just after the first hemisphere ‘You are my protection (attah seter li)’, we read: מִצַּר תִּצְּרֵנִי , mi-tsar ti-tsre-ni (« from the enemy, or from affliction, you save me »). There is here a double alliteration playing on the phonetic proximity of the STR root of the word sétèr (‘protection’), of the TSR root of the word tsar, denoting the enemy or affliction, and of the tsar verb ‘to protect, guard, save’. This is not just an alliteration, but a deliberate play on words, all derived from the verbal root צוּר , tsour, ‘to besiege, fight, afflict; to bind, enclose’: – the word צַר, tsar, ‘adversary, enemy; distress, affliction; stone’; – the word צוּר , tsur, ‘rock, stone’; – the verb צָרַר, tsar, ‘to bind, envelop, guard; oppress, fight; be cramped, be afflicted, be in anguish’.

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